Recordings made Wednesday, April 27, 1927
| Company | Matrix Number | First Take Date | Title | Primary Performer | |
|---|---|---|---|---|---|
| Victor | CVE-37489 | 4/27/1927 | Symphony no. 1, in C minor | Philadelphia Orchestra ; Leopold Stokowski | |
| Victor | CVE-37490 | 4/27/1927 | Symphony no. 1, in C minor | Philadelphia Orchestra ; Leopold Stokowski | |
| Victor | CVE-37491 | 4/27/1927 | Symphony no. 1, in C minor | Philadelphia Orchestra ; Leopold Stokowski | |
| Victor | CVE-37492 | 4/27/1927 | Symphony no. 1, in C minor | Philadelphia Orchestra ; Leopold Stokowski | |
| Victor | BVE-37493 | 4/27/1927 | Only a step | Elwood Ivins Solo Male Quartet | |
| Victor | BVE-38011 | 4/27/1927 | Tiger rag | Charles Dornberger Orchestra | |
| Victor | BVE-38012 | 4/27/1927 | One sweet letter from you | Charles Dornberger Orchestra | |
| Victor | BVE-38013 | 4/27/1927 | My sweetheart waltz | Charles Dornberger Orchestra | |
| Victor | BVE-38014 | 4/27/1927 | Red lips, kiss my blues away | Charles Dornberger Orchestra | |
| Victor | BVE-38159 | 3/11/1927 | Oh! Lizzie | Fletcher Henderson's Orchestra | |
| Victor | BVE-38366 | 4/27/1927 | Serenatina | Juan Pulido | |
| Victor | BVE-38367 | 4/27/1927 | Canción española | José Moriche | |
| Victor | BVE-38368 | 4/27/1927 | Tired hands | Henry Burr | |
| Victor | BVE-38369 | 4/27/1927 | La voz del corneta en campaña | International Band | |
| Victor | BVE-38370 | 4/27/1927 | Antioqueños al mar | International Band | |
| Victor | BVE-38371 | 4/27/1927 | Amor de torero | International Band | |
| Victor | BVE-38372 | 4/27/1927 | Dos almas unidas | International Band | |
| Victor | BVE-38494 | 4/27/1927 | I'll be with you when the roses bloom again | Vernon Dalhart | |
| Victor | BVE-38495 | 4/27/1927 | The Mississippi flood | Vernon Dalhart | |
| Victor | BVE-38496 | 4/27/1927 | St. Louis shuffle | Fletcher Henderson's Orchestra | |
| Victor | BVE-38497 | 4/27/1927 | Variety stomp | Fletcher Henderson's Orchestra | |
| Victor | BVE-[Unnumbered 1927-04-27-01] | 4/27/1927 | High dives | Charles Dornberger Orchestra | |
| Victor | PBVE-262 | 4/20/1927 | Dixie vagabond | Ben Black Orchestra | |
| Victor | PBVE-263 | 4/20/1927 | Rosa Lee | Ben Black Orchestra | |
| Victor | PBVE-264 | 4/20/1927 | Three o'clock in the morning | Irene Frederick ; Al Mason [i.e., Joe Malika] | |
| Victor | PBVE-265 | 4/20/1927 | The Missouri waltz | Irene Frederick ; Al Mason [i.e., Joe Malika] | |
| Victor | PBVE-269 | 4/20/1927 | Kane's blues | Kane's Hawaiians | |
| Victor | PBVE-294 | 4/27/1927 | You don't like it, not much | Kane's Hawaiians | |
| Victor | PBVE-295 | 4/27/1927 | Hula blues | Kane's Hawaiians | |
| Victor | PBVE-296 | 4/27/1927 | Hano hano Hawaii | Kane's Hawaiians | |
| Victor | PBVE-297 | 4/27/1927 | Hilo-Hawaiian march | Kane's Hawaiians | |
| Victor | [Trial 1927-04-27-01] | 4/27/1927 | Mensaje | Luis Alberto Sánchez | |
| Victor | [Trial 1927-04-27-02] | 4/27/1927 | Noche azul | Rita Montaner | |
| Columbia | W144052 | 4/27/1927 | Fifty million Frenchmen can't be wrong | Ted Lewis and his Band | |
| Columbia | W144053 | 4/27/1927 | One sweet letter from you | Ted Lewis and his Band | |
| Columbia | W144054 | 4/27/1927 | Roll up the carpets | Paul Specht Orchestra | |
| Columbia | W144055 | 4/27/1927 | Hot feet | Johnny Morris ; Paul Specht Orchestra | |
| Columbia | W144056 | 4/27/1927 | Now I won't be blue | Art Gillham ; Southland Syncopators | |
| Columbia | W144057 | 4/27/1927 | I'd walk a million miles (To be a little bit nearer to you) | Art Gillham ; Southland Syncopators | |
| Columbia | W144058 | 4/27/1927 | I love you but I don't know why | Art Gillham ; Southland Syncopators | |
| Columbia | W91729 | 4/27/1927 | Prelude, chorale and fugue | Marion Roberts | |
| Columbia | W91730 | 4/27/1927 | Prelude, chorale and fugue | Marion Roberts | |
| Columbia | W91731 | 4/27/1927 | Prelude, chorale and fugue | Marion Roberts | |
| Columbia | W91732 | 4/27/1927 | Prelude, chorale and fugue | Marion Roberts | |
| OKeh | W80761 | 4/27/1927 | Starvation blues | Jesse Stone’s Blues Serenaders | |
| OKeh | W80762 | 4/27/1927 | In Susie's basement | Jesse Stone’s Blues Serenaders | |
| OKeh | W80763 | 4/27/1927 | Boot to boot | Jesse Stone’s Blues Serenaders | |
| OKeh | W80764 | 4/27/1927 | Shufflin' blues | Jesse Stone’s Blues Serenaders | |
| OKeh | W80765 | 4/27/1927 | A broken heart that never smiles | Lonnie Johnson | |
| OKeh | W80766 | 4/27/1927 | Steady grind | Victoria Spivey | |
| OKeh | W80767 | 4/27/1927 | Idle hour blues | Victoria Spivey | |
| OKeh | W80768 | 4/27/1927 | Arkansas road blues | Victoria Spivey | |
| OKeh | W80769 | 4/27/1927 | The alligator pond went dry | Victoria Spivey | |
| OKeh | W80770 | 4/27/1927 | No. 12, let me roam | Victoria Spivey | |
| OKeh | W80771 | 4/27/1927 | T - B blues | Victoria Spivey | |
| Brunswick | E4857-E4859 | 4/27/1927 | Take your black bottom dance outside | Clarence Williams’ Blue Five | |
| Brunswick | E4860-E4862 | 4/27/1927 | Baltimore | Clarence Williams’ Blue Five | |
| Brunswick | XE22659-XE22661 | 4/27/1927 | Nun é Carmela mia | Giuseppe Milano | |
| Brunswick | XE22662-XE22663 | 4/27/1927 | Core è frate | Giuseppe Milano | |
| Brunswick | XE22664-XE22665 | 4/27/1927 | Te lasso | Giuseppe Milano and Co. | |
| Brunswick | XE22666-XE22667 | 4/27/1927 | Piscatore e Pusilleco | Giuseppe Milano and Co. | |
| Brunswick | E22668-E22670 | 4/27/1927 | My dreams | Mario Chamlee | |
| Brunswick | E22671-E22672 | 4/27/1927 | Recondita armonia | Mario Chamlee | |
| Brunswick | E22673-E22675 | 4/27/1927 | Siciliana | Mario Chamlee | |
| Brunswick | E22676-E22679 | 4/27/1927 | The doll dance | Lew White | |
| Brunswick | E22680-E22682 | 4/27/1927 | Underneath the weeping willow | Lew White | |
| Brunswick | C837 | 4/27/1927 | Michigan City blues | Joseph Stoval | |
| Brunswick | C838 | 4/27/1927 | My heart blues | Joseph Stoval | |
| Brunswick | C834-C836 | 4/27/1927 | Black snake blues | Dixie Syncopators ; King Oliver | |
| Brunswick | C870-C871 | 4/27/1927 | Down in Black Bottom | Bert Snake Root Hatton | |
| Brunswick | C872-C873 | 4/27/1927 | Freakish rider blues | Bert Snake Root Hatton | |
| Brunswick | C874-C875 | 4/27/1927 | Joe Boy blues | May Armstrong | |
| Brunswick | C876-C877 | 4/27/1927 | Lonesome Atlanta blues | May Armstrong | |
| Brunswick | C878-C879 | 4/27/1927 | Wood chopping blues | May Armstrong | |
| Brunswick | C880-C881 | 4/27/1927 | Nobody can take his place | May Armstrong | |
| Brunswick | C882-C883 | 4/27/1927 | Don’t beg your man back | May Armstrong | |
| Brunswick | C884-C885 | 4/27/1927 | Sweetest man blues | May Armstrong | |
| Edison | 11666 | 4/27/1927 | Silver moon | Jack Stillman Orchestra | |
| Edison | 11667 | 4/27/1927 | Yesterday | Jack Stillman Orchestra | |
| Edison | 11668 | 4/27/1927 | I adore you | Cass Hagan Orchestra | |
| Edison | 11669 | 4/27/1927 | Lily | Cass Hagan Orchestra | |
| Gennett | 12749 | 4/27/1927 | True and trembling brakeman | Aulton Ray | |
| Gennett | 12750 | 4/27/1927 | Will you love me when I'm old | Aulton Ray | |
| Gennett | 12753 | 4/27/1927 | Coal Creek march | Marion Underwood | |
| Columbia (U.K.) | WB1370 | 4/27/1927 | Voi che sapete | Rosetta Pampanini | |
| Columbia (U.K.) | WB1371 | 4/27/1927 | La danza | Rosetta Pampanini |
= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.
Citation
Discography of American Historical Recordings, s.v. "Recordings made on Wednesday, April 27, 1927," accessed December 12, 2025, http://adp.library.ucsb.edu/index.php/date/browse?date=1927-04-27.
Recordings made on Wednesday, April 27, 1927. (2025). In Discography of American Historical Recordings. Retrieved December 12, 2025, from http://adp.library.ucsb.edu/index.php/date/browse?date=1927-04-27.
Recordings made on Wednesday, April 27, 1927." Discography of American Historical Recordings. UC Santa Barbara Library, 2025. Web. 12 December 2025.
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