Recordings made Wednesday, April 8, 1925
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= Recordings are available for online listening. 
= Recordings were issued from this master. No recordings issued from other masters.
| Company | Matrix Number | Size | First Take Date | Title | Primary Performer | Description | |
|---|---|---|---|---|---|---|---|
| Victor | BVE-31839 | 10-in. | 4/8/1925 | Charity | Richard Crooks | Tenor vocal solo, with orchestra | |
| Victor | BVE-31840 | 10-in. | 4/8/1925 | Sacrament | Richard Crooks | Tenor vocal solo, with orchestra | |
| Victor | BVE-32144 | 10-in. | 4/8/1925 | The green hills of Ireland | Richard Crooks | Tenor vocal solo, with orchestra | |
| Victor | BVE-32145 | 10-in. | 4/8/1925 | In the wee little home I love | Richard Crooks | Tenor vocal solo, with orchestra | |
| Victor | B-32404 | 10-in. | 4/8/1925 | Les deux serenades | Georgie Gifford | Female vocal solo, with violin and piano | |
| Victor | B-32405 | 10-in. | 4/8/1925 | Elegie | Georgie Gifford | Female vocal solo, with violin and piano | |
| Victor | B-32406 | 10-in. | 4/8/1925 | In the purple twilight | International Novelty Orchestra | Orchestra | |
| Victor | B-32407 | 10-in. | 4/8/1925 | Amor, amor | Orquesta Internacional | Orchestra, with male vocal solo | |
| Victor | B-32408 | 10-in. | 4/8/1925 | Ja so ein Rutscher | Adolf Engel | Male vocal solo, with orchestra | |
| Victor | B-32409 | 10-in. | 4/8/1925 | Im roten Hirschen | Adolf Engel | Male vocal solo, with orchestra | |
| Columbia | W140505 | 10-in. | 4/8/1925 | Let it rain | Paul Specht Orchestra | Jazz/dance band | |
| Columbia | W140506 | 10-in. | 4/8/1925 | You're so near and yet so far | Paul Specht Orchestra | Jazz/dance band | |
| Edison | 10305 | 10-in. | 4/8/1925 | Grüsse an die Heimat | John F. Burckhardt ; Manhattan Quartet | Male vocal quartet, with organ | |
| Brunswick | TC113-TC118 | 10-in. | 4/8/1925 | I’ll see you in my dreams | Brunswick Hour Orchestra | Instrumental ensemble | |
| Brunswick | 15466-15467 | 10-in. | 4/8/1925 | Scintille, diamant | Giuseppe Danise | Baritone vocal solo, with orchestra | |
| Brunswick | 15468-15469 | 10-in. | 4/8/1925 | O del mio amato ben | Giuseppe Danise | Baritone vocal solo, with orchestra | |
| Brunswick | 15470-15471 | 10-in. | 4/8/1925 | Printemps qui commence | Karin Branzell | Mezzo-soprano vocal solo, with orchestra | |
| Brunswick | 15488-15489 | 10-in. | 4/8/1925 | Passepied | Albert Spalding | Violin solo, with piano | |
| Brunswick | XE15474 | 12-in. | 4/8/1925 | Cavalleria rusticana : Intermezzo | Metropolitan Opera Orchestra | Orchestra | |
| Brunswick | XE15472-XE15473 | 12-in. | 4/8/1925 | Cavalleria rusticana : Prelude | Metropolitan Opera Orchestra ; Gennaro Papi | Orchestra | |
| Brunswick | 663W-664W | 10-in. | 4/8/1925 | Jimtown blues | Tennessee Tooters | Jazz/dance band | |
| Brunswick | 665W-666W | 10-in. | 4/8/1925 | Kansas City stomps | Tennessee Tooters | Jazz/dance band | |
| Edison | 10304 | 10-in. | 4/8/1925 | Ritters Abschied | John F. Burckhardt ; Manhattan Quartet | Male vocal quartet, with organ | |
| Victor | BVE-32193 | 10-in. | 3/31/1925 | Samut und zeid | Joseph Feldman | Male vocal solo, with orchestra | |
| Victor | BVE-32194 | 10-in. | 3/31/1925 | That's all | Joseph Feldman | Male vocal solo, with orchestra | |
| Columbia | W140451 | 10-in. | 3/19/1925 | Our yesterdays | Helen Clark ; Lewis James | Female-male vocal duet, with orchestra | |
| Columbia | W140452 | 10-in. | 3/19/1925 | That little old sweetheart of mine | Lewis James | Male vocal solo, with instrumental trio |
Citation
Discography of American Historical Recordings, s.v. "Recordings made on Wednesday, April 8, 1925," accessed May 10, 2024, https://adp.library.ucsb.edu/index.php/date/browse?date=1925-04-08.
Recordings made on Wednesday, April 8, 1925. (2024). In Discography of American Historical Recordings. Retrieved May 10, 2024, from https://adp.library.ucsb.edu/index.php/date/browse?date=1925-04-08.
Recordings made on Wednesday, April 8, 1925." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 10 May 2024.
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