Recordings made Tuesday, September 15, 1925
| Company | Matrix Number | First Take Date | Title | Primary Performer | |
|---|---|---|---|---|---|
| Victor | BVE-33116 | 7/30/1925 | Land of hope and glory | Victor Male Chorus | |
| Victor | CVE-33194 | 9/1/1925 | War songs | Victor Male Chorus | |
| Victor | BVE-33253 | 9/4/1925 | Ida (I do) | Paul Whiteman Orchestra | |
| Victor | BVE-33273 | 9/12/1925 | Collegiate | The Revelers | |
| Victor | BVE-33361 | 9/2/1925 | Days of hearts and flowers | Paul Whiteman Orchestra | |
| Victor | BVE-33383 | 9/15/1925 | Cecilia | Jack Smith | |
| Victor | BVE-33384 | 9/15/1925 | I care for her and she cares for me | Jack Smith | |
| Victor | BVE-33413 | 9/15/1925 | Tu sonrisa | Juan Pulido | |
| Victor | BVE-33414 | 9/15/1925 | Malagueña | Juan Pulido | |
| Victor | BVE-33415 | 9/15/1925 | Folías | Juan Pulido | |
| Victor | BVE-33416 | 9/15/1925 | Isa | Juan Pulido | |
| Victor | PBVE-126 | 8/26/1925 | Close your eyes | Max Dolin Orchestra | |
| Victor | PBVE-127 | 8/26/1925 | Spanish dance | Max Dolin Orchestra | |
| Victor | [Trial 1925-09-15-01] | 9/15/1925 | Back home in Illinois | Jack Coakley Orchestra | |
| Victor | [Trial 1925-09-15-02] | 9/15/1925 | South bound | Jack Coakley ; Jack Coakley Orchestra | |
| Columbia | 140940 | 9/15/1925 | The co-ed | Billy Wynne Orchestra | |
| Columbia | 140941 | 9/15/1925 | Dreaming of tomorrow | Billy Wynne Orchestra | |
| Columbia | 140942 | 9/15/1925 | Let's wander away | Billy Wynne Orchestra | |
| Columbia | W140968 | 9/15/1925 | The co-ed | Art Kahn Orchestra ; Marty Livingston | |
| Columbia | W140969 | 9/15/1925 | By the waters of Minnetoka | Art Kahn Orchestra | |
| Columbia | W140970 | 9/15/1925 | Lonesome | Art Kahn Orchestra | |
| Columbia | W140971 | 9/15/1925 | Peaceful valley | Art Kahn Orchestra | |
| Columbia | W140972 | 9/15/1925 | Gypsy dreams | Art Kahn Orchestra | |
| Columbia | W140973 | 9/15/1925 | Back home in Illinois | Art Kahn Orchestra ; Marty Livingston | |
| Columbia | 75204 | 10/27/1922 | No. 4. Jupiter-The bringer of jollity | Gustav Holst ; London Symphony Orchestra | |
| Columbia | 75205 | 10/27/1922 | No. 4. Jupiter-The bringer of jollity | Gustav Holst ; London Symphony Orchestra | |
| OKeh | 73615 | 9/15/1925 | Mighty blue | Melody Sheiks | |
| OKeh | 73616 | 9/15/1925 | I'm knee deep in daisies (And head over heels in love) | Sam Lanin ; Melody Sheiks | |
| OKeh | 73617 | 9/15/1925 | Brown eyes, why are you blue? | Sam Lanin ; Melody Sheiks | |
| Brunswick | 1340W-1342W | 9/15/1925 | You told me to go | Selvin’s Orchestra | |
| Brunswick | 1343W-1346W | 9/15/1925 | Oh lovey, be mine | Selvin’s Orchestra | |
| Brunswick | 1347W-1349W | 9/15/1925 | I ain't got nobody (And nobody cares for me) | Tennessee Tooters | |
| Brunswick | 1350W-1352W | 9/15/1925 | Everybody stomp! | Tennessee Tooters | |
| Edison | 10572 | 9/15/1925 | The wreck of the 1256 | Vernon Dalhart and Company | |
| Edison | 10573 | 9/15/1925 | The wreck of the Shenandoah | Vernon Dalhart and Company | |
| Edison | 10574 | 9/15/1925 | Sweet man | Golden Gate Orchestra [California Ramblers] | |
| Edison | 10575 | 9/15/1925 | Brown eyes, why are you blue? | Golden Gate Orchestra [California Ramblers] | |
| Gennett | 9731 | 9/15/1925 | Garland of old fashioned roses | Wilson Harper | |
| Gennett | 9732 | 9/15/1925 | In the evening by the moonlight | Wilson Harper |
= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.
Citation
Discography of American Historical Recordings, s.v. "Recordings made on Tuesday, September 15, 1925," accessed January 5, 2026, http://adp.library.ucsb.edu/index.php/date/browse?date=1925-09-15.
Recordings made on Tuesday, September 15, 1925. (2026). In Discography of American Historical Recordings. Retrieved January 5, 2026, from http://adp.library.ucsb.edu/index.php/date/browse?date=1925-09-15.
Recordings made on Tuesday, September 15, 1925." Discography of American Historical Recordings. UC Santa Barbara Library, 2026. Web. 5 January 2026.
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