Recordings made Sunday, January 31, 1926
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= Recordings are available for online listening. 
= Recordings were issued from this master. No recordings issued from other masters.
| Company | Matrix Number | Size | First Take Date | Title | Primary Performer | Description | |
|---|---|---|---|---|---|---|---|
| Columbia | W141321 | 10-in. | 11/29/1925 | Kentucky's way of sayin' good mornin' | Leo Reisman Orchestra | Jazz/dance band | |
| Columbia | W141323 | 10-in. | 11/29/1925 | Venetian Isles | Leo Reisman Orchestra | Jazz/dance band | |
| Columbia | W141325 | 10-in. | 11/29/1925 | Here in my arms | Leo Reisman Orchestra | Jazz/dance band | |
| Columbia | W141582 | 10-in. | 1/31/1926 | The roses brought me you | Leo Reisman Orchestra | Jazz/dance band | |
| Columbia | W141583 | 10-in. | 1/31/1926 | I never knew how wonderful you were | Leo Reisman Orchestra | Jazz/dance band | |
| Columbia | W141584 | 10-in. | 1/31/1926 | Tamiami Trail | Leo Reisman Orchestra | Jazz/dance band | |
| Columbia | W106210 | 10-in. | January 1926 | La calamita di Nofrio | de Rosalia e Compagnia | Comic scene | |
| Columbia | W106211 | 10-in. | January 1926 | A Nofriu mori lu cardiddu | de Rosalia e Compagnia | Comic scene | |
| Columbia | W106213 | 10-in. | January 1926 | Twelve stone two | Frank Quinn | Male vocal solo, with accordion | |
| Columbia | W106214 | 10-in. | January 1926 | McKeon's reel | Frank Quinn | Accordion solo | |
| Columbia | W106222 | 10-in. | January 1926 | Der Mai ist gekommen | Heidelberg Quartett | Vocal quartet | |
| Columbia | W106223 | 10-in. | January 1926 | Rosestock Holderblüt | Heidelberg Quartett | Vocal quartet | |
| Columbia | W106254 | 10-in. | January 1926 | Mmiez'o bosco | Coppia Vuolo-Narciso | Female-male vocal duet, with orchestra | |
| Columbia | W106255 | 10-in. | January 1926 | Lo stornellatore | Coppia Vuolo-Narciso | Female-male vocal duet, with orchestra | |
| Columbia | W106257 | 10-in. | January 1926 | Pearse to Ireland | Seamus O'Doherty | Male vocal solo, with orchestra | |
| Columbia | W106259 | 10-in. | January 1926 | Skibbereen | Seamus O'Doherty | Male vocal solo, with orchestra | |
| Columbia | W106276 | 10-in. | January 1926 | Spasimi d'amore | Nullo Romani | Vocal and instrumental ensemble | |
| Columbia | W106279 | 10-in. | January 1926 | Sognati me... | Nullo Romani | Vocal and instrumental ensemble | |
| OKeh | 73885 | 10-in. | Jan. 1926 | 'A bossa mia | Gennaro Amato | Male vocal solo, with orchestra | |
| OKeh | 73886 | 10-in. | Jan. 1926 | Me chiamme Cannavaccio | Gennaro Amato | Male vocal solo, with orchestra | |
| OKeh | 73887 | 10-in. | Jan. 1926 | Astipate 'o curredo | Gina Santelia | Female vocal solo, with orchestra | |
| OKeh | 73888 | 10-in. | Jan. 1926 | La Guargiande | Giuseppe Spilotros | Male vocal solo, with orchestra | |
| OKeh | 73889 | 10-in. | Jan. 1926 | Serenate a Inesse | Giuseppe Spilotros | Male vocal solo, with orchestra | |
| OKeh | 73890 | 10-in. | Jan. 1926 | I'm tired of everything but you | Perry Bradford's Mean Four ; Louise Vant | Female vocal solo, with jazz/dance quartet | |
| OKeh | 73891 | 10-in. | Jan. 1926 | I wouldn't be where I am if you hadn't gone away | Perry Bradford's Mean Four ; Louise Vant | Female vocal solo, with jazz/dance quartet | |
| OKeh | 73892 | 10-in. | Jan. 1926 | Do right blues | Louise Vant | Female vocal solo, with jazz/dance quartet | |
| OKeh | 73893 | 10-in. | Jan. 1926 | Spanish shawl | Clarence Williams’ Stompers | Jazz/dance band | |
| OKeh | 73894 | 10-in. | Jan. 1926 | Dinah | Clarence Williams’ Stompers | Jazz/dance band | |
| OKeh | 73895 | 10-in. | Jan. 1926 | Kilkenny | Billy Fagan ; Jimmy McHugh | Male vocal solo, with piano | |
| OKeh | 73896 | 10-in. | Jan. 1926 | Down deep in an Irishman's heart | Billy Fagan ; Jimmy McHugh | Male vocal solo, with piano | |
| OKeh | 73899 | 10-in. | Jan. 1926 | The Irish emigrant | Patrick J. McNamara Trio | Instrumental trio | |
| OKeh | 73900 | 10-in. | Jan. 1926 | My wild Irish rose | Patrick J. McNamara Trio | Instrumental trio | |
| OKeh | 73901 | 10-in. | Jan. 1926 | The peeler and the goat | Patrick J. McNamara | Piccolo solo, with male vocal solo and piano | |
| OKeh | 73902 | 10-in. | Jan. 1926 | Judy's reel | Patrick J. McNamara | Piccolo solo, with male vocal solo and piano | |
| OKeh | 73903 | 10-in. | Jan. 1926 | Everybody does it now | Alberta Hunter ; Perry Bradford's Mean Four | Female vocal solo, with jazz/dance quartet | |
| OKeh | 73904 | 10-in. | Jan. 1926 | A master man with a master mind | Alberta Hunter ; Perry Bradford's Mean Four | Female vocal solo, with jazz/dance quartet | |
| OKeh | 73905 | 10-in. | Jan. 1926 | I don't want it all | Alberta Hunter ; Perry Bradford's Mean Four | Female vocal solo, with jazz/dance quartet | |
| OKeh | 73906 | 10-in. | Jan. 1926 | Oh me! Oh my! blues | Mary Mack | Female vocal solo, with instrumental trio | |
| OKeh | 73907 | 10-in. | Jan. 1926 | You gotta quit your low down ways | Billy Mack ; Mary Mack | Female-male vocal duet, with jazz/dance trio | |
| OKeh | 73908 | 10-in. | Jan. 1926 | Fetch it when you come | Billy Mack ; Mary Mack | Female-male vocal duet, with instrumental trio | |
| OKeh | 73909 | 10-in. | Jan. 1926 | How could my good man turn his back on me now | Clarence Williams’ Trio ; Mary Mack | Female vocal solo, with instrumental trio | |
| OKeh | 73910 | 10-in. | Jan. 1926 | [Unknown title(s)] | Billy Mack ; Mary Mack | Female-male vocal duet, with instrumental trio | |
| OKeh | 73911 | 10-in. | Jan. 1926 | You don't want much | Clarence Williams’ Trio ; Billy Mack ; Mary Mack | Female-male vocal duet, with instrumental trio | |
| OKeh | 73914 | 10-in. | Jan. 1926 | (That's her—that's her) What did I tell ya? | Harry Raderman ; The Red Hotters | Jazz/dance band | |
| OKeh | 73915 | 10-in. | Jan. 1926 | Smile a little bit | Harry Raderman ; The Red Hotters | Jazz/dance band | |
| OKeh | 73916 | 10-in. | Jan. 1926 | When you see that aunt of mine | The Red Hotters | Jazz/dance band | |
| OKeh | 73917 | 10-in. | Jan. 1926 | A cup of coffee, a sandwich, and you | Casa Lopez Orchestra ; Vincent Lopez | Jazz/dance band | |
| OKeh | 73918 | 10-in. | Jan. 1926 | Who? | Casa Lopez Orchestra ; Vincent Lopez | Jazz/dance band | |
| OKeh | 73919 | 10-in. | Jan. 1926 | I'm hard to satisfy | Alberta Hunter | Female vocal solo, with saxophone, cornet, and piano | |
| OKeh | 73920 | 10-in. | Jan. 1926 | Empty cellar blues | Alberta Hunter | Female vocal solo, with saxophone, cornet, and piano | |
| OKeh | 73921 | 10-in. | Jan. 1926 | Double crossin' papa | Alberta Hunter | Female vocal solo, with saxophone, cornet, and piano | |
| OKeh | 73922 | 10-in. | Jan. 1926 | Lullaby Lane | Bruce Wallace | Male vocal solo, with instrumental trio | |
| OKeh | 73923 | 10-in. | Jan. 1926 | I wish I'd been satisfied with Mary | Bruce Wallace | Male vocal solo, with instrumental trio | |
| OKeh | 73924 | 10-in. | Jan. 1926 | Just a little bit bad | Louise Vant | Female vocal solo, with jazz/dance quartet | |
| OKeh | 73925 | 10-in. | Jan. 1926 | I've learned to do without you now | Louise Vant | Female vocal solo, with jazz/dance quartet | |
| OKeh | 73926 | 10-in. | Jan. 1926 | Want a little lovin' | Louise Vant | Female vocal solo, with jazz/dance quartet | |
| OKeh | 73933 | 10-in. | Jan. 1926 | Yodeling Bill | The Record Boys | Male vocal solo, with yodeling and piano | |
| OKeh | 73934 | 10-in. | Jan. 1926 | Prancin' dancin' yodelin' man | The Record Boys | Male vocal solo, with yodeling and piano | |
| OKeh | 73950 | 10-in. | Jan. 1926 | What could be sweeter than you? | Harry Robinson | Male vocal solo, with ukulele | |
| OKeh | 73951 | 10-in. | Jan. 1926 | I love my baby (My baby loves me) | Harry Robinson | Male vocal solo, with ukulele | |
| OKeh | 73952 | 10-in. | Jan. 1926 | When I dream of the last waltz with you | Yellow Jackets | Jazz/dance band | |
| OKeh | 73953 | 10-in. | Jan. 1926 | I want you to want me | Yellow Jackets | Jazz/dance band | |
| OKeh | 73954 | 10-in. | Jan. 1926 | The prisoner's song | Vernon Dalhart ; Yellow Jackets | Jazz/dance band, with male vocal solo | |
| OKeh | 73955 | 10-in. | Jan. 1926 | Too many parties | Justin Ring Trio ; Bruce Wallace | Male vocal solo, with instrumental trio | |
| OKeh | 73956 | 10-in. | Jan. 1926 | Mike | Justin Ring Trio ; Bruce Wallace | Male vocal solo, with instrumental trio | |
| OKeh | 73957 | 10-in. | Jan. 1926 | I've found a new baby | Clarence Williams’ Blue Five | Female vocal solo, with jazz/dance band | |
| OKeh | 73958 | 10-in. | Jan. 1926 | I've found a new baby | Clarence Williams’ Blue Five | Jazz/dance band, with female vocal solo | |
| OKeh | 73959 | 10-in. | Jan. 1926 | Pile of logs and stone (Called home) | Clarence Williams’ Blue Five ; Eva Taylor | Jazz/dance ensemble, with female vocal solo | |
| OKeh | 73960 | 10-in. | Jan. 1926 | Sweet child (I'm wild about you) | Earl Rickard | Male vocal solo, with jazz/dance quintet | |
| OKeh | 73961 | 10-in. | Jan. 1926 | Where the huckleberries grow | Earl Rickard | Male vocal solo, with jazz/dance quintet | |
| OKeh | 73966 | 10-in. | Jan. 1926 | How she loves me is nobody's business | The Happiness Boys | Male vocal duet, with instrumental ensemble | |
| OKeh | 73967 | 10-in. | Jan. 1926 | What! No women? | The Happiness Boys | Male vocal duet, with instrumental ensemble | |
| OKeh | 73968 | 10-in. | Jan. 1926 | Down by the winegar woiks | Billy Jones | Male vocal solo, with instrumental ensemble | |
| OKeh | 73971 | 10-in. | Jan. 1926 | Nifty notes | Banjo Bill Bowen | Banjo solo, with piano | |
| OKeh | 73972 | 10-in. | Jan. 1926 | I'm sitting top of the world (Just rolling along, just rolling along) | Banjo Bill Bowen | Banjo solo, with piano | |
| OKeh | 73973 | 10-in. | Jan. 1926 | I love my baby | Colonial Inn Orchestra ; Jack Glassner | Jazz/dance band | |
| OKeh | 73974 | 10-in. | Jan. 1926 | Hot coffee | Colonial Inn Orchestra ; Jack Glassner | Jazz/dance band | |
| OKeh | 73975 | 10-in. | Jan. 1926 | Just too late | Sammy Lewis | Male vocal solo, with cornet and piano | |
| OKeh | 73976 | 10-in. | Jan. 1926 | Somebody I can call my own | Sammy Lewis | Male vocal solo, with cornet and piano | |
| OKeh | 74033 | 10-in. | Jan. 1926 | Don't call 'em in the morning | Billy Jones | Male vocal solo | |
| Brunswick | XE17323-XE17324 | 12-in. | Jan. 1926 | Marche slave | Willem Mengelberg ; New York Philharmonic | Orchestra | |
| Brunswick | XE17325-XE17326 | 12-in. | Jan. 1926 | Marche slave | Willem Mengelberg ; New York Philharmonic | Orchestra | |
| Brunswick | XE17327-XE17328 | 12-in. | Jan. 1926 | [Unknown title(s)] | Willem Mengelberg ; New York Philharmonic | Orchestra | |
| Brunswick | XE17329-XE17330 | 12-in. | Jan. 1926 | Ride of the Valkyries | Willem Mengelberg ; New York Philharmonic | Orchestra | |
| Brunswick | E17331-E17333 | 10-in. | Jan. 1926 | [Unknown title(s)] | Jack Denny Orchestra | Jazz/dance band | |
| Brunswick | E17334-E17337 | 10-in. | Jan. 1926 | [Unknown title(s)] | Jack Denny Orchestra | Jazz/dance band | |
| Brunswick | E17338-E17341 | 10-in. | Jan. 1926 | [Unknown title(s)] | Regent Club Orchestra | Jazz/dance band | |
| Brunswick | E17342-E17344 | 10-in. | Jan. 1926 | We’ll meet again in Normandy | Regent Club Orchestra | Jazz/dance band | |
| Brunswick | LA61-LA62 | 10-in. | Jan. 1926 | Mujer perjura | D. Acosta ; Hermanos Ramírez ; Orquesta Acosta | Male vocal trio, with instrumental ensemble | |
| Brunswick | LA63-LA64 | 10-in. | Jan. 1926 | La maquina | Hermanos Ramírez ; Orquesta Acosta | Male vocal duet, with instrumental ensemble | |
| Brunswick | LA65-LA66 | 10-in. | Jan. 1926 | Los cuatro vicios | Hermanos Ramírez ; Orquesta Acosta | Male vocal duet, with instrumental ensemble | |
| Brunswick | LA67-LA68 | 10-in. | Jan. 1926 | La chinita | Hermanos Ramírez ; Orquesta Acosta | Male vocal duet, with instrumental ensemble | |
| Brunswick | LA69-LA70 | 10-in. | Jan. 1926 | La muela de Beatriz | Beatriz Noloesca ; Ramirez | Female-male dialogue | |
| Brunswick | LA71-LA72 | 10-in. | Jan. 1926 | El eco de la noria | Hermanos Ramírez ; Carlos Souflee | Male vocal duet and dialogue, with guitar | |
| Brunswick | LA73-LA74 | 10-in. | Jan. 1926 | Los efectos del trago | Noloesca y Ramirez ; Carlos Souflee | Female-male vocal duet and dialogue, with guitar | |
| Brunswick | LA75-LA76 | 10-in. | Jan. 1926 | Amores chicanos | R Quinones | Female-male vocal duet and dialogue, with guitar | |
| Brunswick | LA89-LA91 | 10-in. | Jan. 1926 | Plantation blues | Sonny Clay’s Plantation Orchestra | Jazz/dance band | |
| Brunswick | LA92-LA94 | 10-in. | Jan. 1926 | Chicago breakdown | Sonny Clay’s Plantation Orchestra | Jazz/dance band | |
| Brunswick | E17802-E17805 | 10-in. | 1/31/1926 | Let’s talk about my sweetie | Wendell W. Hall | Male vocal solo, with ukulele | |
| Brunswick | E17806-E17809 | 10-in. | 1/31/1926 | Spanish shawl | Wendell W. Hall | Male vocal solo, with orchestra | |
| Brunswick | E17810-E17812 | 10-in. | 1/31/1926 | Just around the corner | Wendell W. Hall | Male vocal solo, with orchestra | |
| Brunswick | E17813-E17816 | 10-in. | 1/31/1926 | Say Mister! Have you met Rosie’s sister? | Wendell W. Hall | Male vocal solo, with taropatch |
Citation
Discography of American Historical Recordings, s.v. "Recordings made on Sunday, January 31, 1926," accessed March 5, 2021, https://adp.library.ucsb.edu/index.php/date/browse?date=1926-01-31.
Recordings made on Sunday, January 31, 1926. (2021). In Discography of American Historical Recordings. Retrieved March 5, 2021, from https://adp.library.ucsb.edu/index.php/date/browse?date=1926-01-31.
Recordings made on Sunday, January 31, 1926." Discography of American Historical Recordings. UC Santa Barbara Library, 2021. Web. 5 March 2021.
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