Recordings made Wednesday, March 31, 1926
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= Recordings are available for online listening. 
= Recordings were issued from this master. No recordings issued from other masters.
| Company | Matrix Number | Size | First Take Date | Title | Primary Performer | Description | |
|---|---|---|---|---|---|---|---|
| Victor | BVE-34984 | 10-in. | 3/31/1926 | Surdato americano co core italiano | Gennaro Amato | Male vocal solo, with orchestra | |
| Victor | BVE-34985 | 10-in. | 3/31/1926 | Chi bello vó paré, pene e quai adda paté | Gennaro Amato | Male vocal solo, with orchestra | |
| Victor | BVE-35254 | 10-in. | 3/31/1926 | Mountain blues | Jimmy Smith | Harmonica solo, with guitar | |
| Victor | BVE-35255 | 10-in. | 3/31/1926 | Southern melody soft shoe dance | Jimmy Smith | Harmonica solo, with guitar | |
| Victor | BVE-35256 | 10-in. | 3/31/1926 | Indifference to guests | Ellsworth Milton Statler | Monologue | |
| Victor | BVE-35257 | 10-in. | 3/31/1926 | De lejos | Orquesta Internacional | Orchestra | |
| Victor | BVE-35258 | 10-in. | 3/31/1926 | Al amanecer | Orquesta Internacional | Orchestra | |
| Victor | BVE-35259 | 10-in. | 3/31/1926 | El tambo | Orquesta Internacional | Orchestra | |
| Victor | CVE-35260 | 12-in. | 3/31/1926 | Let's dramatize our work and rehearse and rehearse our jobs so that each one of us is letter perfect | Ellsworth Milton Statler | Monologue | |
| Victor | CVE-35261 | 12-in. | 3/31/1926 | Our service report system and handling of undesirables | Ellsworth Milton Statler | Monologue | |
| Victor | CVE-35262 | 12-in. | 3/31/1926 | Letter of Robert E. Lee to his son on frankness and duty | Ellsworth Milton Statler | Monologue | |
| Victor | BVE-35263 | 10-in. | 3/31/1926 | Treating everybody right is the fundamental policy of our business | Ellsworth Milton Statler | Monologue | |
| Victor | BVE-35264 | 10-in. | 3/31/1926 | A good disposition is a good asset | Ellsworth Milton Statler | Monologue | |
| Columbia | W141684 | 10-in. | 2/17/1926 | I'm tired of being alone | Franklyn Baur | Male vocal solo, with orchestra | |
| Columbia | W141812 | 10-in. | 3/17/1926 | The prisoner's sweetheart | Franklyn Baur | Male vocal solo, with orchestra | |
| Columbia | 141892 | 10-in. | 3/31/1926 | Somebody's lonely | Harvey Marburger Orchestra | Jazz/dance band | |
| Columbia | 141893 | 10-in. | 3/31/1926 | Don't let me stand in your way | Harvey Marburger Orchestra | Jazz/dance band | |
| Columbia | W141894 | 10-in. | 3/31/1926 | Ev'rybody has someone but me | Harvey Marburger Orchestra | Jazz/dance band | |
| Columbia | 141895 | 10-in. | 3/31/1926 | Soliloquy | Rube Bloom | Piano solo | |
| Columbia | 141896 | 10-in. | 3/31/1926 | Spring fever | Rube Bloom | Piano solo | |
| Columbia | W141897 | 10-in. | 3/31/1926 | Some baby—my gal | George W. Williams | Male vocal solo ("blues singer"), with cornet and piano | |
| Columbia | W141898 | 10-in. | 3/31/1926 | Levee blues | George W. Williams | Male vocal solo ("blues singer"), with cornet and piano | |
| Columbia | 98245 | 12-in. | 3/31/1926 | Etude in C minor | Percy Grainger | Piano solo | |
| Columbia | 98246 | 12-in. | 3/31/1926 | Claire de lune | Percy Grainger | Piano solo | |
| Columbia | 98247 | 12-in. | 3/31/1926 | Liebestraum | Percy Grainger | Piano solo | |
| Columbia | 98248 | 12-in. | 3/31/1926 | Toccata, C-sharp minor | Percy Grainger | Piano solo | |
| Columbia | W95058 | 10-in. | March 1926 | El cohete | Nilo Menéndez ; Orquesta de Jazz "Nilo" | Jazz/dance band, with vocal chorus | |
| Columbia | W95075 | 10-in. | March 1926 | La chiapaneca | Amalia Molina | Female vocal solo, with orchestra | |
| Columbia | W95081 | 10-in. | March 1926 | Naranjera andaluza | Amalia Molina | Female vocal solo, with orchestra | |
| Columbia | W95082 | 10-in. | March 1926 | El tortillero y el rotito | Amalia Molina | Female vocal solo, with orchestra | |
| Columbia | W106417 | 10-in. | March 1926 | Bene perduto | Gina Santelia | Soprano vocal solo, with orchestra | |
| Columbia | W106425 | 10-in. | March 1926 | Sulo dicenno Napule | Giuseppe Milano | Tenor vocal solo, with orchestra | |
| Columbia | W106426 | 10-in. | March 1926 | 'A dummeneca d'e palme | Giuseppe Milano | Tenor vocal solo, with orchestra | |
| Columbia | W106478 | 10-in. | March 1926 | 'E guaie 'e pascale | Pasquale Vittori | Male vocal solo | |
| Columbia | W106480 | 10-in. | March 1926 | Tormento | Sestetto Moderno | Instrumental ensemble | |
| Columbia | W106482 | 10-in. | March 1926 | T'adore | Sestetto Moderno | Instrumental ensemble | |
| Columbia | W106501 | 10-in. | March 1926 | 'A cinche pezza | Pasquale Vittori | Male vocal solo | |
| Columbia | W106502 | 10-in. | March 1926 | Marie Luise | Giuseppe Spilotros | Baritone vocal solo, with orchestra | |
| Columbia | W106503 | 10-in. | March 1926 | Mammà, lu zitu vene | Giuseppe Spilotros | Baritone vocal solo, with orchestra | |
| Columbia | W106521 | 10-in. | 3/31/1926 | Mountain flower (Waltz) | Ehrenwert Instrumental Quintette | Instrumental quintet | |
| Columbia | W106528 | 10-in. | approximately March 1926 | At the wood-auction (Polka) | Columbia Dance Orchestra | Jazz/dance band | |
| Columbia | W106531 | 10-in. | approximately March 1926 | The sidewalks of New York (Waltz) | Columbia Dance Orchestra | Jazz/dance band | |
| Columbia | W106565 | 10-in. | March 1926 | The jolly farmer (Polka) | Columbia Band | Band | |
| Columbia | W106772 | 10-in. | March 1926 | Our darling (Polka) | Ehrenwert Instrumental Quintette | Instrumental quintet | |
| OKeh | 9562 | 10-in. | Mar. 1926 | Auf Wiedersehen | Schwabenkapelle Lowitz | Band | |
| OKeh | 9563 | 10-in. | Mar. 1926 | Dorfzigeuner walzer | Schwabenkapelle Lowitz | Band | |
| OKeh | 9564 | Not documented | Mar. 1926 | [Unknown title(s)] | Schwabenkapelle Lowitz | Band | |
| OKeh | 9565 | Not documented | Mar. 1926 | [Unknown title(s)] | Schwabenkapelle Lowitz | Band | |
| OKeh | 9566 | 10-in. | Mar. 1926 | Dorfmusikanten | Schwabenkapelle Lowitz | Band | |
| OKeh | 9567 | 10-in. | Mar. 1926 | Hans verlas mich nit | Schwabenkapelle Lowitz | Band | |
| OKeh | 9572 | 10-in. | Mar. 1926 | Z modlina | Charles Blim ; Rudy Patek | Concertina duet | |
| OKeh | 9573 | 10-in. | Mar. 1926 | Sweet man | Lillie Delk Christian ; Johnny St. Cyr | Female vocal solo, with banjo | |
| OKeh | 9574 | 10-in. | Mar. 1926 | Sweet Georgia Brown | Lillie Delk Christian ; Johnny St. Cyr | Female vocal solo, with banjo | |
| OKeh | 9575 | 10-in. | Mar. 1926 | Owczareczek | Charles Blim ; Rudy Patek | Concertina duet | |
| OKeh | 9576 | 10-in. | Mar. 1926 | Kujawiak stare krajski | Charles Blim ; Rudy Patek | Concertina duet | |
| OKeh | 9577 | 10-in. | Mar. 1926 | Mazur dominjak | Charles Blim ; Rudy Patek | Concertina duet | |
| OKeh | 9578 | 10-in. | Mar. 1926 | Foggy morning blues | Eddie Heywood ; Sloppy Henry | Male vocal solo, with piano | |
| OKeh | 9579 | 10-in. | Mar. 1926 | Bobbed haired woman blues | Eddie Heywood ; Sloppy Henry | Male vocal solo, with piano | |
| OKeh | 9580 | 10-in. | Mar. 1926 | Traveling blues | Eddie Heywood ; Sloppy Henry | Male vocal solo, with piano | |
| OKeh | 9581 | Not documented | Mar. 1926 | [Unknown title(s)] | Eddie Heywood ; Sloppy Henry | Male vocal solo, with piano | |
| OKeh | 9582 | 10-in. | Mar. 1926 | Goose pecked man | Eddie Heywood ; Sloppy Henry | Male vocal solo, with piano | |
| OKeh | 9583 | 10-in. | Mar. 1926 | Alias Charley Jones blues | Eddie Heywood ; Sloppy Henry | Male vocal solo, with piano | |
| OKeh | 9584 | 10-in. | Mar. 1926 | Run away blues | Burr ; Sloppy Henry | Female-male vocal duet, with piano | |
| OKeh | 9585 | Not documented | Mar. 1926 | [Unknown title(s)] | Eddie Heywood ; Sloppy Henry | Male vocal solo, with piano | |
| OKeh | 9600 | 10-in. | Mar. 1926 | Charming Billy | Blind Andy ; Mary Eskew | Female-male vocal duet, with fiddle (violin), guitar, and harmonica | |
| OKeh | 9601 | Not documented | Mar. 1926 | [Unknown title(s)] | Mary Eskew ; Andrew Jenkins | Female-male vocal duet or male vocal solo, with fiddle (violin), guitar, and harmonica | |
| OKeh | 9602 | 10-in. | Mar. 1926 | Short dresses and bobbed hair | Blind Andy | Male vocal solo, with fiddle (violin), guitar, and harmonica | |
| OKeh | 9614 | 10-in. | Mar. 1926 | Beulah Land | Jenkins Family | Mixed vocal trio, with violin and piano | |
| OKeh | 9615 | 10-in. | Mar. 1926 | Trusting my Redeemer | Jenkins Family | Mixed vocal trio, with fiddle (violin) and piano | |
| OKeh | 9616 | 10-in. | Mar. 1926 | I'm so glad that Jesus found me | Jenkins Family | Mixed vocal trio, with fiddle (violin) and piano | |
| OKeh | 9617 | 10-in. | Mar. 1926 | He leads me home | Jenkins Family | Mixed vocal trio, with fiddle (violin) and piano | |
| OKeh | 9618 | 10-in. | Mar. 1926 | On Christ, the solid Rock, I stand | Jenkins Family | Mixed vocal trio, with fiddle (violin) and piano | |
| OKeh | 9619 | 10-in. | Mar. 1926 | Land where we'll never grow old | Jenkins Family | Mixed vocal trio, with violin and piano | |
| OKeh | 9624 | 10-in. | Mar. 1926 | Southern Railroad | Homer Christopher and Wife | Fiddle (violin) and guitar duet | |
| OKeh | 9625 | 10-in. | Mar. 1926 | After the ball | Homer Christopher and Wife | Fiddle (violin) and guitar duet | |
| OKeh | 9636 | 10-in. | Mar. 1926 | Daniel in de lion's den | Dixon Brothers Quartette | Male vocal quartet | |
| OKeh | 9637 | 10-in. | Mar. 1926 | Ezekiel saw de wheel | Dixon Brothers Quartette | Male vocal quartet | |
| OKeh | 9638 | Not documented | Mar. 1926 | [Unknown title(s)] | Dixon Brothers Quartette | Male vocal quartet | |
| OKeh | 9639 | 10-in. | Mar. 1926 | In the garden | J. Douglas Swagerty ; Mrs. J. Douglas Swagerty | Female-male vocal duet, with instrumental quartet | |
| OKeh | 9640 | 10-in. | Mar. 1926 | Jesus will | J. Douglas Swagerty ; Mrs. J. Douglas Swagerty | Female-male vocal duet, with instrumental quartet | |
| OKeh | 9641 | 10-in. | Mar. 1926 | Jesus, lover of my soul | J. Douglas Swagerty ; Mrs. J. Douglas Swagerty | Female-male vocal duet, with instrumental quartet | |
| OKeh | 9642 | 10-in. | Mar. 1926 | Land of the unsetting sun | J. Douglas Swagerty ; Mrs. J. Douglas Swagerty | Female-male vocal duet, with instrumental quartet | |
| OKeh | 9643 | 10-in. | Mar. 1926 | 'Till I see my mother's face | Solon Drunkenmiller ; J. Douglas Swagerty | Male vocal duet, with instrumental quartet | |
| OKeh | 9644 | 10-in. | Mar. 1926 | Where He leads me, I will follow | Solon Drunkenmiller ; J. Douglas Swagerty | Male vocal duet, with instrumental quartet | |
| OKeh | 9645 | Not documented | Mar. 1926 | [Unknown title(s)] | Solon Drunkenmiller ; J. Douglas Swagerty | Male vocal duet, with instrumental quartet | |
| OKeh | 9646 | Not documented | Mar. 1926 | [Unknown title(s)] | Solon Drunkenmiller ; J. Douglas Swagerty | Male vocal duet, with instrumental quartet | |
| OKeh | 9647 | Not documented | Mar. 1926 | [Unknown title(s)] | McGinty's Oklahoma Cow Boy Band | Band | |
| OKeh | 9649 | 10-in. | Mar. 1926 | [Unknown title(s)] | McGinty's Oklahoma Cow Boy Band | Instrumental ensemble | |
| OKeh | 74036 | 10-in. | Mar. 1926 | Let the door knob hit you in the back | Butterbeans & Susie ; Eddie Heywood | Female-male vocal duet, with piano | |
| OKeh | 74037 | 10-in. | Mar. 1926 | Your folks will start wearing black | Butterbeans & Susie ; Eddie Heywood | Female-male vocal duet, with piano | |
| OKeh | 74038 | 10-in. | Mar. 1926 | Not until then | Butterbeans & Susie ; Eddie Heywood | Female-male vocal duet, with piano | |
| OKeh | 74039 | 10-in. | Mar. 1926 | Not until then | Butterbeans & Susie ; Eddie Heywood | Female-male vocal duet, with piano | |
| OKeh | 74040 | 10-in. | Mar. 1926 | In your green hat | Mickey Guy ; Rose Tree Cafe Orchestra | Jazz/dance band | |
| OKeh | 74041 | 10-in. | Mar. 1926 | In my gondola | Mickey Guy ; Rose Tree Cafe Orchestra | Jazz/dance band | |
| OKeh | 74042 | 10-in. | Mar. 1926 | 'Tain't what you used to have, my friend | Butterbeans & Susie ; Eddie Heywood | Female-male vocal duet, with piano | |
| OKeh | 74043 | 10-in. | Mar. 1926 | Mama stayed out the whole night long | Butterbeans & Susie ; Eddie Heywood | Female-male vocal duet, with piano | |
| OKeh | 74045 | 10-in. | Mar. 1926 | 'A dummeneca d'e ppalme | Gennaro Cardenia | Male vocal solo, with orchestra | |
| OKeh | 74046 | 10-in. | Mar. 1926 | Chi nun sente 'a mamma! | Gennaro Cardenia | Male vocal solo, with orchestra | |
| OKeh | 74049 | 10-in. | Mar. 1926 | Song of the flame | Casa Lopez Orchestra ; Vincent Lopez | Jazz/dance band | |
| OKeh | 74050 | 10-in. | Mar. 1926 | Rhythm of the day | Casa Lopez Orchestra ; Vincent Lopez | Jazz/dance band | |
| OKeh | 74051 | 10-in. | Mar. 1926 | The man I love is oh! so good to me | Louise Vant | Female vocal solo, with piano | |
| OKeh | 74052 | 10-in. | Mar. 1926 | Daddy, don't you try to pull that two-timing thing on me | Louise Vant | Female vocal solo, with piano | |
| OKeh | 74053 | 10-in. | Mar. 1926 | The fortune teller | Shelton Brooks | Monologue | |
| OKeh | 74054 | 10-in. | Mar. 1926 | Domestic troubles | Shelton Brooks | Monologue | |
| OKeh | 74055 | 10-in. | Mar. 1926 | Pensacola blues | Louise Vant | Female vocal solo, with jazz/dance quartet | |
| OKeh | 74056 | 10-in. | Mar. 1926 | New crazy blues | Louise Vant | Female vocal solo, with jazz/dance quartet | |
| OKeh | 74057 | 10-in. | Mar. 1926 | Sunset blues | Buddy Christian's Creole Five ; Louise Vant | Jazz/dance ensemble, with female vocal solo | |
| OKeh | 74058 | 10-in. | Mar. 1926 | Texas mule stomp | Buddy Christian's Creole Five ; Louise Vant | Jazz/dance ensemble, with female vocal solo | |
| OKeh | 74059 | 10-in. | Mar. 1926 | Sugar house stomp | Buddy Christian's Creole Five | Jazz/dance ensemble | |
| OKeh | 74060 | 10-in. | Mar. 1926 | Sweet little mammy | Ernest Hare | Male vocal solo, with instrumental trio | |
| OKeh | 74061 | 10-in. | Mar. 1926 | Let's grow old together | Ernest Hare | Male vocal solo, with instrumental trio | |
| OKeh | 74078 | 10-in. | Mar. 1926 | Tamiami Trail | Peerless Entertainers | Vocal ensemble, with instrumental ensemble | |
| OKeh | 74079 | 10-in. | Mar. 1926 | Burgundy | Peerless Entertainers | Vocal ensemble, with instrumental ensemble | |
| OKeh | [OK cat 40571-A] | 10-in. | approximately Nov. 1925-Mar. 1926 | The wild coyotes o'er the prairie land | Ernest Hare | Male vocal solo | |
| OKeh | [OK cat 40571-b] | 10-in. | approximately Nov. 1925-Mar. 1926 | He was doomed to go beyond | Ernest Hare | Male vocal solo | |
| Brunswick | E18614-E18616 | 10-in. | 3/31/1926 | Je veux vivre dans le rêve | Edith Mason | Soprano vocal solo, with orchestra | |
| Brunswick | E18617-E18619 | 10-in. | 3/31/1926 | Butterfly’s entrance | Edith Mason | Soprano vocal solo, with orchestra | |
| Brunswick | E18620-E18621 | 10-in. | 3/31/1926 | Serenade | Edith Mason | Soprano vocal solo, with violin, flute, and harp | |
| Edison | 10900 | 10-in. | 3/31/1926 | The village blacksmith owns the village now | College Four | Male vocal quartet | |
| Edison | 10901 | 10-in. | 3/31/1926 | Don't steal Daddy's medal | Manuel Romain | Male vocal solo, with orchestra | |
| Edison | 10902 | 10-in. | 3/31/1926 | I wish I had my old gal back again | Manuel Romain | Male vocal solo, with orchestra | |
| Vocalion | E2713-E2715 | 10-in. | 3/31/1926 | Do it Mr. So-So | Rosa Henderson | Female vocal solo, with instrumental quartet | |
| Vocalion | E2716-E2718 | 10-in. | 3/31/1926 | Fulton Street blues | Rosa Henderson | Female vocal solo, with instrumental quartet |
Citation
Discography of American Historical Recordings, s.v. "Recordings made on Wednesday, March 31, 1926," accessed March 1, 2021, https://adp.library.ucsb.edu/index.php/date/browse?date=1926-03-31.
Recordings made on Wednesday, March 31, 1926. (2021). In Discography of American Historical Recordings. Retrieved March 1, 2021, from https://adp.library.ucsb.edu/index.php/date/browse?date=1926-03-31.
Recordings made on Wednesday, March 31, 1926." Discography of American Historical Recordings. UC Santa Barbara Library, 2021. Web. 1 March 2021.
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