Recordings made Tuesday, October 18, 1927
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= Recordings are available for online listening. 
= Recordings were issued from this master. No recordings issued from other masters.
| Company | Matrix Number | Size | First Take Date | Title | Primary Performer | Description | |
|---|---|---|---|---|---|---|---|
| Victor | BVE-39315 | 10-in. | 8/15/1927 | Wings | Jesse Crawford | Pipe organ solo | |
| Victor | BVE-40186 | 10-in. | 10/18/1927 | Who's that knockin' at my door | Frank Crumit | Male vocal solo, with guitar | |
| Victor | BVE-40187 | 10-in. | 10/18/1927 | Da, da, da, my darling | Frank Crumit | Male vocal solo, with clarinet, guitar, and ukulele | |
| Victor | BVE-40188 | 10-in. | 10/18/1927 | Old plantation melodies | Vernon Dalhart ; Adelyne Hood ; Carson Robison | Mixed vocal trio with guitar, piano, and harmonica | |
| Victor | BVE-40189 | 10-in. | 10/18/1927 | The alligator song | Adelyne Hood | Female vocal solo, with guitar, piano, and harmonica | |
| Victor | BVE-40301 | 10-in. | 10/18/1927 | Turkey in the straw | Alphus McFayden | Guitar solo | |
| Victor | BVE-40302 | 10-in. | 10/18/1927 | Handsome Molly | Grayson and Whitter | Male vocal solo, with violin and guitar | |
| Victor | BVE-40303 | 10-in. | 10/18/1927 | He is coming to us dead | Grayson and Whitter | Violin and guitar duet, with male vocal solo | |
| Victor | BVE-40304 | 10-in. | 10/18/1927 | Don't go out tonight, my darling | Grayson and Whitter | Violin and guitar duet, with male vocal solo | |
| Victor | BVE-40305 | 10-in. | 10/18/1927 | Rose Conley | Grayson and Whitter | Violin and guitar duet, with male vocal solo | |
| Victor | BVE-40306 | 10-in. | 10/18/1927 | Ommie wise | G. B. Grayson | Male vocal solo, with violin (self-accompaniment) | |
| Victor | BVE-40307 | 10-in. | 10/18/1927 | Train forty-five | Grayson and Whitter | Male vocal solo, with violin and guitar | |
| Victor | BVE-40308 | 10-in. | 10/18/1927 | Writing paper blues | Blind Willie McTell | Male vocal solo, with guitar (self-accompaniment) | |
| Victor | BVE-40309 | 10-in. | 10/18/1927 | Stole rider blues | Blind Willie McTell | Male vocal solo, with guitar (self-accompaniment) | |
| Victor | BVE-40310 | 10-in. | 10/18/1927 | Mamma, tain't long fo' day | Blind Willie McTell | Male vocal solo, with guitar (self-accompaniment) | |
| Victor | BVE-40311 | 10-in. | 10/18/1927 | Mr. McTell got the blues | Blind Willie McTell | Male vocal solo, with guitar (self-accompaniment) | |
| Victor | BVE-40616 | 10-in. | 10/18/1927 | Isoldens Liebestod | Maria Jeritza | Soprano vocal solo, with orchestra | |
| Victor | BVE-40617 | 10-in. | 10/18/1927 | Isoldens Liebestod | Maria Jeritza | Soprano vocal solo, with orchestra | |
| Victor | BVE-40618 | 10-in. | 10/18/1927 | Vissi d'arte | Maria Jeritza | Soprano vocal solo, with orchestra | |
| Victor | [Trial 1927-10-18-02] | 10-in. | 10/18/1927 | At the mail box | George LeMaire ; Rex Van | Dialogue | |
| Victor | [Trial 1927-10-18-01] | 12-in. | 10/18/1927 | Home again | Charles Childs ; Skeet Mayo | Dialogue | |
| Victor | [Trial 1927-10-18-03] | 12-in. | 10/18/1927 | Insurance policy | George LeMaire ; Rex Van | Dialogue | |
| Gramophone | BD4772 | 10-in. | 10/18/1927 | Nel Brazile | Daniele Serra | Male vocal solo, with instrumental ensemble | |
| Gramophone | BD4770 | 10-in. | 10/18/1927 | Siviglia bella | Daniele Serra | Male vocal solo, with instrumental ensemble | |
| Gramophone | BTR3239 | 10-in. | 10/18/1927 | Vogelli | Stocker Sepp ; Unterwaldner Bauernkapelle | Instrumental ensemble | |
| Gramophone | BTW3236 | 10-in. | 10/18/1927 | Militärländler des Bataillons No. 48 | Stocker Sepp ; Unterwaldner Bauernkapelle | Instrumental ensemble | |
| Gramophone | BD4769 | 10-in. | 10/18/1927 | Melandrino | Daniele Serra | Male vocal solo, with instrumental ensemble | |
| Gennett | 13156 | 10-in. | 10/18/1927 | When you get it right | Vaughan Quartet | Male vocal quartet | |
| Gennett | 13157 | 10-in. | 10/18/1927 | Stilling the tempest | Vaughan Quartet | Male vocal quartet | |
| Gennett | 13158 | 10-in. | 10/18/1927 | The home coming week | Vaughan Quartet | Male vocal quartet | |
| Gennett | 13159 | 10-in. | 10/18/1927 | O happy day | Vaughan Quartet | Male vocal quartet | |
| Gennett | 13160 | 10-in. | 10/18/1927 | Love | Vaughan Quartet | Male vocal quartet | |
| Gennett | 13161 | 10-in. | 10/18/1927 | Where we'll never grow old | Vaughan Quartet | Male vocal quartet | |
| Edison | 11966 | 10-in. | 10/18/1927 | Christmas in other lands | Vaughn De Leath | Female vocal solo, with orchestra | |
| Edison | 11965 | 10-in. | 10/18/1927 | When you're in love | Murray Kellner Dinner Music Ensemble | Instrumental ensemble | |
| Edison | 11895 | 10-in. | 9/16/1927 | Mariechen sass weinend im Garten | Manhattan Quartet | Male vocal quartet, with orchestra | |
| Edison | 11896 | 10-in. | 9/16/1927 | Wiener walzer | Manhattan Quartet | Male vocal quartet, with orchestra | |
| Edison | 11964 | 10-in. | 10/18/1927 | Dainty miss | Murray Kellner Dinner Music Ensemble | Instrumental ensemble | |
| Columbia (U.K.) | WL662 | 10-in. | 10/18/1927 | Va m'attendre autour de l'Obélisque | Émile Carrara | Accordion solo, with banjo | |
| Columbia (U.K.) | WL665 | 10-in. | 10/18/1927 | Roses et parfums | Émile Carrara | Accordion solo, with banjo | |
| Columbia (U.K.) | WL664 | 10-in. | 10/18/1927 | La java de Cézigue | A. Carrara | Accordion solo, with banjo | |
| Columbia (U.K.) | WLX101 | 12-in. | 5/3/1926 | 4eme Beatitude | Élie Cohen ; Georges Thill | Tenor vocal solo, with orchestra | |
| Columbia | 144875 | 10-in. | 10/18/1927 | Where is my Meyer? | Jack Kaufman | Male vocal solo, with orchestra | |
| Columbia | 144876 | 10-in. | 10/18/1927 | Who's that pretty baby? | Jack Kaufman | Male vocal solo, with orchestra | |
| Columbia | 144880 | 10-in. | 10/18/1927 | Are you thinking of me to-night? | Charles Hart | Male vocal solo, with orchestra | |
| Columbia | 144881 | 10-in. | 10/18/1927 | Molly Malone | Charles Hart | Male vocal solo, with orchestra | |
| Columbia | W144882 | 10-in. | 10/18/1927 | There must be somebody else | Van and Schenck | Male vocal duet, with piano | |
| Brunswick | E24789-E24790 | 10-in. | 10/18/1927 | A serena d' 'e canzone! | Gilda Mignonette | Female vocal solo, with orchestra | |
| Brunswick | E24791-E24792 | 10-in. | 10/18/1927 | N’ accordo in fa... | Gilda Mignonette | Female vocal solo, with orchestra | |
| Brunswick | E24781-E24784 | 10-in. | 10/18/1927 | Roses understand | Harry Archer Orchestra | Jazz/dance band, with female vocal solo; without vocal (take E24784) | |
| Brunswick | E24785-E24786 | 10-in. | 10/18/1927 | Ca...c’est Paris | Gilda Mignonette | Female vocal solo, with orchestra | |
| Brunswick | E24787-E24788 | 10-in. | 10/18/1927 | A’ vela | Gilda Mignonette | Female vocal solo, with orchestra | |
| Brunswick | E24771-E24773 | 10-in. | 10/18/1927 | Dawn | Marie Morrisey | Contralto vocal solo, with orchestra | |
| Brunswick | E24774-E24776 | 10-in. | 10/18/1927 | Just for today | Marie Morrisey | Contralto vocal solo, with orchestra | |
| Brunswick | E24777-E24780 | 10-in. | 10/18/1927 | Molly Malone | Harry Archer Orchestra | Jazz/dance band, with female vocal solo; without vocal (take E24780) | |
| Brunswick | E24793-E24796 | 10-in. | 10/18/1927 | Together, we two | Isham Jones Orchestra | Jazz/dance band, with female vocal duet; without vocal (take E24796) | |
| Brunswick | E24797-E24800 | 10-in. | 10/18/1927 | What’ll you do | Isham Jones Orchestra | Jazz/dance band, with male vocal solo; without vocal (take E24800) |
Citation
Discography of American Historical Recordings, s.v. "Recordings made on Tuesday, October 18, 1927," accessed April 17, 2024, https://adp.library.ucsb.edu/index.php/date/browse?date=1927-10-18.
Recordings made on Tuesday, October 18, 1927. (2024). In Discography of American Historical Recordings. Retrieved April 17, 2024, from https://adp.library.ucsb.edu/index.php/date/browse?date=1927-10-18.
Recordings made on Tuesday, October 18, 1927." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 17 April 2024.
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