Recordings made Thursday, November 29, 1945
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= Recordings were issued from this master. No recordings issued from other masters.
Company | Matrix Number | Size | First Take Date | Title | Primary Performer | Description | |
---|---|---|---|---|---|---|---|
Decca | 73180 | 10-in. | 11/29/1945 | Golliwog's cake-walk (Debussy-Heifetz) | Jascha Heifetz | ||
Decca | 73181 | 10-in. | 11/29/1945 | Clair de lune (Debussy-Roelens) | Jascha Heifetz | ||
Decca | 73182 | 10-in. | 11/29/1945 | Ao pe da Fogueira, preludio XV (Valle) | Jascha Heifetz | ||
Decca | 73183 | 11/29/1945 | Huella (Aguirra) | Jascha Heifetz | |||
Decca | 73184 | 10-in. | 11/29/1945 | Preludes No.1 & 2 (Shostakovich) | Jascha Heifetz | ||
Decca | 73185 | 11/29/1945 | Wellenspiel (Waves at play) (Grasse) | Jascha Heifetz | |||
Decca | 73194 | 11/29/1945 | Marche from The love for three oranges, Op.33 (Prokofiev) | Jascha Heifetz | |||
Decca | 73195 | 10-in. | 11/29/1945 | Masks (from Romeo and Juliet) (Prokofiev-Heifetz) | Jascha Heifetz | ||
Decca | 73196 | 10-in. | 11/29/1945 | Hexapoda (Bennett): Gutbucket Gus ; Jane shakes her hair | Jascha Heifetz | ||
Decca | 73197 | 10-in. | 11/29/1945 | Hexapoda (Bennett): Betty & Harold close their eyes ; Jim jives | Jascha Heifetz | ||
Decca | 73198 | 10-in. | 11/29/1945 | Hexapoda (Bennett): Till dawn Sunday | Jascha Heifetz | ||
Victor | D5VB-0966 | 10-in. | 11/29/1945 | Bill | Tommy Dorsey ; Tommy Dorsey Orchestra | Female vocal solo, with jazz/dance band |
Citation
Discography of American Historical Recordings, s.v. "Recordings made on Thursday, November 29, 1945," accessed December 7, 2023, https://adp.library.ucsb.edu/index.php/date/browse?date=1945-11-29.
Recordings made on Thursday, November 29, 1945. (2023). In Discography of American Historical Recordings. Retrieved December 7, 2023, from https://adp.library.ucsb.edu/index.php/date/browse?date=1945-11-29.
Recordings made on Thursday, November 29, 1945." Discography of American Historical Recordings. UC Santa Barbara Library, 2023. Web. 7 December 2023.
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