Recordings made Wednesday, December 31, 1952
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= Recordings are available for online listening. 
= Recordings were issued from this master. No recordings issued from other masters.
| Company | Matrix Number | Size | First Take Date | Title | Primary Performer | Description | |
|---|---|---|---|---|---|---|---|
| Apex | 11356 | 10-in. | 1952 | Montreal reel | Don Messer and his Islanders | Violin solo, with instrumental ensemble | |
| Apex | 11357 | 10-in. | 1952 | Tina's reel | Don Messer and his Islanders | Violin solo, with instrumental ensemble | |
| Apex | 11358 | 10-in. | 1952 | Gypsy hornpipe | Don Messer and his Islanders | Violin solo, with instrumental ensemble | |
| Apex | 11359 | 10-in. | 1952 | Harvest home hornpipe | Don Messer and his Islanders | Violin solo, with instrumental ensemble | |
| Apex | [Apex cat 26326-A] | 10-in. | 1952 | Dill pickles | Don Messer and his Islanders | Violin solo, with instrumental ensemble | |
| Apex | [Apex cat 26326-B] | 10-in. | 1952 | Jimmy's favorite jig | Don Messer and his Islanders | Violin solo, with instrumental ensemble | |
| Columbia (U.K.) | CL9334 | 10-in. | approximately 1952 | Nueve del julio | Orchestre Argentin Manuel Pizarro ; Manuel Pizarro | Instrumental ensemble | |
| Columbia (U.K.) | CL9333 | 10-in. | approximately 1952 | Laisse ta main dans la mienne | Orchestre Argentin Manuel Pizarro ; Manuel Pizarro | Instrumental ensemble | |
| Columbia (U.K.) | CL9548 | 10-in. | approximately 1952 | Quand un bateau blanc | Jo Boyer ; Charles Trenet | Male vocal solo, with orchestra | |
| Columbia (U.K.) | CL9558 | 10-in. | approximately 1952 | En avril, à Paris | Jo Boyer ; Charles Trenet | Male vocal solo, with orchestra | |
| Columbia (U.K.) | CL9495 | 10-in. | approximately 1952 | Voltage antillaise | Sam Castendet ; Sam Castendet ; Sam Castendet Orchestre Antillais | Vocal and instrumental ensemble | |
| Columbia (U.K.) | CL9498 | 10-in. | approximately 1952 | Fifi | Sam Castendet ; Sam Castendet ; Sam Castendet Orchestre Antillais | Vocal and instrumental ensemble | |
| Columbia (U.K.) | CL9496 | 10-in. | approximately 1952 | Nous deux | Sam Castendet ; Sam Castendet ; Sam Castendet Orchestre Antillais | Vocal and instrumental ensemble | |
| Columbia (U.K.) | CL9434 | 10-in. | approximately 1952 | Payardor | Duo Nicoli | Instrumental ensemble | |
| Columbia (U.K.) | CL9435 | 10-in. | approximately 1952 | Volupta | Duo Nicoli | Instrumental ensemble | |
| Columbia (U.K.) | CL9584 | 10-in. | approximately 1952 | Lua bonita | Tony Proteau ; Tony Proteau Orchestre | Orchestra | |
| Columbia (U.K.) | CL9585 | 10-in. | approximately 1952 | Mulher rendeira | Tony Proteau ; Tony Proteau Orchestre | Orchestra | |
| Columbia (U.K.) | CL9503 | 10-in. | approximately 1952 | C'est vous, c'est vous | Alexander et son Orchestre ; Maurice Alexander ; Maurice Alexander | Accordion solo, with orchestra | |
| Columbia (U.K.) | CL9505 | 10-in. | approximately 1952 | Moulin Rouge | Alexander et son Orchestre ; Maurice Alexander ; Maurice Alexander | Accordion solo, with orchestra | |
| Columbia (U.K.) | CL9384 | 10-in. | approximately 1952 | Donde estas corazon | Orchestre Argentin Manuel Pizarro | Instrumental ensemble | |
| Columbia (U.K.) | CL9385 | 10-in. | approximately 1952 | Derecho viejo | Orchestre Argentin Manuel Pizarro | Instrumental ensemble | |
| Columbia (U.K.) | CL9335 | 10-in. | approximately 1952 | Tu seras pour toujours mon amor | Orchestre Argentin Manuel Pizarro | Instrumental ensemble | |
| Columbia (U.K.) | CL9336 | 10-in. | approximately 1952 | Brumas | Orchestre Argentin Manuel Pizarro | Instrumental ensemble | |
| Columbia (U.K.) | CL9522 | 10-in. | approximately 1952 | Madalena | Tino Rossi ; Pierre Spiers | Male vocal solo, with instrumental ensemble | |
| Columbia (U.K.) | CL9520 | 10-in. | approximately 1952 | Moulin rouge | Tino Rossi ; Pierre Spiers | Male vocal solo, with instrumental ensemble | |
| Columbia (U.K.) | CL9354 | 10-in. | approximately 1952 | Ton mariage | Tino Rossi ; Pierre Spiers | Male vocal solo, with instrumental ensemble | |
| Columbia (U.K.) | CL9355 | 10-in. | approximately 1952 | L'homme tranquille | Tino Rossi ; Pierre Spiers | Male vocal solo, with instrumental ensemble | |
| Columbia (U.K.) | CL9547 | 10-in. | approximately 1952 | Les olivettes | Jo Boyer ; Charles Trenet | Male vocal solo, with instrumental ensemble | |
| Columbia (U.K.) | CL9546 | 10-in. | approximately 1952 | Chanson pour Noël | Jo Boyer ; Charles Trenet | Male vocal solo, with instrumental ensemble | |
| Columbia (U.K.) | CL9372 | 10-in. | approximately 1952 | Font Romeu | Jo Boyer ; Charles Trenet | Male vocal solo, with instrumental ensemble | |
| Columbia (U.K.) | CL9373 | 10-in. | approximately 1952 | Madame la pluie | Jo Boyer ; Charles Trenet | Male vocal solo, with instrumental ensemble | |
| Columbia (U.K.) | CL9371 | 10-in. | approximately 1952 | Bouquet de joie | Albert Lasry ; Charles Trenet | Male vocal solo, with instrumental ensemble | |
| Columbia (U.K.) | CL9370 | 10-in. | approximately 1952 | Où vas-tu chaque nuit? | Albert Lasry ; Charles Trenet | Male vocal solo, with instrumental ensemble | |
| Columbia (U.K.) | CL9391 | 10-in. | approximately 1952 | T'es une belle petite môme | Jean Bretonniere ; Jacques-Henry Rys | Male vocal solo, with instrumental ensemble | |
| Columbia (U.K.) | CL9417 | 10-in. | approximately 1952 | Marco Polo | Jean Bretonniere ; Jacques-Henry Rys | Male vocal solo, with instrumental ensemble | |
| Columbia (U.K.) | CL9390 | 10-in. | approximately 1952 | Les oranges de Jaffa | Jean Bretonniere ; Jacques-Henry Rys | Male vocal solo, with instrumental ensemble | |
| Columbia (U.K.) | CL9419 | 10-in. | approximately 1952 | Et bailler, et dormir | Jean Bretonniere ; Jacques-Henry Rys | Male vocal solo, with instrumental ensemble | |
| Columbia (U.K.) | CL9393 | 10-in. | approximately 1952 | Mes mains | Jean Bretonniere ; Jacques-Henry Rys | Male vocal solo, with instrumental ensemble | |
| Decca | 83787 | 1952 | I'll still love you for ever and a day | Milt Dickey | |||
| Decca | 83788 | 1952 | My checkbook baby | Milt Dickey | |||
| Decca | CE 13679 | 1951 | Liebeslied | Sidney Torch Orchestra | |||
| Decca | CE 13709 | 1951 or 1952 | Nights of gladness | Sydney Thompson Old-Tyme Dance Orchestra | |||
| Decca | P-CE 13710 | 1951 or 1952 | Over the top | Sydney Thompson Old-Tyme Dance Orchestra | |||
| Decca | CE 13766 | 10-in. | 1951 or 1952 | The red sombrero | Sidney Torch Orchestra | ||
| Decca | CE 13815 | 1951 or 1952 | Out of the blue | Sydney Thompson and his Band | |||
| Decca | CE 13816 | 1951 or 1952 | A bird in a gilded cage ; Molly O'Morgan ; Down at the old bull and bush ; By the side of the Zuyder Zee | Sydney Thompson and his Band | |||
| Decca | P-CE 13894 | 1952 | Morocco | Roberto Inglez Orchestra | |||
| Decca | CE 13945 | 10-in. | 1952 | Coronation Scot | Sidney Torch Orchestra | ||
| Decca | P-CE 13978 | 1952 | Atlantide | Roberto Inglez Orchestra | |||
| Decca | P-CE 13979 | 1952 | Sururu | Roberto Inglez Orchestra | |||
| Decca | DGG 4178 | 1952 | Ramona | Helmut Zacharias Orchestra | |||
| Decca | L 6974 | 12/31/1952 | When I grow too old to dream | Jesse Crawford | |||
| Decca | L 6975 | 12/31/1952 | Song of love | Jesse Crawford | |||
| Decca | L 6976 | 12/31/1952 | Blue twilight | Jesse Crawford | |||
| Decca | L 6977 | 12/31/1952 | Lonely hour | Jesse Crawford | |||
| Gramophone | 0GA1889 | 10-in. | 1952 | Lyōnei to kormi mou lyōnei (Λυωνει το κορμι μου λυωνει) | Stellakēs Perpiniadēs (Στελλάκης Περπινιάδης) | Male vocal solo, with instrumental ensemble | |
| Gramophone | 0GA1890 | 10-in. | 1952 | Gia mia spaniola (Για μια σπανιολα) | Stellakēs Perpiniadēs (Στελλάκης Περπινιάδης) ; Souzana (Σουζανα) | Female-male vocal duet, with instrumental ensemble | |
| Gramophone | 0GA1903 | 10-in. | 1952 | O katsantōnēs st' agrapha (Ο κατσαντωνης στ' αγραφα) | Ch. Kontopoulos (Χ. Κοντοπουλος) | Male vocal solo, with instrumental ensemble | |
| Gramophone | 0GA1904 | 10-in. | 1952 | Perivolarissa (Περιβολαρισσα) | Ch. Kontopoulos (Χ. Κοντοπουλος) | Male vocal solo, with instrumental ensemble | |
| Gramophone | 0GA1887 | 10-in. | 1952 | Varka mou bogiatismenē (Βαρκα μου μπογιατισμενη) | Aimilia Chatzēdakē (Αιμιλια Χατζηδακη) ; Annas Chatzēdakē (Αννας Χατζηδακη) | Female vocal duet, with instrumental ensemble | |
| Gramophone | 0GA1933 | 10-in. | 1952 | Pernoun ta synnefakia (Περνουν τα συννεφακια) | Iōanna Geōrgakopoulou (Ιωαννα Γεωργακοπουλου) ; I. Tatasopoulos | Vocal duet, with instrumental ensemble | |
| Gramophone | 0GA1934 | 10-in. | 1952 | Sto rēmokklēsi sto vouno (Στο ρημοκκλησι στο βουνο) | Iōanna Geōrgakopoulou (Ιωαννα Γεωργακοπουλου) ; I. Tatasopoulos | Female-male vocal duet, with instrumental ensemble | |
| Gramophone | 0GA1944 | 10-in. | 1952 | Matōse matōse (Ματωσε ματωσε) | St. Kazantzidēs (Στ. Καζαντζιδης) | Male vocal solo, with instrumental ensemble | |
| Gramophone | 0GA1877 | 10-in. | 1952 | O'ti zētēsa to vrēka konta sou (Ο'τι ζητησα το βρηκα κοντα σου) | Tōnis Maroudas (Τωνης Μαρουδας) | Male vocal solo, with instrumental ensemble | |
| Gramophone | 0GA1896 | 10-in. | 1952 | Thelō varia na koimēthō (Θελω βαρια να κοιμηθω) | Nikos Kallerghis ; Rena Stamou (Ρενα Σταμου) ; Prodromos Tsaousakēs (Προδρομος Τσαουσακης) | Mixed vocal trio, with instrumental ensemble | |
| Gramophone | 0GA1926 | 10-in. | 1952 | To diazygio (Το διαζυγιο) | M. Grillē (M. Γριλλη) ; G. Mitsakēs (Γ. Μιτσκης) ; I. Tatassopoulos (Ι. Τατασσοπουλος) | Vocal trio, with instrumental ensemble | |
| Gramophone | 0GA1945 | 10-in. | 1952 | Den tha xechasō pote (Δεν θα ξεχασω ποτε) | Nasos Patetsos (Νασος Πετετσος) | Male vocal solo, with instrumental ensemble | |
| Gramophone | 0GA1946 | 10-in. | 1952 | Aspro mou peristeri (Ασπρο μου περιστερι) | Nasos Patetsos (Νασος Πετετσος) | Male vocal solo, with instrumental ensemble | |
| Gramophone | 0GA1949 | 10-in. | 1952 | Thelō apopse na chorepsōme mazy (Θελω αποψε να χορεψωμε μαζυ) | Egia Stēl (Εγια Στηλ) ; Trio Kitara (Τριο Κιταρα) | Female vocal solo and vocal trio, with instrumental ensemble | |
| Gramophone | 0GA1950 | 10-in. | 1952 | Rōtō mi' achtida tou fengariou (Ρωτω μι' αχτιδα του φεγγαριου) | Nasos Patetsos (Νασος Πετετσος) | Male vocal solo, with instrumental ensemble | |
| Odeon | GO4719 | 10-in. | approximately 1952 | Kouna kouna to kormi sou (Κούνα κούνα το κορμί σου) | Rita Abatzi (Ρίτα Αμπατζή) | Female vocal solo, with instrumental ensemble | |
| Odeon | GO4706 | 10-in. | approximately 1952 | 500 lires proika (500 λίρες προίκα) | Manolis Hiotis (Μανωλης Χιωτης) | Female-male vocal duet, with instrumental ensemble | |
| Odeon | GO4512 | 10-in. | Between 1951 and 1952 | Ta cheilē sou t'aphilēta (Τα χείλη σου τ'αφίλητα) | Dēmētrēs Perdikopoulos (Δημήτρης Περδικοπουλος) | Male vocal solo, with instrumental ensemble | |
| Odeon | GO4513 | 10-in. | approximately 1952 | Giōrgē mou ti stolizesai (Γιώργη μου τι στολίζεσαι) | Dēmētrēs Perdikopoulos (Δημήτρης Περδικοπουλος) | Male vocal duet, with instrumental ensemble | |
| Odeon | GO4628 | 10-in. | approximately 1952 | Ē maurē phtōcheia (Η μαύρη φτώχεια) | G. Papadopoulou | Female-male vocal duet, with instrumental ensemble | |
| Odeon | GO4627 | 10-in. | approximately 1952 | O mellothanatos (Ο μελλοθάνατος) | G. Papadopoulou | Female-male vocal duet, with instrumental ensemble | |
| Signature | HA 101 | 1952 or earlier | Sweet Jennie Lee | Alan Dale |
Citation
Discography of American Historical Recordings, s.v. "Recordings made on Wednesday, December 31, 1952," accessed April 24, 2024, https://adp.library.ucsb.edu/index.php/date/browse?date=1952-12-31.
Recordings made on Wednesday, December 31, 1952. (2024). In Discography of American Historical Recordings. Retrieved April 24, 2024, from https://adp.library.ucsb.edu/index.php/date/browse?date=1952-12-31.
Recordings made on Wednesday, December 31, 1952." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 24 April 2024.
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