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Umberto Giordano

Umberto Menotti Maria Giordano (28 August 1867 – 12 November 1948) was an Italian composer, mainly of operas. His best-known work in that genre was Andrea Chénier (1896).

He was born in Foggia in Apulia, southern Italy, and studied under Paolo Serrao at the Conservatoire of Naples. His first opera, Marina, was written for a competition promoted by the music publishers Casa Sonzogno for the best one-act opera, remembered today because it marked the beginning of Italian verismo. The winner was Mascagni's Cavalleria rusticana. Giordano, the youngest contestant, was placed sixth among seventy-three entries with his Marina, a work which generated enough interest for Sonzogno to commission the staging of an opera based on it in the 1891–92 season.

The result was Mala vita, a gritty verismo opera about a labourer who vows to reform a prostitute if he is cured of his tuberculosis. This work caused something of a scandal when performed at the Teatro Argentina, Rome, in February 1892. It played successfully in Vienna, Prague and Berlin and was re-written as Il Voto a few years later, in an attempt to raise interest in the work again.

Giordano tried a more romantic topic with his next opera, Regina Diaz, with a libretto by Giovanni Targioni-Tozzetti and Guido Menasci (1894), but this was a failure, taken off the stage after just two performances.

Giordano then moved to Milan and returned to verismo with his best-known work, Andrea Chénier (1896), based on the life of the French poet André Chénier. Fedora (1898), based on Victorien Sardou's play, featured the rising young tenor Enrico Caruso. It was also a success and is still performed today. His later works are much less known, but occasionally revived and in the case of La cena delle beffe (based on the play of the same title by Sem Benelli) recognised by musicologists and critics with some respect. He died in Milan at the age of 81.

The most important theater in his home town of Foggia has been dedicated to Umberto Giordano. A square in Foggia is also named after him and contains several statues representing his most famous works.

Birth and Death Data: Born August 28, 1867 (Foggia), Died November 12, 1948 (Milan)

Date Range of DAHR Recordings: 1900 - 1939

Roles Represented in DAHR: composer

= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.

Recordings (Results 26-50 of 135 records)

Company Matrix No. Size First Recording Date Title Primary Performer Description Role Audio
Victor BVE-34941 10-in. 3/10/1926 Amor ti vieta di non amar Giovanni Martinelli Tenor vocal solo, with orchestra composer  
Victor BVE-34942 10-in. 3/11/1926 Mia madre, la mia vecchia madre Giovanni Martinelli Tenor vocal solo, with orchestra composer  
Victor CVE-34944 12-in. 3/12/1926 Un dì all' azzurro spazio Giovanni Martinelli Tenor vocal solo, with orchestra composer  
Victor CVE-34998 12-in. 4/8/1926 Come un dì di maggio Giovanni Martinelli Tenor vocal solo, with orchestra composer  
Victor BVE-37869 10-in. 3/25/1927 Mi svesti Antonio Cortis Tenor vocal solo, with orchestra composer  
Victor BVE-37873 10-in. 3/28/1927 Ahi che tormento Antonio Cortis Tenor vocal solo, with orchestra composer  
Victor CVE-43752 12-in. 4/26/1928 Come un bel dì di maggio Bernardo De Muro Tenor vocal solo, with orchestra composer  
Victor CVE-43753 12-in. 4/26/1928 Un dì all'azzurro spazio Bernardo De Muro Tenor vocal solo, with orchestra composer  
Victor BVE-48297 10-in. 1/21/1929 Si fui soldato Giovanni Zenatello Tenor vocal solo, with orchestra composer  
Victor BVE-51101 10-in. 3/28/1929 Coro pastorelle Metropolitan Opera Chorus ; Giulio Setti Mixed vocal chorus, with orchestra composer  
Victor CVE-57594 12-in. 12/10/1929 Un dì all azzurro spazio Armand Tokatyan Tenor vocal solo, with orchestra composer  
Victor BS-033739 10-in. 2/16/1939 Amor ti vieta Richard Crooks ; Wilfrid Pelletier Tenor vocal solo, with orchestra composer  
Victor CVE-Test-180 12-in. 4/19/1929 Racconto di Maddalena Hilda Burke Soprano vocal solo, with piano composer  
Columbia 38321 10-in. 10/9/1912 Amor ti vieta Alessandro Bonci Tenor vocal solo, with orchestra composer  
Columbia 45821 10-in. 6/24/1915 Canzone guerresca Umberto Sorrentino Male vocal solo, with instrumental quartet composer  
Columbia 98107 12-in. 12/17/1923 Un di all'azzurro spazio Charles Hackett Tenor vocal solo, with orchestra composer  
Columbia 98119 12-in. 2/5/1924 Nemico della patria Cesare Formichi Baritone vocal solo, with orchestra composer  
Columbia W140921 10-in. 9/9/1925 Amor ti vieta Charles Hackett Tenor vocal solo, with harp and orchestra composer  
Columbia 5970 10-in. between 1903 and 1908 Racconto de Magdalena Sara Rendon Sánchez Soprano vocal solo, with orchestra composer  
Columbia 10287 10-in. approximately 1903 to 1908 Fedora : Morte di Fedora Clara Joanna Soprano vocal solo composer  
Columbia 10292 10-in. approximately 1903 to 1908 Un di mi era di gioia Luigi Baldassare Male vocal solo composer  
Columbia 10310 10-in. approximately 1903 to 1908 Fedora : Potpourri Band (unidentified; Columbia Records) Band composer  
Columbia 10313 10-in. approximately 1903 to 1908 Andrea Chénier : Potpourri Band (unidentified; Columbia Records) Band composer  
Columbia 10358 10-in. approximately 1903 to 1908 Andrea Chenier : Son sessant'anni Vincenzo Reschiglian Baritone vocal solo composer  
Columbia 10359 10-in. approximately 1903 to 1908 Fedora : La donna russa Vincenzo Reschiglian Baritone vocal solo composer  
(Results 26-50 of 135 records)

Citation

Discography of American Historical Recordings, s.v. "Giordano, Umberto," accessed April 24, 2024, https://adp.library.ucsb.edu/names/102526.

Giordano, Umberto. (2024). In Discography of American Historical Recordings. Retrieved April 24, 2024, from https://adp.library.ucsb.edu/names/102526.

"Giordano, Umberto." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 24 April 2024.

DAHR Persistent Identifier

URI: https://adp.library.ucsb.edu/names/102526

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