Byron G. Harlan
Byron George Harlan (August 29, 1861 – September 11, 1936) was an American singer from Kansas, a comic minstrel singer and balladeer who often recorded with Arthur Collins. The two together were often billed as "Collins & Harlan". |
Birth and Death Data: Born August 29, 1861, Died September 11, 1936
Date Range of DAHR Recordings: 1901 - 1924
Roles Represented in DAHR: tenor vocal, speaker, performer, author, composer, lyricist, vocalist
Notes: Tenor; performed with Arthur Collins as the comic duo Collins and Harlan; also recorded under the names Cyrus Pippins, Deacon Treadway, Bert Terry, Byron Holland, Chester Lincoln, and Cy Stebbins
= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.
Recordings
| Company | Matrix No. | Size | First Recording Date | Title | Primary Performer | Description | Role | Audio |
|---|---|---|---|---|---|---|---|---|
| Victor | [Pre-matrix A-]1719 | 7-in. | 10/31/1902 | I never trouble trouble till trouble troubles me | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| Victor | [Pre-matrix B-]1719 | 10-in. | 10/31/1902 | I never trouble trouble till trouble troubles me | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| Victor | [Pre-matrix A-]1720 | 7-in. | 10/31/1902 | The shirt-waist band | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| Victor | [Pre-matrix B-]1720 | 10-in. | 10/31/1902 | The shirt-waist band | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| Victor | [Pre-matrix A-]1721 | 7-in. | 10/31/1902 | Oh such a business! | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| Victor | [Pre-matrix B-]1721 | 10-in. | 10/31/1902 | Oh such a business! | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| Victor | [Pre-matrix A-]1722 | 7-in. | 10/31/1902 | I must have been a-dreamin' | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| Victor | [Pre-matrix B-]1722 | 10-in. | 10/31/1902 | I must have been a-dreamin' | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| Victor | [Pre-matrix A-]1723 | 7-in. | 10/31/1902 | The first rehearsal of the huskin' bee | Collins and Harlan | Descriptive scene | speaker | |
| Victor | [Pre-matrix B-]1723 | 10-in. | 10/31/1902 | The first rehearsal of the huskin' bee | Collins and Harlan | Descriptive scene | speaker | |
| Victor | [Pre-matrix A-]1727 | 7-in. | 11/1/1902 | Two rubes in a tavern | Collins and Harlan | Descriptive scene | speaker | |
| Victor | [Pre-matrix B-]1727 | 10-in. | 11/1/1902 | Two rubes in a tavern | Collins and Harlan | Comic scene | speaker | |
| Victor | [Pre-matrix A-]1728 | 7-in. | 11/1/1902 | Closing time in a country grocery | Collins and Harlan | Descriptive scene | speaker | |
| Victor | [Pre-matrix B-]1728 | 10-in. | 11/1/1902 | Closing time in a country grocery | Collins and Harlan | Descriptive scene | speaker | |
| Victor | [Pre-matrix A-]1966 | 7-in. | 2/12/1903 | O-O-O'Brien | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Victor | [Pre-matrix B-]1966 | 10-in. | 2/12/1903 | Oh oh O'Brien | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Victor | [Pre-matrix A-]1967 | 7-in. | 2/12/1903 | Strike out McCracken | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| Victor | [Pre-matrix B-]1967 | 10-in. | 2/12/1903 | Strike out McCracken | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| Victor | [Pre-matrix A-]1968 | 7-in. | 2/12/1903 | Trouble | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| Victor | [Pre-matrix B-]1968 | 10-in. | 2/12/1903 | Trouble | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| Victor | [Pre-matrix A-]1969 | 7-in. | 2/12/1903 | Jerry Murphy is a friend of mine | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Victor | [Pre-matrix B-]1969 | 10-in. | 2/12/1903 | Jerry Murphy is a friend of mine | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Victor | [Pre-matrix A-]1970 | 7-in. | 2/12/1903 | I'll kill the man who swiped me can | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| Victor | [Pre-matrix B-]1970 | 10-in. | 2/12/1903 | I'll kill the man who swiped me can | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| Victor | [Pre-matrix A-]1971 | 7-in. | 2/12/1903 | I'm unlucky | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| Victor | [Pre-matrix B-]1971 | 10-in. | 2/12/1903 | I'm unlucky | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| Victor | [Pre-matrix A-]2053 | 7-in. | 3/3/1903 | When the winter time comes 'round | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| Victor | [Pre-matrix B-]2053 | 10-in. | 3/3/1903 | When the winter time comes 'round | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| Victor | [Pre-matrix A-]2054 | 7-in. | 3/3/1903 | The crowd on McNally's back stoop | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| Victor | [Pre-matrix B-]2054 | 10-in. | 3/3/1903 | The crowd on McNally's back stoop | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| Victor | [Pre-matrix A-]2116 | 7-in. | 3/24/1903 | The dude and the farmer | Collins and Harlan | Descriptive scene | speaker | |
| Victor | [Pre-matrix B-]2116 | 10-in. | 3/24/1903 | The dude and the farmer | Collins and Harlan | Descriptive scene | speaker | |
| Victor | [Pre-matrix A-]2117 | 7-in. | 3/24/1903 | A fiddler from 'way down East | Collins and Harlan | Descriptive scene | speaker | |
| Victor | [Pre-matrix B-]2117 | 10-in. | 3/24/1903 | A fiddler from 'way Down East | Collins and Harlan | Descriptive scene | speaker | |
| Victor | [Pre-matrix A-]2118 | 7-in. | 3/24/1903 | The cat and the fly-paper | Collins and Harlan | Descriptive scene | speaker | |
| Victor | [Pre-matrix B-]2118 | 10-in. | 3/24/1903 | The cat and the fly-paper | Collins and Harlan | Descriptive scene | speaker | |
| Victor | [Pre-matrix A-]2154 | 7-in. | 4/3/1903 | Just a line from Jennie | Byron G. Harlan | Male vocal solo | vocalist, tenor vocal | |
| Victor | [Pre-matrix B-]2155 | 10-in. | 4/3/1903 | Please Mamma buy me a baby | Byron G. Harlan | Male vocal solo | vocalist, tenor vocal | |
| Victor | [Pre-matrix A-]2156 | 7-in. | 4/3/1903 | Nursery rhymes | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| Victor | [Pre-matrix B-]2156 | 10-in. | 4/3/1903 | Nursery rhymes | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| Victor | [Pre-matrix A-]2157 | 7-in. | 4/3/1903 | They were all doing the same | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| Victor | [Pre-matrix B-]2157 | 10-in. | 4/3/1903 | They were all doing the same | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| Victor | [Pre-matrix A-]2158 | 7-in. | 4/3/1903 | Marion | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| Victor | [Pre-matrix B-]2158 | 10-in. | 4/3/1903 | Marion | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| Victor | [Pre-matrix A-]2159 | 7-in. | 4/3/1903 | Backyard conversation between two Irish washerwomen | Collins and Harlan | Comic dialogue | speaker | |
| Victor | [Pre-matrix B-]2159 | 10-in. | 4/3/1903 | Backyard conversation between two Irish washerwomen | Collins and Harlan | Comic dialogue | speaker | |
| Victor | [Pre-matrix A-]2160 | 7-in. | 4/3/1903 | Reuben's trip to the city | Byron G. Harlan | Monologue | speaker | |
| Victor | [Pre-matrix B-]2160 | 10-in. | 4/3/1903 | Reuben's trip to the city | Byron G. Harlan | Monologue | speaker | |
| Victor | [Pre-matrix C-]31074 | 12-in. | either 1901 or 1902 | Hurrah for Baffin Bay | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| Victor | [Pre-matrix C-]31075 | 12-in. | either 1901 or 1902 | O! O! O'Brien | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| Victor | [Pre-matrix C-]31128 | 12-in. | 1902-1903 | Jerry Murphy is a friend of mine | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Victor | C-237 [Old series] | 12-in. | 2/9/1903 or 5/26/1903 | Hurrah for Baffin Bay | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| Victor | C-238 [Old series] | 12-in. | 2/9/1903 or 5/26/1903 | Oh! Oh! O'Brien | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Victor | A-284 | 7-in. | 8/25/1903 | A parody on "Hiawatha" | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Victor | B-284 | 10-in. | 8/25/1903 | A parody on "Hiawatha" | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Victor | A-285 | 7-in. | 8/25/1903 | It was the Dutch | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Victor | B-285 | 10-in. | 8/25/1903 | It was the Dutch | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Victor | B-286 | 10-in. | 8/25/1903 | Please, Mama, buy me a baby | Byron G. Harlan | Male vocal solo, with piano | vocalist, tenor vocal | |
| Victor | B-287 | 10-in. | 8/25/1903 | Hurrah for Baffin Bay | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Victor | C-287 | 12-in. | 3/3/1904 | Baffin's Bay | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | A-287 | 7-in. | 8/25/1903 | Hurrah for Baffin Bay | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Victor | A-288 | 7-in. | 8/25/1903 | Two rubes in a tavern | Collins and Harlan | Male vocal duet, with organ | vocalist, tenor vocal, author | |
| Victor | B-288 | 10-in. | 8/25/1903 | Two rubes in a tavern | Collins and Harlan | Comic dialogue | speaker, author | |
| Victor | E-288 | 8-in. | 5/6/1907 | Two rubes in a tavern | Collins and Harlan | Comic dialogue | author, speaker | |
| Victor | A-289 | 7-in. | 8/25/1903 | Marriage is sublime | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| Victor | B-289 | 10-in. | 8/25/1903 | Marriage is sublime | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| Victor | B-290 | 10-in. | 8/25/1903 | When the winter time comes 'round | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| Victor | A-391 | 7-in. | 9/3/1903 | Always in the way | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-391 | 10-in. | 9/3/1903 | Always in the way | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | A-392 | 7-in. | 9/3/1903 | In the valley where the bluebirds sing | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-392 | 10-in. | 9/3/1903 | In the valley where the bluebirds sing | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-393 | 10-in. | 9/3/1903 | When Jane and I were wed | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | A-684 | 7-in. | 11/10/1903 | He was a sailor | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Victor | B-684 | 10-in. | 11/10/1903 | He was a sailor | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Victor | C-684 | 12-in. | 11/10/1903 | He was a sailor | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Victor | A-685 | 7-in. | 11/10/1903 | What would the neighbors say? | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Victor | B-685 | 10-in. | 11/10/1903 | What would the neighbors say? | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Victor | C-685 | 12-in. | 11/10/1903 | What would the neighbors say? | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Victor | A-686 | 7-in. | 11/10/1903 | Moriarity | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Victor | B-686 | 10-in. | 11/10/1903 | Moriarty | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Victor | C-686 | 12-in. | 11/10/1903 | Moriarty | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Victor | A-687 | 7-in. | 11/10/1903 | I'm going to leave | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Victor | B-687 | 10-in. | 11/10/1903 | I'm going to leave | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Victor | C-687 | 12-in. | 11/10/1903 | I'm going to leave | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Victor | A-690 | 7-in. | 11/10/1903 | That's how I love you, Mame | Byron G. Harlan | Male vocal solo, with piano | vocalist, tenor vocal | |
| Victor | B-690 | 10-in. | 11/10/1903 | That's how I love you, Mame | Byron G. Harlan | Male vocal solo, with piano | vocalist, tenor vocal | |
| Victor | A-691 | 7-in. | 11/10/1903 | In a village by the sea | Byron G. Harlan | Male vocal solo, with piano | vocalist, tenor vocal | |
| Victor | B-691 | 10-in. | 11/10/1903 | In the village by the sea | Byron G. Harlan | Male vocal solo, with piano | vocalist, tenor vocal | |
| Victor | C-691 | 12-in. | 11/10/1903 | In the village by the sea | Byron G. Harlan | Male vocal solo, with piano | vocalist, tenor vocal | |
| Victor | A-1009 | 7-in. | 2/3/1904 | For sale—a baby | Byron G. Harlan | Male vocal solo, with piano | vocalist, tenor vocal | |
| Victor | B-1009 | 10-in. | 2/3/1904 | For sale—a baby | Byron G. Harlan | Male vocal solo, with piano | vocalist, tenor vocal | |
| Victor | A-1010 | 7-in. | 2/3/1904 | Kiss me goodnight, dear love | Byron G. Harlan | Male vocal solo, with piano | vocalist, tenor vocal | |
| Victor | B-1010 | 10-in. | 2/3/1904 | Kiss me goodnight, dear love | Byron G. Harlan | Male vocal solo, with piano | vocalist, tenor vocal | |
| Victor | A-1015 | 7-in. | 2/3/1904 | Under the Anheuser bush | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Victor | B-1015 | 10-in. | 2/3/1904 | Under the Anheuser bush | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Victor | A-1016 | 7-in. | 2/3/1904 | Barney | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Victor | B-1016 | 10-in. | 2/3/1904 | Barney | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Victor | A-1017 | 7-in. | 2/3/1904 | I ain't got no time | Collins and Harlan | Male vocal duet(?), with piano | vocalist, tenor vocal | |
| Victor | B-1017 | 10-in. | 2/3/1904 | I ain't got no time | Collins and Harlan | Male vocal duet(?), with piano | vocalist, tenor vocal | |
| Victor | A-1018 | 7-in. | 2/3/1904 | Closing time in a country grocery | Collins and Harlan | Comic dialogue, with organ | author, speaker | |
| Victor | B-1018 | 10-in. | 5/6/1907 | Closing time in a country grocery | Collins and Harlan | Comic dialogue, with organ | author, speaker | |
| Victor | E-1018 | 8-in. | 5/6/1907 | Closing time in a country grocery store | Collins and Harlan | Comic dialogue, with organ | author, speaker | |
| Victor | A-1019 | 7-in. | 2/3/1904 | Two rubes in a tavern | Collins and Harlan | Comic dialogue, with piano | speaker | |
| Victor | A-1066 | 7-in. | 3/3/1904 | For sale—a baby | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-1066 | 10-in. | 3/3/1904 | For sale—a baby | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-1068 | 10-in. | 3/3/1904 | Over the Pilsner foam | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | A-1069 | 7-in. | 3/3/1904 | Come down from the big fig tree | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-1069 | 10-in. | 3/3/1904 | Come down from the big fig tree | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | A-1070 | 7-in. | 3/3/1904 | I ain't got no time | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-1070 | 10-in. | 3/3/1904 | I ain't got no time | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | C-1203 | 12-in. | 4/12/1904 | Good-bye, Fedora | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-1203 | 10-in. | 4/12/1904 | Good-bye, Fedora | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-1204 | 10-in. | 4/12/1904 | The stuttering coon | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | E-1204 | 8-in. | 1/15/1907 | The stuttering coon | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| Victor | B-1205 | 10-in. | 4/12/1904 | Never bank on a travelling man | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | C-1205 | 12-in. | 4/12/1904 | Never bank on a travelling man | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-1206 | 10-in. | 4/12/1904 | Down on the Brandywine | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | E-1206 | 8-in. | 1/15/1907 | Down on the Brandywine | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-1745 | 10-in. | 10/10/1904 | Dixie | Byron G. Harlan ; Frank C. Stanley | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | E-1745 | 8-in. | 1/23/1907 | Dixie Land | Byron G. Harlan ; Frank C. Stanley | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-1746 | 10-in. | 10/10/1904 | Marching through Georgia | Byron G. Harlan ; Frank C. Stanley | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | E-1746 | 8-in. | 1/23/1907 | Marching through Georgia | Byron G. Harlan ; Frank C. Stanley | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | E-1747 | 8-in. | 1/23/1907 | The battle cry of freedom | Byron G. Harlan ; Frank C. Stanley | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-1747 | 10-in. | 10/10/1904 | The battle cry of freedom | Byron G. Harlan ; Frank C. Stanley | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-1748 | 10-in. | 10/10/1904 | A rheumatism cure in Jayville Centre | Byron G. Harlan ; Frank C. Stanley | Descriptive scene | speaker | |
| Victor | B-1749 | 10-in. | 10/10/1904 | In a country blacksmith shop | Byron G. Harlan ; Frank C. Stanley | Descriptive scene | speaker | |
| Victor | B-1750 | 10-in. | 10/10/1904 | Waiting for the dinner horn to blow | Harlan and Stanley | Descriptive scene | speaker | |
| Victor | B-1751 | 10-in. | 10/11/1904 | A little boy called Taps | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-1752 | 10-in. | 10/11/1904 | Down at the baby store | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-1753 | 10-in. | 10/11/1904 | Nellie mine | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-1754 | 10-in. | 10/11/1904 | Hello Central, give me heaven | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-1891 | 10-in. | 11/3/1904 | Down where the sweet potatoes grow | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-1892 | 10-in. | 11/3/1904 | Gone! Gone! Gone! | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-1893 | 10-in. | 11/3/1904 | Louisa Schmidt | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | C-1893 | 12-in. | 11/3/1904 | Louisa Schmidt | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-1895 | 10-in. | 11/3/1904 | Mamma's boy | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-1896 | 10-in. | 11/3/1904 | Why don't they play with me? | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-1959 | 10-in. | 11/22/1904 | Coax me | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-1960 | 10-in. | 11/22/1904 | Does you love me as you used to Miss Jane? | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-1963 | 10-in. | 11/22/1904 | I've got my fingers crossed | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-1964 | 10-in. | 11/22/1904 | A sail on the tail of a whale | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-1965 | 10-in. | 11/22/1904 | Heinie | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-2166 | 10-in. | 1/20/1905 | Jasper, don't you hear me calling you? | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-2167 | 10-in. | 1/20/1905 | The Bingville band | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-2168 | 10-in. | 1/20/1905 | It makes me think of home sweet home | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-2170 | 10-in. | 1/20/1905 | When the harvest moon is shining on the river | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | A-2172 | 7-in. | between 1901 and 1903 | The dude and the farmer | Collins and Harlan | Comic dialogue, with piano and violin | speaker | |
| Victor | B-2172 | 10-in. | 1/21/1905 | The dude and the farmer | Collins and Harlan | Comic dialogue, with piano and violin | speaker | |
| Victor | B-2173 | 10-in. | 1/21/1905 | Fiddler from Way down East | Collins and Harlan | Comic dialogue, with violin and piano | speaker | |
| Victor | B-2174 | 10-in. | 1/21/1905 | The cat and the fly paper | Collins and Harlan | Comic dialogue, with organ | speaker | |
| Victor | E-2174 | 8-in. | 5/6/1907 | The cat and the fly paper | Collins and Harlan | Comic dialogue, with organ | speaker | |
| Victor | B-2175 | 10-in. | 1/21/1905 | I got mine | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| Victor | C-2175 | 12-in. | 1/21/1905 | I got mine | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| Victor | A-2175 | 7-in. | 1/21/1905 | I got mine | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Victor | B-2176 | 10-in. | 1/21/1905 | They were all doing the same | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| Victor | C-2176 | 12-in. | 1/21/1905 | They were all doing the same | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| Victor | B-2177 | 10-in. | 1/21/1905 | Whoa Bill! | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| Victor | B-2432 | 10-in. | 3/31/1905 | The waltz must change to a march, Marie | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-2433 | 10-in. | 3/31/1905 | Just across the bridge of gold | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-2434 | 10-in. | 3/31/1905 | I'm going to meet Birdie tonight | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-2435 | 10-in. | 3/31/1905 | Pretty Mary | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-2436 | 10-in. | 3/31/1905 | A house to rent | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-2538 | 10-in. | 5/9/1905 | My gal Sal | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | C-2539 | 12-in. | 5/9/1905 | The message of the old church bell | Byron G. Harlan | Male vocal solo, with chimes and orchestra | vocalist, tenor vocal | |
| Victor | B-2539 | 10-in. | 5/9/1905 | The message of the old church bell | Byron G. Harlan | Male vocal solo, with chimes and orchestra | vocalist, tenor vocal | |
| Victor | B-2540 | 10-in. | 5/9/1905 | Tammany | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-2541 | 10-in. | 5/9/1905 | Take a car! | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-2542 | 10-in. | 5/9/1905 | Hey Mr. Joshua! | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-2567 | 10-in. | 5/22/1905 | Would you care? | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-2569 | 10-in. | 5/22/1905 | A picnic for two | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-2571 | 10-in. | 5/22/1905 | Miss Georgia | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-2572 | 10-in. | 5/22/1905 | Under the Anheuser bush | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | E-2572 | 8-in. | 1/15/1907 | Under the Anheuser bush | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-2575 | 10-in. | 5/26/1905 | Tommy | Byron G. Harlan ; Frank C. Stanley | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-2576 | 10-in. | 5/26/1905 | Soldier boy | Byron G. Harlan ; Frank C. Stanley | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-2577 | 10-in. | 5/26/1905 | Bright eyes, good bye | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-2578 | 10-in. | 5/26/1905 | Two rubes and the tramp fiddler | Byron G. Harlan ; Frank C. Stanley | Descriptive scene, with orchestra | speaker | |
| Victor | B-2579 | 10-in. | 5/26/1905 | An evening call in Jayville Center | Byron G. Harlan ; Frank C. Stanley | Descriptive scene | speaker | |
| Victor | B-2671 | 10-in. | 6/26/1905 | Two little girls loved one little boy | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | C-2673 | 12-in. | 6/27/1905 | Making eyes | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | C-2674 | 12-in. | 6/27/1905 | The man in the moon | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-2675 | 10-in. | 6/27/1905 | Central, give me back my dime | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-2758 | 10-in. | 9/19/1905 | Wait 'till the sun shines, Nellie | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-2759 | 10-in. | 9/19/1905 | I'll be waiting in the gloaming, sweet Genevieve | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-2760 | 10-in. | 9/19/1905 | On the banks of the Rhine with a stein | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-2761 | 10-in. | 9/19/1905 | Bye-bye, ma Eva | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-2867 | 10-in. | 11/7/1905 | Paddle your own canoe | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-2868 | 10-in. | 11/7/1905 | I'm dreaming of you | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-2869 | 10-in. | 11/7/1905 | Nigger loves his 'possum | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-2871 | 10-in. | 11/7/1905 | Daddy's little girl | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-2872 | 10-in. | 11/7/1905 | The leader of the German band | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | C-3021 | 12-in. | 1/23/1906 | Two rubes in an eating house | Byron G. Harlan ; Frank C. Stanley | Descriptive scene, with piano | speaker | |
| Victor | C-3022 | 12-in. | 1/23/1906 | Scene in a country store | Byron G. Harlan ; Frank C. Stanley | Descriptive scene, with piano | speaker | |
| Victor | B-3040 | 10-in. | 1/25/1906 | Where the morning glories twine around the door | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-3041 | 10-in. | 1/25/1906 | Jessamine | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-3042 | 10-in. | 1/25/1906 | When Mose with his nose leads the band | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-3043 | 10-in. | 1/25/1906 | L-A-Z-Y spells lazy | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-3044 | 10-in. | 1/25/1906 | Gretchen | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-3045 | 10-in. | 1/25/1906 | My lovin' Henry | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-3131 | 10-in. | 2/21/1906 | Is there any room in heaven for a little girl like me? | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-3133 | 10-in. | 2/21/1906 | Once upon a time | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-3134 | 10-in. | 2/21/1906 | Traveling | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-3135 | 10-in. | 2/21/1906 | Out in an automobile | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-3136 | 10-in. | 2/21/1906 | Anxious | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-3336 | 10-in. | 4/26/1906 | While the old mill-wheel is turning | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-3339 | 10-in. | 4/26/1906 | Honey, won't you love me like you used to | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-3340 | 10-in. | 4/26/1906 | It's up to you to move | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | E-3340 | 8-in. | 4/26/1906 | It's up to you to move | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-3341 | 10-in. | 4/26/1906 | I'm crazy 'bout it! | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | E-3341 | 8-in. | 4/26/1906 | I'm crazy 'bout it! | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-3342 | 10-in. | 4/26/1906 | With the robins, I'll return | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-3470 | 10-in. | 6/14/1906 | Come take a skate with me | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-3471 | 10-in. | 6/14/1906 | Why don't you write when you don't need money? | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-3472 | 10-in. | 6/14/1906 | Susan, kiss me good and hard | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | E-3472 | 8-in. | 6/14/1906 | Susan, kiss me good and hard | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-3473 | 10-in. | 6/14/1906 | Oh! Eliza, save a little for me | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | E-3473 | 8-in. | 6/14/1906 | Oh! Eliza, save a little for me | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-3797 | 10-in. | 9/17/1906 | Rosebud | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-3798 | 10-in. | 9/17/1906 | In the evening by the moonlight, dear Louise | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-3799 | 10-in. | 9/17/1906 | The songs of the ragtime boy | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-3804 | 10-in. | 9/17/1906 | Would you leave your happy home for me? | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-3808 | 10-in. | 9/17/1906 | Camp meeting time | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-4039 | 10-in. | 11/14/1906 | Cheer up, Mary | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | E-4039 | 8-in. | 11/14/1906 | Cheer up, Mary | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | E-4040 | 8-in. | 11/14/1906 | And a little child shall lead them | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | E-4041 | 8-in. | 11/14/1906 | Won't you come over to my house | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-4042 | 10-in. | 11/14/1906 | I'm keepin' my love lamp burnin' fo' you | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | E-4043 | 8-in. | 11/14/1906 | Arrah Wanna | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | E-4044 | 8-in. | 11/14/1906 | Good-a-bye John | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-4174 | 10-in. | 1/15/1907 | Meet me, sweet Kathleen, in honeysuckle time | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-4213 | 10-in. | 1/23/1907 | Tramp, tramp, tramp | Byron G. Harlan ; Frank C. Stanley | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | E-4213 | 8-in. | 1/23/1907 | Tramp, tramp, tramp | Byron G. Harlan ; Frank C. Stanley | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-4214 | 10-in. | 1/23/1907 | Iola | Byron G. Harlan ; Frank C. Stanley | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | E-4214 | 8-in. | 1/23/1907 | Iola | Byron G. Harlan ; Frank C. Stanley | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-4264 | 10-in. | 2/26/1907 | That welcome on the mat ain't meant for me | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | E-4265 | 8-in. | 2/26/1907 | Reed Bird, the Indian bride | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-4266 | 10-in. | 2/26/1907 | Bake dat chicken pie | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-4267 | 10-in. | 2/26/1907 | If you want to pick a fuss, wait 'til the sun shines | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | E-4268 | 8-in. | 2/26/1907 | Lovin' time | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-4270 | 10-in. | 2/26/1907 | School days | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-4458 | 10-in. | 5/6/1907 | Since Arrah Wanna married Barney Carney | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-4459 | 10-in. | 5/6/1907 | Many's the time | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | E-4460 | 8-in. | 5/6/1907 | Won't you let me put my arms around you? | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-4461 | 10-in. | 5/6/1907 | The first rehearsal of the huskin' bee | Collins and Harlan | Comic dialogue | speaker | |
| Victor | E-4461 | 8-in. | 5/6/1907 | First rehearsal of the huskin' bee | Collins and Harlan | Comic dialogue | speaker | |
| Victor | B-4471 | 10-in. | 5/9/1907 | A little suit of blue | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-4472 | 10-in. | 5/9/1907 | Since you called me Dearie | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | E-4473 | 8-in. | 5/9/1907 | Playing hide and seek | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-4474 | 10-in. | 5/9/1907 | Nobody's little girl | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-4559[a] | 10-in. | 6/5/1907 | Captain Baby Bunting | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-4561 | 10-in. | 6/5/1907 | Take me where there's a big brass band | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-4562 | 10-in. | 6/5/1907 | I'm going on the warpath | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-4563 | 10-in. | 6/5/1907 | There's room for us all on the trolley | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-4603 | 10-in. | 6/19/1907 | Little one, good-bye | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | E-4604 | 8-in. | 6/19/1907 | Yankee Doodle | Byron G. Harlan ; Frank C. Stanley | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-4720 | 10-in. | 7/29/1907 | 'Neath the old cherry tree, sweet Marie | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-4721 | 10-in. | 7/29/1907 | Oh, oh, Miss Lucy Ella | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-4722 | 10-in. | 7/29/1907 | Who? Me? | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | E-4722 | 8-in. | 7/29/1907 | Who? Me? | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-4723 | 10-in. | 7/29/1907 | In monkey land | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-4724 | 10-in. | 7/29/1907 | Just help yourself | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-4853 | 10-in. | 10/2/1907 | Two blue eyes | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | E-4853 | 8-in. | 10/2/1907 | Two blue eyes | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-4854 | 10-in. | 10/2/1907 | Come on and kiss yo' baby | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | E-4854 | 8-in. | 10/2/1907 | Come on and kiss your baby | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-4855 | 10-in. | 10/2/1907 | Who do you love? | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-4974 | 10-in. | 12/18/1907 | Two little baby shoes | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-4975 | 10-in. | 12/18/1907 | Has anybody seen my husband? | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | E-4975 | 8-in. | 12/18/1907 | Has anybody seen my husband? | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-4976 | 10-in. | 12/18/1907 | The family tree | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-4981 | 10-in. | 12/27/1907 | Victor Minstrels, no. 9 | Victor Minstrels | Minstrels, with orchestra | performer | |
| Victor | E-4981 | 8-in. | 12/27/1907 | Victor Minstrels, no. 9 | Victor Minstrels | Minstrels, with orchestra | performer | |
| Victor | E-4982 | 8-in. | 12/27/1907 | Victor Minstrels, no. 10 | Victor Minstrels | Minstrels, with orchestra | performer | |
| Victor | B-4982 | 10-in. | 12/27/1907 | Victor Minstrels, no. 10 | Victor Minstrels | Minstrels, with orchestra | performer | |
| Victor | B-5075 | 10-in. | 2/13/1908 | Way back | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-5076 | 10-in. | 2/13/1908 | My gal Irene | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-5077 | 10-in. | 2/13/1908 | Hoo-oo! Ain't you coming out tonight? | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-5093 | 10-in. | 2/25/1908 | At the village post office | Victor Vaudeville Company | Descriptive scene | author | |
| Victor | B-5094 | 10-in. | 2/25/1908 | An evening at Mrs. Clancey's boarding house | Victor Vaudeville Company | Descriptive scene, with orchestra | author | |
| Victor | E-5094 | 8-in. | 2/25/1908 | An evening at Mrs. Clancey's boarding house | Victor Vaudeville Company | Descriptive scene, with orchestra | author | |
| Victor | B-6081 | 10-in. | 4/6/1908 | Victor Minstrels no. 11 | Victor Minstrels | Minstrels | performer | |
| Victor | E-6081 | 8-in. | 4/6/1908 | Victor Minstrels no. 11 | Victor Minstrels | Minstrels | performer | |
| Victor | B-6082 | 10-in. | 4/6/1908 | Victor Minstrels no. 14 | Victor Minstrels | Minstrels | performer | |
| Victor | B-6173 | 10-in. | 5/6/1908 | Stop making faces at me | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-6174 | 10-in. | 5/6/1908 | Honey, won't you please come down | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-6175 | 10-in. | 5/6/1908 | Down in Jungle Town | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-6253 | 10-in. | 6/8/1908 | Everybody loves me but the one I love | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-6258 | 10-in. | 6/8/1908 | Wishes | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-6259 | 10-in. | 6/8/1908 | Every mother's son there sang 'The Wearing of the Green' | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-6296 | 10-in. | 7/9/1908 | Victor Minstrels no. 13 | Victor Minstrels | Minstrels | performer | |
| Victor | B-6297 | 10-in. | 7/9/1908 | Victor Minstrels no. 12 | Victor Minstrels | Minstrels | performer | |
| Victor | B-6348 | 10-in. | 8/13/1908 | Cheer up, cherries will soon be ripe | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-6349 | 10-in. | 8/13/1908 | My brudda Sylvest | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-6350 | 10-in. | 8/13/1908 | Down in Georgia on campmeeting day | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-6464 | 10-in. | 9/25/1908 | Grandma | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-6465 | 10-in. | 9/25/1908 | I'm tying the leaves so they won't come down | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-6467 | 10-in. | 9/25/1908 | Play that rag | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-6468 | 10-in. | 9/25/1908 | Honey Lou | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-6570 | 10-in. | 10/29/1908 | When I marry you | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-6571 | 10-in. | 10/29/1908 | Alabam' | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-6572 | 10-in. | 10/29/1908 | Go get your partners for the barn dance | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-6671 | 10-in. | 12/16/1908 | Won't you even say hello | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-6672 | 10-in. | 12/16/1908 | Down among the sugar cane | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-6673 | 10-in. | 12/16/1908 | The sweetest gal in town | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-6751 | 10-in. | 1/27/1909 | Victor Minstrels no. 15 | Victor Minstrel Company | Minstrels, with orchestra | performer | |
| Victor | B-6752 | 10-in. | 1/27/1909 | Victor Minstrels, no. 16 | Victor Minstrel Company | Minstrels, with orchestra | performer | |
| Victor | C-6835 | 12-in. | 2/25/1909 | 'Possum supper at the Darktown church | Victor Vaudeville Company | Descriptive scene | performer | |
| Victor | B-6928 | 10-in. | 3/25/1909 | Tittle, tattle, tattle tale | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-6929 | 10-in. | 3/25/1909 | My bambazoo | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-6930 | 10-in. | 3/25/1909 | On a monkey honeymoon | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-7087 | 10-in. | 5/17/1909 | Fourth of July in Jayville Center | Byron G. Harlan ; Frank C. Stanley | Descriptive scene, unaccompanied | speaker | |
| Victor | B-8000 | 10-in. | 5/21/1909 | Mamma, don't scold me | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-8002 | 10-in. | 5/21/1909 | Oh, you lovin' gal | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-8003 | 10-in. | 5/21/1909 | Who's your friend? | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-8114 | 10-in. | 7/16/1909 | Baboon bungalow | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-8115 | 10-in. | 7/16/1909 | My wife's gone to the country | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-8116 | 10-in. | 7/16/1909 | Down at the huskin' bee | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-8175 | 10-in. | 8/25/1909 | I want someone to play with | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-8176 | 10-in. | 8/25/1909 | How do you do, Miss Josephine? | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-8177 | 10-in. | 8/25/1909 | Run, Brudder 'Possum, run! | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-8319 | 10-in. | 10/26/1909 | Little Miss Golden Curls | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-8320 | 10-in. | 10/26/1909 | Down where the big bananas grow | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-8321 | 10-in. | 10/26/1909 | Dinah, dear | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-8496 | 10-in. | 12/20/1909 | I'd like to be a soldier boy in blue | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-8497 | 10-in. | 12/20/1909 | Some day, Melinda | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-8498 | 10-in. | 12/20/1909 | Lyna, oh, oh, Miss Lyna | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-8625 | 10-in. | 2/12/1910 | That mesmerizing Mendelssohn tune | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-8626 | 10-in. | 2/12/1910 | Moonlight in jungle land | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-8628 | 10-in. | 2/12/1910 | In Grandma's days | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-8768 | 10-in. | 3/30/1910 | When the girl you want, wants you | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-8769 | 10-in. | 3/30/1910 | Alexander and his clarinet | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-8770 | 10-in. | 3/30/1910 | Zoo Lou | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-9035 | 10-in. | 5/31/1910 | Dear Mayme, I love you | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-9036 | 10-in. | 5/31/1910 | Sugar moon | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-9037 | 10-in. | 5/31/1910 | Swingin' in de sky | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-9339 | 10-in. | 7/29/1910 | Sweet Italian love | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-9340 | 10-in. | 7/29/1910 | The barn dance | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-9341 | 10-in. | 7/29/1910 | Yucatana man | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-9409 | 10-in. | 9/6/1910 | Lucy-Anna-Lou | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-9635 | 10-in. | 11/9/1910 | Think it over, Mary | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-9636 | 10-in. | 11/9/1910 | Oh, that moonlight glide | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-9654 | 10-in. | 11/16/1910 | 'Toodles' | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-9655 | 10-in. | 11/16/1910 | Put your arms around me, honey | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-9656 | 10-in. | 11/16/1910 | Slip on your gingham gown | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-9657 | 10-in. | 11/16/1910 | Down on the Brandywine | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-9795 | 10-in. | 1/12/1911 | Cyrus Pippin's wedding day | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-9796 | 10-in. | 1/12/1911 | Under the yum-yum tree | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-9797 | 10-in. | 1/12/1911 | I wish I had a pal like you | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-10005 | 10-in. | 2/27/1911 | Two rubes swapping horses | Byron G. Harlan ; Steve Porter | Comic dialogue, with orchestra | speaker | |
| Victor | B-10006 | 10-in. | 2/27/1911 | Congressman Filkin's home coming | Byron G. Harlan ; Steve Porter | Descriptive scene, with orchestra | speaker | |
| Victor | B-10150 | 10-in. | 4/5/1911 | Can't you take it back and change it for a boy? | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-10152 | 10-in. | 4/5/1911 | The Mississippi dippy dip | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-10153 | 10-in. | 4/5/1911 | I'm crazy 'bout the turkey trot | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-10154 | 10-in. | 4/5/1911 | Baby Rose | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-10370 | 10-in. | 5/23/1911 | I like the hat, I like the dress, and I like the girl that's in it | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-10371 | 10-in. | 5/23/1911 | On Mobile Bay | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-10372 | 10-in. | 5/23/1911 | Clara Jenkins' tea | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-10373 | 10-in. | 5/23/1911 | Good-bye, old gal | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-10374 | 10-in. | 5/23/1911 | Alexander's ragtime band | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-10398 | 10-in. | 6/7/1911 | The village barber | Byron G. Harlan ; Steve Porter | Descriptive scene, with banjo | speaker | |
| Victor | B-10399 | 10-in. | 6/7/1911 | The old time street fakir | Byron G. Harlan ; Steve Porter | Descriptive scene, with banjo | speaker | |
| Victor | B-10543 | 10-in. | 6/16/1911 | Here's what you've got to do if you want your honey gal | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-10544 | 10-in. | 6/16/1911 | Dancing on the levee | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-10545 | 10-in. | 6/16/1911 | The baseball glide | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-11291 | 10-in. | 11/22/1911 | In the days of girls and boys | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-11292 | 10-in. | 11/22/1911 | Everybody's doing it now | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-11293 | 10-in. | 11/22/1911 | I want to be in Dixie | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-11294 | 10-in. | 11/22/1911 | The rooster and the hen | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-11416 | 10-in. | 12/28/1911 | The darkies' ragtime ball | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-11417 | 10-in. | 12/28/1911 | Dixie moon | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-11424 | 10-in. | 12/28/1911 | Way down East where I belong | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-11521 | 10-in. | 1/29/1912 | Let's grow old together, Honey | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-11522 | 10-in. | 1/29/1912 | Lady Angeline | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-11523 | 10-in. | 1/29/1912 | Don't leave me now | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-11652 | 10-in. | 3/1/1912 | They gotta quit kickin' my dawg aroun' | American Quartet ; Byron G. Harlan | Male vocal solo and male vocal quartet, with orchestra | vocalist, tenor vocal | |
| Victor | B-11653 | 10-in. | 3/1/1912 | They gotta quit kickin' my dawg aroun' | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-11654 | 10-in. | 3/4/1912 | A rural argument | Byron G. Harlan ; Steve Porter | Descriptive scene | speaker | |
| Victor | B-11655 | 10-in. | 3/4/1912 | In Jay Town | Byron G. Harlan ; Steve Porter | Descriptive scene, with orchestra | speaker | |
| Victor | B-11872 | 10-in. | 4/15/1912 | That baboon baby dance | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-11873 | 10-in. | 4/15/1912 | That precious little thing called love | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-11874 | 10-in. | 4/15/1912 | That sneaky snakey rag | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-12198 | 10-in. | 7/17/1912 | Ragtime soldier man | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-12199 | 10-in. | 7/17/1912 | Buddy boy | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-12421 | 10-in. | 9/27/1912 | Take me to that Swanee shore | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-12422 | 10-in. | 9/27/1912 | Oh! You little bear | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-12566 | 10-in. | 11/5/1912 | When the midnight choo-choo leaves for Alabam' | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-12567 | 10-in. | 11/5/1912 | At the levee on revival day | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-12669 | 10-in. | 12/2/1912 | Wal, I swan! | Byron G. Harlan | Male vocal solo, with male vocal chorus and orchestra | vocalist, tenor vocal | |
| Victor | B-12670 | 10-in. | 12/2/1912 | The organ grinder's troubles | Byron G. Harlan ; Steve Porter | Male vocal duet, with orchestra and hand-organ | vocalist, tenor vocal | |
| Victor | B-12716 | 10-in. | 12/13/1912 | Casey Jones went down on the Robert E. Lee | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-12717 | 10-in. | 12/13/1912 | Underneath the cotton moon | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-12718 | 10-in. | 12/13/1912 | I'm goin' back to Memphis, Tennessee | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-12789 | 10-in. | 1/10/1913 | Let's go to Savannah, Ga. | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-12790 | 10-in. | 1/10/1913 | Here comes my daddy now | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-12861 | 10-in. | 2/3/1913 | Two jolly sailors | Byron G. Harlan ; Steve Porter | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-12862 | 10-in. | 2/3/1913 | Down on Jasper's farm | Byron G. Harlan ; Steve Porter | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-12872 | 10-in. | 2/5/1913 | Melinda's wedding day | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-12873 | 10-in. | 2/5/1913 | Pickin' cotton | Collins and Harlan | Male vocal duet, with banjo and orchestra | vocalist, tenor vocal | |
| Victor | B-12984 | 10-in. | 3/12/1913 | Roll on, Missouri | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-12985 | 10-in. | 3/12/1913 | I'm going back to Carolina | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-13422 | 10-in. | 6/12/1913 | Down on the farm in harvest time | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-13423 | 10-in. | 6/12/1913 | We've got a parrot in our house | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-13632 | 10-in. | 7/24/1913 | Mammy Jinny's jubilee | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-13633 | 10-in. | 7/24/1913 | When old Silas does the turkey trot (to Turkey in the straw) | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-13634 | 10-in. | 7/24/1913 | Just to be a child again | Byron G. Harlan | Male vocal solo | vocalist, tenor vocal | |
| Victor | B-13716 | 10-in. | 9/3/1913 | The international rag | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-13717 | 10-in. | 9/3/1913 | On the Honeymoon Express | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-13889 | 10-in. | 10/1/1913 | Underneath the tango moon | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-13890 | 10-in. | 10/1/1913 | Let me change your name, Miss Mandy | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-13974 | 10-in. | 10/21/1913 | Beautiful bird, sing on! | Joseph Belmont ; Byron G. Harlan | Male vocal solo, with bird calls and orchestra | vocalist, tenor vocal | |
| Victor | B-13975 | 10-in. | 10/21/1913 | The nightingale | Joseph Belmont ; Byron G. Harlan | Male vocal solo, with bird calls and orchestra | vocalist, tenor vocal | |
| Victor | B-13978 | 10-in. | 10/22/1913 | Way down upon the old Swanee | Frank Croxton ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-13979 | 10-in. | 10/22/1913 | There's a girl in Arizona | Frank Croxton ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-14009 | 10-in. | 10/29/1913 | Down in Monkeyville | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-14010 | 10-in. | 10/29/1913 | Tra, la, la, la! | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-14097 | 10-in. | 11/19/1913 | Down in Chattanooga | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-14098 | 10-in. | 11/19/1913 | All the little lovin' that I had for you is gone, gone, gone | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-14360 | 10-in. | 1/22/1914 | Camp meeting band | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-14361 | 10-in. | 1/22/1914 | Let's all go 'round to Mary Ann's | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-14537 | 10-in. | 3/5/1914 | Hiram Tucker | Byron G. Harlan ; Ada Jones | Female-male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-14538 | 10-in. | 3/5/1914 | This is the life | Byron G. Harlan ; Ada Jones | Female-male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-14573 | 10-in. | 3/16/1914 | Celebratin' day in Tennessee | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-14574 | 10-in. | 3/16/1914 | Ev'rybody loves rag | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-14575 | 10-in. | 3/16/1914 | Hesitate me around, Bill | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-14860 | 10-in. | 5/25/1914 | Mootching along (At the Cotton Ball) | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-14861 | 10-in. | 5/25/1914 | Me and Mandy Lee | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-14894 | 10-in. | 5/25/1914 | That Reuben tango huskin' bee | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-15021 | 10-in. | 6/29/1914 | Eagle Rock | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-15022 | 10-in. | 6/29/1914 | My croony melody | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-15070 | 10-in. | 7/16/1914 | The aba daba honeymoon | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-15071 | 10-in. | 7/16/1914 | The Mississippi barbecue | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-15184 | 10-in. | 9/14/1914 | I'm goin' back to Louisiana | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-15185 | 10-in. | 9/14/1914 | Do the funny fox trot | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-15602 | 10-in. | 1/15/1915 | Doodle-oodle dee (Means, won't you marry me) | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-15603 | 10-in. | 1/15/1915 | Cotton blossom time | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-15746 | 10-in. | 3/1/1915 | Minstrel parade | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-15747 | 10-in. | 3/1/1915 | Auntie Skinner's chicken dinner | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-15963 | 10-in. | 4/28/1915 | On my way to New Orleans | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-15964 | 10-in. | 4/28/1915 | Alabama jubilee | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-16069 | 10-in. | 6/4/1915 | The village gossips | Byron G. Harlan ; Cal Stewart | Comic dialogue, with piano | speaker | |
| Victor | B-16070 | 10-in. | 6/4/1915 | Show troupe at Pun'kin Centre | Byron G. Harlan ; Cal Stewart | Comic dialogue, with piano | speaker | |
| Victor | B-16223 | 10-in. | 7/16/1915 | Back home in Tennessee | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-16224 | 10-in. | 7/16/1915 | Down in Bom-Bombay | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-16441 | 10-in. | 9/1/1915 | Dancing the jelly roll | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-16442 | 10-in. | 9/1/1915 | Listen to that Dixie band | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-16447 | 10-in. | 9/1/1915 | Emancipation handicap | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-16649 | 10-in. | 10/13/1915 | The blue jay and the thrush | Joseph Belmont ; Byron G. Harlan ; Billy Murray | Male vocal duet, with whistling and orchestra | vocalist, tenor vocal | |
| Victor | B-16702 | 10-in. | 10/21/1915 | You'd never know that old home town of mine | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-16703 | 10-in. | 10/21/1915 | At the old plantation ball | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-16991 | 10-in. | 1/10/1916 | When you're down in Louisville (Call on me) | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-16992 | 10-in. | 1/10/1916 | Honey bunch | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-17092 | 10-in. | 1/31/1916 | When I'm a sargent man | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-17093 | 10-in. | 1/31/1916 | On the Hoko Moko isle | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-17094 | 10-in. | 1/31/1916 | The Georgia skip | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-17330 | 10-in. | 3/17/1916 | Yaaka hula hickey dula | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-17331 | 10-in. | 3/17/1916 | The kid is clever | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-17415 | 10-in. | 3/31/1916 | How birds make love | Byron G. Harlan ; Billy Murray | Male vocal duet, with whistling and orchestra | vocalist, tenor vocal | |
| Victor | B-17416 | 10-in. | 3/31/1916 | The merry farmer boys | Byron G. Harlan ; Billy Murray | Male vocal duet, with whistling and orchestra | vocalist, tenor vocal | |
| Victor | B-17573 | 10-in. | 5/1/1916 | Johnny get a girl | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-17574 | 10-in. | 5/1/1916 | 'Way down in Borneo-o-o | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-17575 | 10-in. | 5/1/1916 | Hello, summer! | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-17770 | 10-in. | 5/31/1916 | My lovin' Lou | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-17771 | 10-in. | 5/31/1916 | I'm saving up the means to get to New Orleans | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-18058 | 10-in. | 7/5/1916 | The two-key rag | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-18061 | 10-in. | 7/5/1916 | Oh! How she could yacki hacki wicki wacki woo | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-18131 | 10-in. | 7/19/1916 | Honest Injun | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-18132 | 10-in. | 7/19/1916 | Come on to Nashville, Tennessee | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-18561 | 10-in. | 10/18/1916 | Oh! dat watermelon | Collins and Harlan | Male vocal duet, with banjo and orchestra | vocalist, tenor vocal | |
| Victor | B-18562 | 10-in. | 10/18/1916 | When that little yellow fellow play piano (Hannah plays banjo) | Collins and Harlan | Male vocal duet, with banjo, piano, and orchestra | vocalist, tenor vocal | |
| Victor | B-18563 | 10-in. | 10/18/1916 | Come along to Caroline | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-18768 | 10-in. | 12/4/1916 | They're wearing them higher in Hawaii | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-18769 | 10-in. | 12/4/1916 | Buzzin' the bee | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-18770 | 10-in. | 12/4/1916 | With his hands in his pockets and his pockets in his pants | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-18983 | 10-in. | 1/12/1917 | Daybreak in Dixie | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-18984 | 10-in. | 1/12/1917 | That funny jas band from Dixieland | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-19340 | 10-in. | 3/6/1917 | Oh, lady | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-19341 | 10-in. | 3/6/1917 | Night time in Little Italy | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-19882 | 10-in. | 5/22/1917 | Everybody's jazzin' it | Collins and Harlan | Male vocal duet, with piano and orchestra | vocalist, tenor vocal | |
| Victor | B-19883 | 10-in. | 5/22/1917 | Lily of the valley | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-19884 | 10-in. | 5/22/1917 | Meet me at the station | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-20032 | 10-in. | 6/12/1917 | I'm a twelve o'clock fellow (In a nine o'clock town) | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-20033 | 10-in. | 6/12/1917 | When he's all dolled up he's the best dressed rube in town | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Victor | B-20455 | 10-in. | 7/26/1917 | Mammy Blossom's 'possum party | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-20456 | 10-in. | 7/26/1917 | The ghost of the saxophone | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-20658 | 10-in. | 9/12/1917 | If you saw all that I saw in Arkansaw | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-20660 | 10-in. | 9/12/1917 | The old grey mare | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-20837 | 10-in. | 10/5/1917 | Long boy | Byron G. Harlan ; Peerless Quartet | Male vocal solo, with male vocal quartet and orchestra | vocalist, tenor vocal | |
| Victor | B-20892 | 10-in. | 10/22/1917 | On the rockin' Rosa Lee | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-21640 | 10-in. | 3/20/1918 | I miss that Mississippi miss that misses me | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-21641 | 10-in. | 3/20/1918 | There's a lump of sugar down in Dixie | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-21977 | 10-in. | 6/12/1918 | When Uncle Joe steps into France | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-21978 | 10-in. | 6/12/1918 | Down in jungle land | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-22196 | 10-in. | 8/7/1918 | I'm waiting for you, Liza Jane | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-22197 | 10-in. | 8/7/1918 | Big chief Killahun | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-26186 | 10-in. | 3/30/1922 | Ham and eggs | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | B-26187 | 10-in. | 3/30/1922 | Here comes Dinah | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Victor | [Unnumbered 1912-01-29-01] | Not documented | 1/29/1912 | Dramatic rag | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| Victor | [Trial 1913-06-25-07] | Not documented | 6/25/1913 | [Unknown title(s)] | Byron G. Harlan ; Knight ; Steve Porter | Descriptive scene | speaker | |
| Victor | [Trial 1921-07-11-04] | 10-in. | 7/11/1921 | I ain't nobody's darling | Byron G. Harlan | Male vocal solo, with piano | vocalist, tenor vocal | |
| Victor | [Trial 1921-07-11-05] | 10-in. | 7/11/1921 | Gee willikens | Byron G. Harlan | Male vocal solo, with piano | vocalist, tenor vocal | |
| Columbia | 55 | 10-in. | ca. 1901 | In the house of too much trouble | Artists vary | Male vocal solo, with piano | vocalist, tenor vocal | |
| Columbia | 256 | 7-in. | ca. 1901 | The larboard watch | Artists vary | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 256 | 10-in. | ca. 1901 | The larboard watch | Artists vary | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 257 | 7-in. | approximately 1901 | The girl I loved in sunny Tennessee | Artists vary | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 257 | 10-in. | ca. 1901 | The girl I loved in sunny Tennessee | Artists vary | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 258 | 7-in. | ca. 1901 | In the shadow of the pines | Artists vary | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 258 | 10-in. | ca. 1901 | In the shadow of the pines | Artists vary | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 259 | 10-in. | ca. 1901 | 'Mid the green fields of Virginia | Artists vary | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 259 | 7-in. | ca. 1901 | 'Mid the green fields of Virginia | Artists vary | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 260 | 10-in. | ca. 1901 | Palm branches | Artists vary | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 260 | 7-in. | approximately 1901 | Palm branches | Artists vary | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 261 | 10-in. | ca. 1901 | While the leaves came drifting down | Artists vary | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 261 | 7-in. | ca. 1901 | While the leaves came drifting down | Artists vary | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 262 | 7-in. | ca. 1901 | Just as the sun went down | Artists vary | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 262 | 10-in. | ca. 1901 | Just as the sun went down | Artists vary | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 326 | 7-in. | ca. 1901 | He laid away a suit of gray to wear the Union blue | Artists vary | Male vocal solo, with piano | vocalist, tenor vocal | |
| Columbia | 326 | 10-in. | ca. 1901 | He laid away a suit of gray to wear the Union blue | Artists vary | Male vocal solo, with piano | vocalist, tenor vocal | |
| Columbia | 329 | 10-in. | ca. 1901-Sept. 1902 | The wedding of the Reuben and the maid | Artists vary | Male vocal solo, with piano | vocalist, tenor vocal | |
| Columbia | 398 | 7-in. | approximately 1901 | Backyard conversation between two Irish washerwomen | Artists vary | Comic dialogue | speaker | |
| Columbia | 597 | 7-in. | ca. Jan.-Sept. 1902 | I got mine | Artists vary | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 597 | 10-in. | ca. Jan.-Sept. 1902 | I got mine | Artists vary | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 647 | 10-in. | approximately 1902 | Tell me, pretty maiden | Mixed vocal sextette | Mixed vocal sextet, with piano | vocalist, tenor vocal | |
| Columbia | 647 | 7-in. | approximately 1902 | Tell me, pretty maiden | Mixed vocal sextette | Mixed vocal sextet, with piano | vocalist, tenor vocal | |
| Columbia | 681 | 7-in. | ca. Jan.-Sept. 1902 | Robin Adair | Harlan and Stanley | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 682 | 7-in. | Before Sept. 1902 | The boys of the old brigade | Harlan and Stanley | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 682 | 10-in. | ca. Jan.-Sept. 1902 | The boys of the old brigade | Harlan and Stanley | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 713 | 10-in. | ca. 1902 | Alice, where art thou? | Artists vary | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 713 | 7-in. | ca. 1902 | Alice, where art thou? | Artists vary | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 763 | 7-in. | ca. 1902-Oct. 1905 | Back, back to the woods | Artists vary | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 763 | 10-in. | ca. 1902 | Back, back to the woods | Artists vary | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 766 | 7-in. | approximately 1902 | Marrion | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 766 | 10-in. | ca. 1902 | Marrion | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 789 | 7-in. | ca. Jan.-Sept. 1902 | Coon, coon, coon | Artists vary | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 789 | 10-in. | ca. Jan.-Sept. 1902 | Coon, coon, coon | Artists vary | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 790 | 7-in. | ca. Jan.-Sept. 1902 | Whoa, Bill! | Artists vary | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 790 | 10-in. | ca. Jan.-Sept. 1902 | Whoa, Bill! | Artists vary | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 791 | 7-in. | ca. Jan.-Sept. 1902 | The wedding of the Reuben and the maid | Artists vary | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 791 | 10-in. | ca. Jan.-Sept. 1902 | The wedding of the Reuben and the maid | Artists vary | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 792 | 7-in. | ca. Jan.-Sept. 1902 | I never trouble trouble until trouble troubles me | Artists vary | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 792 | 10-in. | ca. Jan.-Sept. 1902 | I never trouble trouble until trouble troubles me | Artists vary | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 793 | 7-in. | ca. Jan.-Sept. 1902 | Oh, such a business | Artists vary | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 793 | 10-in. | ca. Jan.-Sept. 1902 | Oh, such a business | Artists vary | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 817 | 7-in. | ca. 1902-Oct. 1905 | On the banks of Allan Water | Harlan and Stanley | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 817 | 10-in. | ca. 1902 | On the banks of Allan Water | Harlan and Stanley | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 891 | 7-in. | ca. 1902 | A barbecue in old Kentucky | Male vocal quartet (unidentified; Columbia Records) | Male vocal quartet, with piano | vocalist, tenor vocal | |
| Columbia | 911 | 10-in. | ca. 1902 | Nursery rhymes | Artists vary | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 916 | 7-in. | ca. 1902 | First rehearsal for the husking bee | Harlan and Stanley | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 916 | 10-in. | ca. 1902 | First rehearsal for the husking bee | Harlan and Stanley | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 924 | 7-in. | ca. 1902 | The robin's song | Joseph Belmont ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 924 | 10-in. | ca. 1902-1908 | The robin's song | Joseph Belmont ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 926 | 7-in. | ca. 1902-Oct. 1905 | The cuckoo song | Joseph Belmont ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 926 | 10-in. | between 1902 and 1908 | The cuckoo song | Joseph Belmont ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 927 | 7-in. | ca. 1902-Oct. 1905 | The birds | Joseph Belmont ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 927 | 10-in. | approximately 1902 | The birds | Joseph Belmont ; Byron G. Harlan | Male vocal duet and whistling, with piano | vocalist, tenor vocal | |
| Columbia | 938 | 7-in. | ca. 1902-Oct. 1905 | Two rubes in a tavern | Harlan and Stanley | Comic scene | speaker, author | |
| Columbia | 938 | 10-in. | ca. 1902 | Two rubes in a tavern | Harlan and Stanley | Comic scene | speaker, author | |
| Columbia | 939 | 7-in. | ca. 1902 | Jerry Murphy is a friend of mine | Artists vary | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 939 | 10-in. | approximately 1902 | Jerry Murphy is a friend of mine | Artists vary | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 944 | 7-in. | ca. 1902-Oct. 1905 | The troubles of the Reuben and the maid | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 944 | 10-in. | ca. 1902-1904 | The troubles of the Reuben and the maid | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 970 | 7-in. | ca. 1902 | Under the bamboo tree | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 970 | 10-in. | approximately 1902 | Under the bamboo tree | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 1141 | 7-in. | ca. 1903 | Closing time at the country grocery | Harlan and Stanley | Male vocal duet, with piano | author, vocalist, tenor vocal | |
| Columbia | 1141 | 10-in. | ca. 1903 | Closing time at the country grocery | Artists vary | Male vocal duet, with piano | author, vocalist, tenor vocal | |
| Columbia | 1153 | 7-in. | ca. 1903-Oct. 1905 | In the city of sighs and tears | Byron G. Harlan | Male vocal solo, with piano | vocalist, tenor vocal | |
| Columbia | 1153 | 10-in. | ca. 1903 | In the city of sighs and tears | Byron G. Harlan | Male vocal solo, with piano | vocalist, tenor vocal | |
| Columbia | 1154 | 7-in. | ca. 1903 | In the valley of Kentucky | Byron G. Harlan | Male vocal solo, with piano | vocalist, tenor vocal | |
| Columbia | 1154 | 10-in. | ca. 1903 | In the valley of Kentucky | Byron G. Harlan | Male vocal solo, with piano | vocalist, tenor vocal | |
| Columbia | 1156 | 7-in. | ca. 1903 | Trouble | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 1156 | 10-in. | approximately 1903 | Trouble | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 1158 | 7-in. | ca. 1903 | Strike out McCracken | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 1158 | 10-in. | ca. 1903 | Strike out McCracken | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 1191 | 7-in. | ca. 1903-Oct. 1905 | When Kate and I were coming through the rye | Byron G. Harlan | Male vocal solo, with piano | vocalist, tenor vocal | |
| Columbia | 1191 | 10-in. | ca. 1903 | When Kate and I were coming through the rye | Byron G. Harlan | Male vocal solo, with piano | vocalist, tenor vocal | |
| Columbia | 1192 | 7-in. | ca. 1903-Oct. 1905 | Please, Mamma, buy me a baby | Byron G. Harlan | Male vocal solo, with piano | vocalist, tenor vocal | |
| Columbia | 1192 | 10-in. | ca. 1903 | Please, Mamma, buy me a baby | Byron G. Harlan | Male vocal solo, with piano | vocalist, tenor vocal | |
| Columbia | 1417 | 7-in. | ca. 1903-Oct. 1905 | They were all doing the same | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 1417 | 10-in. | ca. 1903 | They were all doing the same | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 1482 | 10-in. | ca. 1903 | Just next door | Byron G. Harlan | Male vocal solo, with piano | vocalist, tenor vocal | |
| Columbia | 1491 | 7-in. | ca. 1903-Oct. 1905 | Hurrah for Baffin's Bay | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 1491 | 10-in. | ca. 1903 | Hurrah for Baffin's Bay | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 1492 | 7-in. | ca. 1903-Oct. 1905 | Oh, didn't he ramble | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 1492 | 10-in. | ca. 1903 | Oh, didn't he ramble | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 1558 | 10-in. | ca. 1903 | A scene in a country store | Byron G. Harlan ; Frank C. Stanley | Comic dialogue | speaker | |
| Columbia | 1558 | 7-in. | ca. 1903-Oct. 1905 | A scene in a country store | Byron G. Harlan ; Frank C. Stanley | Comic dialogue | speaker | |
| Columbia | 1559 | 7-in. | ca. 1903 | Two rubes in an eating house | Byron G. Harlan ; Frank C. Stanley | Comic dialogue | speaker | |
| Columbia | 1559 | 10-in. | approximately 1903 | Two rubes in an eating house | Byron G. Harlan ; Frank C. Stanley | Comic dialogue | speaker | |
| Columbia | 1594 | 7-in. | ca. 1903-Oct. 1905 | Waiting for the dinner horn to blow | Harlan and Stanley | Descriptive scene | speaker | |
| Columbia | 1594 | 10-in. | ca. 1903 | Waiting for the dinner horn to blow | Harlan and Stanley | Descriptive scene | speaker | |
| Columbia | 1595 | 10-in. | ca. 1903 | Scene in a country blacksmith shop | Harlan and Stanley | Descriptive scene | speaker | |
| Columbia | 1596 | 7-in. | ca. 1903-Oct. 1905 | When we were boys | Harlan and Stanley | Male vocal duet | vocalist, tenor vocal | |
| Columbia | 1596 | 10-in. | ca. 1903 | When we were boys | Harlan and Stanley | Male vocal duet | vocalist, tenor vocal | |
| Columbia | 1616 | 7-in. | ca. 1903 | Parody on "Hiawatha" | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 1616 | 10-in. | approximately 1903 | Parody on "Hiawatha" | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 1622 | 7-in. | ca. 1903 | Moriarty | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 1622 | 10-in. | ca. 1903 | Moriarty | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 1662 | 10-in. | ca. 1903 | Always in the way | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 1663 | 10-in. | ca. 1903 | That's how I love you, Mame | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 1673 | 7-in. | ca. 1903 | He was a sailor | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 1673 | 10-in. | ca. 1903 | He was a sailor | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 1740 | 10-in. | Jan.-Mar. 1904 | What would the neighbors say? | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 1741 | 10-in. | Jan.-Mar. 1904 | Barney | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 1742 | 10-in. | Jan.-Mar. 1904 | Under the Anheuser bush | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 1776 | 10-in. | ca. Jan.-Apr. 1904 | Marching through Georgia | Harlan and Stanley | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 1777 | 10-in. | ca. Jan.-Apr. 1904 | Dixie | Harlan and Stanley | Male vocal duet, with orchestra and fife and drum corps effect | vocalist, tenor vocal | |
| Columbia | 1802 | 10-in. | ca. 1904 | Possum pie | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 1803 | 10-in. | ca. 1904 | Good bye, Fedora | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 1808 | 10-in. | between January and July 1904 | I'll do the same for you | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 1809 | 10-in. | ca. Jan.-July 1904 | If I were only you | Byron G. Harlan | Male vocal solo, with piano | vocalist, tenor vocal | |
| Columbia | 1827 | 10-in. | ca. Jan.-July 1904 | For sale, a baby | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 1840 | 10-in. | ca. Jan.-July 1904 | Good bye, little girl, good bye | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 1841 | 10-in. | ca. Jan.-July 1904 | All aboard for Dreamland | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 1845 | 10-in. | ca. Jan.-Aug. 1904 | Mule song | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 1846 | 10-in. | ca. Jan.-Aug. 1904 | Down on the Brandywine | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 1859 | 10-in. | between January and October 1904 | Louisa Schmidt | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 1860 | 10-in. | ca. Jan.-Sept. 1904 | Gone, gone, gone | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 1876 | 10-in. | ca. Jan.-Nov. 1904 | A little boy called "Taps" | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 1877 | 10-in. | ca. Jan.-Oct. 1904 | Sylvie | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 1900 | 10-in. | ca. Jan.-Nov. 1904 | Down where the sweet potatoes grow | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 1901 | 10-in. | ca. Jan.-Nov. 1904 | Heinie | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 1902 | 10-in. | ca. Jan.-Nov. 1904 | The village maid | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 1904 | 10-in. | ca. Jan.-Nov. 1904 | Farewell, Nellie mine | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 3019 | 7-in. | ca. 1904 | Why don't they play with me? | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 3019 | 10-in. | between 1904 and January 1905 | Why don't they play with me? | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 3027 | 7-in. | ca. 1904 | Down on the Brandywine | Collins and Harlan | Male vocal duet, with chime effects and piano | vocalist, tenor vocal | |
| Columbia | 3027 | 10-in. | ca. 1904-1908 | Down on the Brandywine | Collins and Harlan | Male vocal duet, with chime effects and piano | vocalist, tenor vocal | |
| Columbia | 3028 | 7-in. | ca. 1904 | Heinie | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Columbia | 3038 | 7-in. | ca. 1904 | A little boy called "Taps" | Byron G. Harlan | Male vocal solo, with piano | vocalist, tenor vocal | |
| Columbia | 3042 | 7-in. | ca. 1904 | Sylvie | Byron G. Harlan | Male vocal solo, with piano | vocalist, tenor vocal | |
| Columbia | 3045 | 10-in. | ca. 1904-Jan. 1905 | Mamma's boy | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 3052 | 10-in. | ca. 1904 | Coax me | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 3065 | 10-in. | between 1904 and February 1905 | Bunker Hill | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 3066 | 10-in. | ca. 1904-Feb. 1905 | Oh, oh, Sallie (I'll love you till I die) | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 3067 | 10-in. | ca. 1904-Feb. 1905 | Soldier boy | Harlan and Stanley | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 3081 | 10-in. | between January and March 1905 | It makes me think of home, sweet home | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 3091 | 10-in. | ca. Jan.-Mar. 1905 | I'm trying so hard to forget you | Harlan and Stanley | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 3100 | 10-in. | between January and April 1905 | Where the sunset turns the ocean's blue to gold | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 3150 | 10-in. | ca. Jan.-May 1905 | Murphy | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 3182 | 10-in. | ca. Jan.-June 1905 | Farewell, Mister Abner Hemingway | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 3187 | 10-in. | ca. Jan.-June 1905 | Longing for you | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 3201 | 10-in. | ca. Jan.-Sept. 1905 | Jasper, don't you hear me calling you? | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 3203 | 10-in. | ca. Jan.-Sept. 1905 | Just across the bridge of gold | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 3210 | 10-in. | ca. Jan.-Sept. 1905 | I've got my fingers crossed, you can't touch me | Byron G. Harlan | Male vocal solo, with children's chorus and orchestra | vocalist, tenor vocal | |
| Columbia | 3212 | 10-in. | ca. Jan.-Sept. 1905 | Hey! Mr. Joshua | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 3218 | 10-in. | ca. Jan.-Sept. 1905 | Peter Piper | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 3237 | 10-in. | ca. Jan.-Sept. 1905 | Take a car | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 3241 | 10-in. | ca. Jan.-Sept. 1905 | Come along, little girl, come along | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 3244 | 10-in. | ca. Jan.-Sept. 1905 | He looks just like his mother | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 3245 | 10-in. | ca. Jan.-Sept. 1905 | The waltz must change to a march, Marie | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 3266 | 10-in. | ca. Jan.-Oct. 1905 | Starlight | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 3282 | 10-in. | ca. Jan.-Nov. 1905 | Where the morning glories twine around the door | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 3320 | 10-in. | ca. 1905-Jan. 1906 | Out in an automobile | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 3321 | 10-in. | ca. 1905-Feb. 1906 | Wait till the sun shines, Nellie | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 3322 | 10-in. | ca. 1905-Feb. 1906 | Somebody's sweetheart I want to be | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 3326 | 10-in. | between 1905 and February 1906 | I'm a dreamin' of you | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 3362 | 10-in. | between January and April 1906 | Gretchen | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 3363 | 10-in. | ca. Jan-Apr. 1906 | L-A-Z-Y spells lazy | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 3383 | 10-in. | ca. Jan.-May 1906 | Traveling | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 3384 | 10-in. | ca. Jan.-May 1906 | When Mose leads the band | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 3398 | 10-in. | between January and May 1906 | Keep on the sunny side | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 3408 | 10-in. | between January and June 1906 | Afloat on a five dollar note | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 3409 | 10-in. | between January and June 1906 | It's up to you to move | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 3428 | 10-in. | ca. Jan.-June 1906 | One called "Mother" and the other "Home, sweet home" | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 3429 | 10-in. | ca. Jan.-June 1906 | With the robins I'll return | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 3448 | 10-in. | between January and August 1906 | The Rambler Minstrel Company : Record A | Billy Murray ; Rambler Minstrel Company | Minstrels and male vocal solo, with orchestra | performer | |
| Columbia | 3449 | 10-in. | ca. Jan.-Aug. 1906 | The Rambler Minstrel Company : Record B | Arthur Collins ; Rambler Minstrel Company | Minstrels and male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 3451 | 10-in. | ca. Jan.-Aug. 1906 | Honey, won't you love me like you used to? | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 3452 | 10-in. | Jan.-Sept. 1906 | I'm crazy 'bout it | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 3462 | 10-in. | Jan.-Sept. 1906 | A daughter of Vanity Fair | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 3463 | 10-in. | between January and August 1906 | The good old U.S.A. | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 3478 | 10-in. | between January and September 1906 | The Rambler Minstrel Company : Record C | Billy Murray ; Rambler Minstrel Company | Minstrels and male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 3479 | 10-in. | ca. Jan.-Sept. 1906 | The Rambler Minstrel Company : Record D | Collins and Harlan ; Rambler Minstrel Company | Minstrels and male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 3493 | 10-in. | between January and October 1906 | Come take a skate with me | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 3494 | 10-in. | ca. Jan.-Oct. 1906 | Susan, kiss me good and hard | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 3513 | 10-in. | ca. Jan.-Nov. 1906 | Camp meeting time | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 3514 | 10-in. | between January and November 1906 | Would you leave your happy home for me? | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 3531 | 10-in. | approximately 1906 | The Rambler Minstrel Company : Record E | Billy Murray ; Rambler Minstrel Company | Minstrels and male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 3534 | 10-in. | ca. 1906 | Good-a-bye, John | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 3554 | 10-in. | between 1906 and January 1907 | The Rambler Minstrel Company : Record F | Arthur Collins ; Rambler Minstrel Company | Minstrels, with male vocal solo and orchestra | vocalist, tenor vocal | |
| Columbia | 3555 | 10-in. | between 1906 and January 1907 | Won't you throw a kiss to me? | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 3592 | 10-in. | ca. Jan.-Mar. 1907 | I'm keeping my love lamp burning for you | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 3610 | 10-in. | ca. Jan.-Apr. 1907 | Bake dat chicken pie | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 3611 | 10-in. | ca. Jan.-Apr. 1907 | Lovin' time | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 3618 | 10-in. | ca. Jan.-Apr. 1907 | Captain Baby Bunting | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 3649 | 10-in. | ca. Jan.-June 1907 | And a little bit more | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 3650 | 10-in. | between January and June 1907 | That welcome on the mat ain't meant for me | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 3651 | 10-in. | ca. Jan.-June 1907 | The merry farmer boy | Joseph Belmont ; Byron G. Harlan | Male vocal duet and whistling, with orchestra | vocalist, tenor vocal | |
| Columbia | 3674 | 10-in. | ca. Jan.-Aug. 1907 | Since you called me Dearie | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 3678 | 10-in. | ca. Jan.-Aug. 1907 | Ev'ry little bit, added to what you've got makes just a little bit more | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 3679 | 10-in. | ca. Jan.-Aug. 1907 | Many's the time | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 3686 | 10-in. | between January and August 1907 | A little suit of blue | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 3695 | 10-in. | ca. Jan.-Sept. 1907 | Just help yourself | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 3704 | 10-in. | ca. Jan.-Sept. 1907 | At the village post office | Columbia Comedy Trio ; Byron G. Harlan | Descriptive scene, with male vocal trio and violin | speaker | |
| Columbia | 3712 | 10-in. | ca. Jan.-Oct. 1907 | Who do you love? | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 3727 | 10-in. | between January and November 1907 | I'm a running after Nancy | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 3741 | 10-in. | between 1907 and February 1908 | Come on and kiss your baby | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 3746 | 10-in. | ca. 1907-Feb. 1908 | See saw | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 3906 | 10-in. | approximately 1908 | Cohan's rag babe | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 3923 | 10-in. | ca. Jan.-Oct. 1908 | Wishes | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 3955 | 10-in. | ca. 1908 | Alabam' | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 3956 | 10-in. | between January and November 1908 | Honey Lou | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 3966 | 10-in. | ca. 1908 | The right church, but the wrong pew | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 3979 | 10-in. | ca. 1908 | Meet me in rosetime, Rosie | Byron G. Harlan ; Frank C. Stanley | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 3986 | 10-in. | ca. Jan. 1908-Feb. 1909 | The sweetest gal in town | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 4014 | 10-in. | ca. Jan.-Mar. 1909 | My bambazoo | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 4113 | 10-in. | between January and July 1909 | My cousin Caruso | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 4137 | 10-in. | between January and August 1909 | My wife's gone to the country, hurrah! hurrah! | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 4138 | 10-in. | ca. Jan.-Aug. 1909 | Under the Irish moon | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 4172 | 10-in. | ca. Jan.-Oct. 1909 | Run, Brudder Possum, run | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 4206 | 10-in. | ca. 1909 | Come and spend Christmas with me | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 4222 | 10-in. | ca. 1909 | Arrah Wanna | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 4266 | 10-in. | ca. 1909 | Lyna oh! Oh! Miss Lyna | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 4275 | 10-in. | ca. 1909 | I'd like to be a soldier boy in blue | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 4288 | 10-in. | between 1909 and February 1910 | Zoo Lou | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 4328 | 10-in. | ca. 1909-Feb. 1910 | That mesmerizing Mendelssohn tune | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 4353 | 10-in. | between January and April 1910 | Moonlight in Jungle Land | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 4371 | 10-in. | between 1909 and March 1910 | Cubanola glide | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 4372 | 10-in. | between January and May 1910 | Underneath the monkey moon | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 4398 | 10-in. | ca. Jan.-June 1910 | I'm afraid of you | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 4415 | 10-in. | ca. Jan.-June 1910 | Alexander and his clarinet | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 4416 | 10-in. | ca. Jan.-June 1910 | Stop that rag | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 4422 | 10-in. | ca. Jan.-June 1910 | Nora Malone (call me by phone) | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 4448 | 10-in. | ca. Jan.-July 1910 | Ain't you coming out to-night | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 4525 | 10-in. | ca. Jan.-Aug. 1910 | Sugar moon | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 4526 | 10-in. | between January and August 1910 | The chanticleer rag | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 4563 | 10-in. | ca. Jan.-Sept. 1910 | Sweet Italian love | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 4597 | 10-in. | ca. Jan.-Sept. 1910 | Swingin' in de sky | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 4780 | 10-in. | ca. Jan.-Nov. 1910 | Kerry Mills' barn dance | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 4827 | 10-in. | between January and October 1910 | Casey Jones | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 4866 | 10-in. | ca. Jan.-Nov. 1910 | 'Scuse me to-day | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 4902 | 10-in. | approximately 1910 | Under the yum yum tree | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 4986 | 10-in. | ca. 1910 | Moonlight glide | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 4989 | 10-in. | ca. 1910 | Think it over, Mary | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 19135 | 10-in. | 11/30/1910 | Cyrus Pippin's wedding day | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 19136 | 10-in. | 11/30/1910 | The jingle of Jungle Joe | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 19180 | 10-in. | 1/3/1911 | Put your arms around me, honey | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 19224 | 10-in. | 2/1/1911 | Reuben rag | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 19236 | 10-in. | 2/10/1911 | Congressman Filkin's home-coming | Byron G. Harlan | Descriptive scene, with orchestra | speaker | |
| Columbia | 19257 | 10-in. | 3/10/1911 | The Mississippi dippy dip | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 19303 | 10-in. | 4/20/1911 | The old time street fakir | Harlan and Porter | Comic scene, with banjo | speaker | |
| Columbia | 19310 | 10-in. | 4/26/1911 | Can't you take it back and change it for a boy? | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 19336 | 10-in. | 5/5/1911 | Baby Rose | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 19398 | 10-in. | 6/7/1911 | Alexander's ragtime band | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 19550 | 10-in. | 9/6/1911 | Texas Tommy swing | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 19679 | 10-in. | 12/4/1911 | I'm going back to Dixie | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 19703 | 10-in. | 12/29/1911 | You've got me hypnotized | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 19704 | 10-in. | 1/2/1912 | Way down East where I belong | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 19729 | 10-in. | 1/15/1912 | Lady Angeline | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 19766 | 10-in. | 2/16/1912 | Brass band Ephraham Jones | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 19791 | 10-in. | 3/6/1912 | They gotta quit kickin' my dawg aroun' | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 19792 | 10-in. | 3/7/1912 | That precious little thing called love | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 19843 | 10-in. | 4/5/1912 | The society bear | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 19844 | 10-in. | 4/5/1912 | That baboon baby dance | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 19911 | 10-in. | 5/28/1912 | Buddy boy | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 19912 | 10-in. | 5/28/1912 | Oh! You circus day | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 38100 | 10-in. | 6/28/1912 | Ragtime soldier man | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 38101 | 10-in. | 6/28/1912 | Alabama bear | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 38176 | 10-in. | 8/2/1912 | On a good old-time straw-ride | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 38200 | 10-in. | 8/12/1912 | The Twilight Express | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 38285 | 10-in. | 9/20/1912 | Hitchy koo | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 38286 | 10-in. | 9/20/1912 | Take me to that Swanee shore | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 38363 | 10-in. | 10/23/1912 | Oh, you little bear | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 38383 | 10-in. | 10/28/1912 | When the midnight choo choo leaves for Alabam' | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 38436 | 10-in. | 11/22/1912 | At the levee on revival day | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 38437 | 10-in. | 11/22/1912 | Mammy's shufflin' dance | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 38449 | 10-in. | 11/27/1912 | Down in dear old New Orleans | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 38528 | 10-in. | 12/31/1912 | Here comes my daddy now | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 38529 | 10-in. | 12/31/1912 | Casey Jones went down on the Robert E. Lee | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 38588 | 10-in. | 1/23/1913 | Two jolly sailors | Harlan and Porter | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 38589 | 10-in. | 1/23/1913 | Down on Uncle Jasper's farm | Harlan and Porter | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 38597 | 10-in. | 1/27/1913 | Melinda's wedding day | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 38598 | 10-in. | 1/27/1913 | I'm going back, back, to Memphis, Tennessee | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 38621 | 10-in. | 2/7/1913 | On the Mississippi | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 38622 | 10-in. | 2/10/1913 | Underneath the cotton moon | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 38674 | 10-in. | 3/4/1913 | I'm going back to Carolina | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 38675 | 10-in. | 3/4/1913 | Roll on, Missouri | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 38703 | 10-in. | 3/18/1913 | Snookey Ookums | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 38704 | 10-in. | 3/18/1913 | Smooch around | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 38783 | 10-in. | 4/14/1913 | Mammy's fireside | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 38784 | 10-in. | 4/14/1913 | I've been through the mill | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 38825 | 10-in. | 5/6/1913 | The old maid's ball | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 38826 | 10-in. | 5/6/1913 | Mammy Jinny's jubilee | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 38887 | 10-in. | 5/28/1913 | We've got a parrot in our house | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 38949 | 10-in. | 7/16/1913 | That ragtime regiment band | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 38981 | 10-in. | 8/1/1913 | The international rag | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 38982 | 10-in. | 8/1/1913 | When old Silas does the turkey-trot to "Turkey in the straw" | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 39013 | 10-in. | 9/12/1913 | On the old Fall River Line | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 39014 | 10-in. | 9/12/1913 | On the Honeymoon Express | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 39029 | 10-in. | 9/23/1913 | Underneath the tango moon | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 39037 | 10-in. | 10/10/1913 | Down in Monkeyville | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 39098 | 10-in. | 11/14/1913 | Down in Chattanooga | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 39099 | 10-in. | 11/14/1913 | Tra-la-la-la | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 39154 | 10-in. | 12/18/1913 | Let's all go around to Mary Ann's | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 39193 | 10-in. | 1/23/1914 | Camp meeting band | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 39194 | 10-in. | 1/23/1914 | Who will be with you when I go away? | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 39248 | 10-in. | 2/17/1914 | I love the ladies | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 39298 | 10-in. | 3/25/1914 | Celebrating day in Tennessee | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 39332 | 10-in. | 4/20/1914 | Me and Mandy Lee | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 39390 | 10-in. | 5/19/1914 | Mootching along (At the Cotton Ball) | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 39489 | 10-in. | 7/8/1914 | My croony melody | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 39492 | 10-in. | 7/10/1914 | Giddy-ap Maria | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 39515 | 10-in. | 7/31/1914 | The aba daba honeymoon | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 39558 | 10-in. | 9/11/1914 | It's a very easy thing to put a ring upon a finger, but try to take it off | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 39588 | 10-in. | 10/19/1914 | Do the funny fox-trot | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 39638 | 10-in. | 11/25/1914 | That moonlight serenade | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 39639 | 10-in. | 11/25/1914 | It's too late now | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 39697 | 10-in. | 12/16/1914 | On the 5:15 | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 39698 | 10-in. | 12/16/1914 | Ruff Johnson's harmony band | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 39880 | 10-in. | 2/19/1915 | Auntie Skinner's chicken dinner | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 39881 | 10-in. | 2/19/1915 | Doodle-oodle-dee | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 39960 | 10-in. | 3/18/1915 | By heck | Byron G. Harlan ; Will C. Robbins | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 39977 | 10-in. | 3/23/1915 | Si's been drinking cider | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 39978 | 10-in. | 3/23/1915 | Kentucky home | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 45559 | 10-in. | 4/16/1915 | Pigeon walk | Byron G. Harlan ; Will C. Robbins | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 45563 | 10-in. | 4/19/1915 | Alabama jubilee | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 45564 | 10-in. | 4/19/1915 | Memphis blues | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 45675 | 10-in. | 5/21/1915 | Darkies' serenade | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 45706 | 10-in. | 5/26/1915 | Those Charlie Chaplin feet | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 45832 | 10-in. | 6/30/1915 | Home was never like this | Harlan and Porter | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 45866 | 10-in. | 7/19/1915 | Down in Bom-Bombay | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 45918 | 10-in. | 8/4/1915 | The 'mancipation handicap | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 45928 | 10-in. | 8/9/1915 | Greetings in Bingville | Byron G. Harlan ; Ada Jones ; Harlan E. Knight ; Steve Porter | Comic scene, with mixed vocal quartet and orchestra | speaker | |
| Columbia | 45953 | 10-in. | 8/17/1915 | Listen to that Dixie band | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 45968 | 10-in. | 8/25/1915 | Back home in Tennessee | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 46055 | 10-in. | 9/24/1915 | On the good ship Whip-poor-will | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 46137 | 10-in. | 10/22/1915 | You'd never know that old home town of mine | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 46188 | 10-in. | 11/9/1915 | Sargent man | Collins and Harlan | Comic scene and male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 46189 | 10-in. | 11/9/1915 | At the circus | Collins and Harlan | Comic scene, with orchestra | speaker | |
| Columbia | 46252 | 10-in. | 12/9/1915 | With her do-re-mi-fa-sol-la-si-and-do | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 46275 | 10-in. | 12/15/1915 | And the great big world went 'round and 'round | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 46363 | 10-in. | 1/22/1916 | All aboard for Chinatown | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 46410 | 10-in. | 2/15/1916 | On the Hoko Moko Isle | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 46642 | 10-in. | 3/15/1916 | The kid is clever | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 46721 | 10-in. | 4/18/1916 | Way down in Borneo-o-o | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 46784 | 10-in. | 5/16/1916 | Johnny get a girl | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 46800 | 10-in. | 5/24/1916 | The band festival at Plum Center | Byron G. Harlan ; Ada Jones ; Steve Porter | Comic scene | speaker | |
| Columbia | 46857 | 10-in. | 6/19/1916 | Oh how she could yacki hacki wicki wacki woo | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 46863 | 10-in. | 6/20/1916 | If you love your girl in the summertime | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 46909 | 10-in. | 7/13/1916 | Pretty baby | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 46910 | 10-in. | 7/13/1916 | Honest Injun | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 46972 | 10-in. | 8/19/1916 | With his hands in his pockets and his pockets in his pants | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 47369 | 10-in. | 2/13/1917 | I'm a 12 o'clock fellow in a 9 o'clock town | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 47398 | 10-in. | 3/2/1917 | All aboard for the county fair | Byron G. Harlan ; Harlan E. Knight ; Steve Porter | Comic scene | speaker | |
| Columbia | 47490 | 10-in. | 4/14/1917 | Night-time in little Italy | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 47491 | 10-in. | 4/14/1917 | Bake dat chicken pie | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 77054 | 10-in. | 5/12/1917 | Everybody's jazzin' it | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 77080 | 10-in. | 5/31/1917 | When he's all dolled up (He's the best dressed rube in town) | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 77095 | 10-in. | 6/2/1917 | The two veterans | Byron G. Harlan ; Steve Porter | Comic dialogue | speaker | |
| Columbia | 77125 | 10-in. | 6/8/1917 | Lily of the valley | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 77209 | 10-in. | 7/13/1917 | Mammy Blossom's possum party | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 77210 | 10-in. | 7/13/1917 | On the old Fall River Line | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 77235 | 10-in. | 8/6/1917 | Down in Borneo Isle | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 77236 | 10-in. | 8/6/1917 | The ghost of the saxophone | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 77238 | 10-in. | 8/7/1917 | The old grey mare | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 77314 | 10-in. | 9/6/1917 | If you saw all that I saw in Arkansas | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 77400 | 10-in. | 10/2/1917 | Long boy | Byron G. Harlan ; Peerless Quartet | Male vocal solo and male vocal quartet, with orchestra | vocalist, tenor vocal | |
| Columbia | 77480 | 10-in. | 11/5/1917 | The cannibal king | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 77561 | 10-in. | 12/10/1917 | The bungalow in Quogue | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 77595 | 10-in. | 12/21/1917 | Darktown Strutters' Ball | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 77600 | 10-in. | 12/24/1917 | The Story Book Ball | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 77601 | 10-in. | 12/27/1917 | Giddy giddap! Go on! Go on! | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 77625 | 10-in. | 1/11/1918 | Cotton pickers' picnic day | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 77626 | 10-in. | 1/11/1918 | Round her neck she wears a yeller ribbon | Byron G. Harlan ; Peerless Quartet | Male vocal solo and male vocal quartet, with orchestra | vocalist, tenor vocal | |
| Columbia | 77635 | 10-in. | 1/15/1918 | At the county fair | Byron G. Harlan ; Steve Porter ; Thompson | Comic scene | speaker | |
| Columbia | 77776 | 10-in. | 4/19/1918 | I'm just an old jay from the U.S.A. | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 77853 | 10-in. | 5/28/1918 | Bobby the bomber | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 77915 | 10-in. | 6/22/1918 | When Uncle Joe steps into France | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 78105 | 10-in. | 10/9/1918 | When it's peach-jam makin' time | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 78106 | 10-in. | 10/9/1918 | When that Mobile boy sings the Memphis blues | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 78566 | 10-in. | 7/17/1919 | He used to be a farmer | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Columbia | 30054 | 12-in. | ca. 1906 | In a chimney corner (on a winter's night) | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 30173 | 12-in. | 7/13/1908 | Down in Georgia on camp meeting day | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 30189 | 12-in. | ca. 1908-Jan. 1909 | Go and get your partner for the barn dance | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 30197 | 12-in. | 12/15/1908 | Down among the sugar cane | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Columbia | 30223 | 12-in. | 3/8/1909 | A possum supper at the Darktown church | Cal Stewart and Company | Descriptive scene, with orchestra | speaker | |
| Columbia | 30302 | 12-in. | 10/11/1909 | Down where the big bananas grow | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| OKeh | 138 | 10-in. | ca. May 1918 | Three pickaninnies | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| OKeh | 177 | 10-in. | ca. June 1918 | Down, down, down on the O-Hi-O | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| OKeh | 243 | 10-in. | ca. July 1918 | When Uncle Joe steps into France | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| OKeh | 298 | 10-in. | ca. Aug. 1918 | Everything is peaches down in Georgia | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| OKeh | 299 | 10-in. | approximately Aug. 1918 | Good-bye, Alexander | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| OKeh | 341 | 10-in. | ca. Sept. 1918 | Big Chief Kill-A-Hun | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| OKeh | 342 | 10-in. | ca. Sept. 1918 | I'm waiting for you, Liza Jane | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| OKeh | 492 | 10-in. | ca. Dec. 1918 | Every day's a holiday in Dixie | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| OKeh | 859 | 10-in. | approximately July 1919 | I ain't-en got-en no time to have the blues | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| OKeh | S-7394 | 10-in. | Apr. 1920 | Way down Barcelona way | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| OKeh | S-70125 | 10-in. | Aug. 1921 | I ain't nobody's darling | Byron G. Harlan ; Rega Orchestra | Male vocal solo, with jazz/dance band | vocalist, tenor vocal | |
| OKeh | S-70126 | 10-in. | Aug. 1921 | Down where I belong | Byron G. Harlan ; Rega Orchestra | Male vocal solo, with jazz/dance band | vocalist, tenor vocal, composer, lyricist | |
| OKeh | S-70309 | 10-in. | Nov. 1921 | Uncle Josh at the circus | Byron G. Harlan | Monologue | speaker | |
| OKeh | S-70310 | 10-in. | Nov. 1921 | Uncle Josh buys an automobile | Byron G. Harlan | Monologue | speaker | |
| OKeh | S-70329 | Not documented | Nov. 1921 | [Unknown title(s)] | Byron G. Harlan ; John Riley | Dialogue | speaker | |
| OKeh | S-70330 | 10-in. | Nov. 1921 | Village gossip | Byron G. Harlan ; John Riley | Dialogue | speaker | |
| OKeh | S-70410 | 10-in. | Jan. 1922 | Uncle Josh and the dentist | Ernest Hare ; Byron G. Harlan | Dialogue | speaker | |
| OKeh | S-70425 | 10-in. | Jan. 1922 | Carnival night | Crescent Trio ; Byron G. Harlan | Male vocal solo and male vocal trio, with orchestra | vocalist, tenor vocal | |
| OKeh | S-70476 | 10-in. | Feb. 1922 | Under the mulberry tree | Crescent Trio ; Byron G. Harlan | Male vocal solo and male vocal trio, with orchestra | vocalist, tenor vocal | |
| OKeh | S-70658 | 10-in. | May 1922 | Uncle Josh on the radio | Byron G. Harlan | Monologue | speaker | |
| OKeh | S-70795 | 10-in. | Aug. 1922 | Uncle Josh patents a rat trap | Byron G. Harlan | Monologue | speaker | |
| OKeh | [OK cat 1062-A] | 10-in. | approximately June-July 1918 | There's a lump of sugar down in Dixie | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| OKeh | [OK cat 1063-b] | 10-in. | approximately 1918 | Bobby the Bomber | Byron G. Harlan | Male vocal solo | vocalist, tenor vocal | |
| OKeh | [OK cat 1065-B] | 10-in. | approximately June-July 1918 | Down in the jungleland | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| OKeh | [OK cat 1065-A] | 10-in. | approximately June-July 1918 | I miss the Mississippi Miss | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| OKeh | [OK cat 1132-b] | 10-in. | approximately Sept. 1918 | When the Robert E. Lee arrives in old Tennessee | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| OKeh | [OK cat 1133-A] | 10-in. | approximately 1918 | How ya gonna keep 'em down on the farm? | Byron G. Harlan | Male vocal solo | vocalist, tenor vocal | |
| OKeh | [OK cat 1134-b] | 10-in. | approximately 1918 | Way down East where I belong | Byron G. Harlan | Male vocal solo | vocalist, tenor vocal | |
| OKeh | [OK cat 1224-B] | 10-in. | approximately 1919 | Katydid is the candy kid (She's a rube by heck) | Byron G. Harlan | Male vocal solo, with orchestra and "novelty effects" | vocalist, tenor vocal | |
| Brunswick | 573 | 10-in. | approximately early 1917 | Yaddie kaddie kiddie kaddie koo | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| Brunswick | 668 | 10-in. | approximately Feb.1917 | Buzzin' the bee | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| Brunswick | 966 | 10-in. | approximately mid-1917 | Mammy Blossom's possum party | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Brunswick | 1246 | 10-in. | approximately Aug. 1917 | If you saw all that I saw in Arkansas | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Brunswick | 1530 | 10-in. | approximately Sept. 1917 | The Story Book Ball | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Brunswick | 1532 | 10-in. | approximately Sept. 1917 | Long boy | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Brunswick | 1665 | 10-in. | approximately Feb. 1918 | Round her neck she wears a yellow ribbon | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Brunswick | [Br cat 5105-a] | 10-in. | approximately mid-1917 | Everybody's jazzin' it | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Brunswick | [Br cat 5105-b] | 10-in. | approximately mid-1917 | Lily of the valley | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Brunswick | [Br cat 5118-a] | 10-in. | approximately mid-1917 | How birds make love | Joseph Belmont ; Byron G. Harlan | Male vocal solo and whistling (bird imitations) | vocalist, tenor vocal | |
| Brunswick | [Br cat 5118-b] | 10-in. | approximately mid-1917 | Beautiful bird, sing on | Joseph Belmont ; Byron G. Harlan | Male vocal solo and whistling (bird imitations) | vocalist, tenor vocal | |
| Brunswick | [Br cat 5139-a] | 10-in. | approximately mid-1917 | The blue jay and the thrush | Joseph Belmont ; Byron G. Harlan | Male vocal solo and whistling (bird imitations) | vocalist, tenor vocal | |
| Brunswick | [Br cat 5139-b] | 10-in. | approximately mid-1917 | The merry farmer boys | Joseph Belmont ; Byron G. Harlan | Male vocal solo and whistling (bird imitations) | vocalist, tenor vocal | |
| Brunswick | [Br cat 5158-a] | 10-in. | approximately Sept. 1917 | On the rockin' Rosa Lee | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Brunswick | [Br cat 5158-b] | 10-in. | approximately Sept. 1917 | The old gray mare | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Brunswick | [Br cat 5247-b] | 10-in. | approximately July 1918 | Down in jungle land | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Brunswick | 10211-10212 | 10-in. | 3/29/1923 | Uncle Josh at the circus | Byron G. Harlan | Monologue | speaker | |
| Brunswick | 10213-10214 | 10-in. | 3/29/1923 | Uncle Josh buys an automobile | Byron G. Harlan | Monologue | speaker | |
| Brunswick | 10215-10216 | 10-in. | 3/29/1923 | Uncle Josh in a cafeteria | Byron G. Harlan | Monologue | speaker | |
| Brunswick | 10230-10231 | 10-in. | 3/31/1923 | Uncle Josh on the aeroplane | Byron G. Harlan | Monologue | speaker | |
| Brunswick | 10232-10233 | 10-in. | 3/31/1923 | Uncle Josh at the opera | Byron G. Harlan | Monologue | speaker | |
| Brunswick | 10234-10236 | 10-in. | 3/31/1923 | Uncle Josh playing golf | Byron G. Harlan | Monologue | speaker | |
| Edison | 164 | Not documented | 8/18/1910 | Lucy Anna Lou | Arthur Collins ; Byron G. Harlan | Vocal duet (tenor and baritone), with orchestra | vocalist, tenor vocal | |
| Edison | 165 | Not documented | 8/18/1910 | Down in Jungle Town | Arthur Collins ; Byron G. Harlan | Vocal duet (tenor and baritone), with orchestra | vocalist, tenor vocal | |
| Edison | 975 | 10-in. | between 4/1/1912 and 4/9/1912 | Lucy Anna Lou | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 1054 | 10-in. | 6/1/1912 | That mesmerizing Mendelssohn tune | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 1061 | 10-in. | 5/3/1912 | Moonlight in Jungleland | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 1081 | 10-in. | between 6/17/1912 and 6/18/1912 | Ain't you coming out to-night | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 2135 | 10-in. | 2/11/1913 | You're just too sweet to live | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 2139 | 10-in. | 2/14/1913 | My bambazoo | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 2157 | 10-in. | 2/26/1913 | Bake dat chicken pie | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 2160 | 10-in. | 3/1/1913 | Dinah dear | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 2166 | 10-in. | 3/5/1913 | How do you do, Miss Josephine? | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 2444 | 10-in. | 9/8/1913 | Row-row-row | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 2445 | 10-in. | 9/9/1913 | We've got a parrot in our house | Arthur Collins ; Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Edison | 2807 | 10-in. | Feb. 1914 | The ragtime dream | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 2890 | 10-in. | Mar. 1914 | My orchard is short of a peach like you | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 3045 | 10-in. | May 1914 | Ain't you coming out to-night | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 3061 | 10-in. | May 1914 | Lucy Anna Lou | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 3062 | 10-in. | May 1914 | Hesitate me around, Bill | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 3310 | 10-in. | 9/19/1914 | The aba daba honeymoon | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 3384 | 10-in. | Oct. 1914 | Mississippi barbecue | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 3476 | 10-in. | Dec. 1914 | It's too late now | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 3477 | 10-in. | Dec. 1914 | That moonlight serenade | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 3539 | 10-in. | 1/22/1915 | Doodle-oodle dee | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 3541 | 10-in. | 1/25/1915 | Ruff Johnson's Harmony Band | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 3582 | 10-in. | 2/12/1915 | Cotton blossom time | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 3695 | 10-in. | 4/9/1915 | Auntie Skinnner's chicken dinner | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 3744 | 10-in. | 5/3/1915 | On my way to New Orleans | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 3804 | 10-in. | 5/20/1915 | Alabama jubilee | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 3885 | 10-in. | 6/17/1915 | Aunt Dinah's golden wedding | Empire Vaudeville Company | Comic scene and singing, with orchestra | vocalist, tenor vocal, speaker | |
| Edison | 4086 | 10-in. | 9/2/1915 | The blue jay and the thrush | Joseph Belmont ; Byron G. Harlan | Male vocal duet and bird imitations, with orchestra | vocalist, tenor vocal | |
| Edison | 4088 | 10-in. | 9/3/1915 | Dancing the jelly roll | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 4139 | 10-in. | 9/23/1915 | Emancipation handicap | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 4348 | 10-in. | 12/16/1915 | And the great big world went 'round and 'round | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 4463 | 10-in. | 2/3/1916 | All aboard for Chinatown | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 4528 | 10-in. | 2/25/1916 | On the Hoko Moko Isle | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 4630 | 10-in. | 4/4/1916 | The kid is clever | Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 4773 | 10-in. | 6/6/1916 | When that little yellow fellow plays piano (Hannah plays banjo) | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 4825 | 10-in. | 6/27/1916 | The lily and the frog | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 4832 | 10-in. | 6/29/1916 | Oh! How she could yacki hacki wicki wacki woo (That's love in Honolu) | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 4912 | 10-in. | 7/27/1916 | The two-key rag | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 4946 | 10-in. | 8/24/1916 | In honeysuckle time | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 4961 | 10-in. | 8/31/1916 | Mississippi days | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 5031 | 10-in. | 9/29/1916 | Dancing down in Dixieland | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 5173 | 10-in. | 11/23/1916 | With his hands in his pockets and his pockets in his pants | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Edison | 5180 | 10-in. | 11/28/1916 | Yaddie kaddie kiddie kaddie koo | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 5186 | 10-in. | 12/1/1916 | That funny jas band from Dixieland | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 5227 | 10-in. | 12/21/1916 | The band festival at Plum Center | Byron G. Harlan ; Ada Jones ; Steve Porter | Comic scene | speaker | |
| Edison | 5239 | 10-in. | 12/27/1916 | Dancing the du da du da dae | Byron G. Harlan | Male vocal solo and vocal ensemble, with orchestra | vocalist, tenor vocal | |
| Edison | 5302 | 10-in. | 1/18/1917 | Buzzin' the bee | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 5323 | 10-in. | 1/26/1917 | From here to Shanghai | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 5416 | 10-in. | 2/27/1917 | Night time in Little Italy | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 5474 | 10-in. | 3/27/1917 | The cute little wigglin' dance | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 5697 | 10-in. | 7/19/1917 | Mammy Blossom's 'possum party | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 6011 | 10-in. | between 2/7/1918 and 2/12/1918 | Everybody's crazy 'bout the doggone blues | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 6030 | 10-in. | Feb. 1918 | 'Round her neck she wears a yeller ribbon (For her lover who is fur, fur away) | Byron G. Harlan | Male vocal solo and vocal ensemble, with orchestra | vocalist, tenor vocal | |
| Edison | 6063 | 10-in. | Mar. 1918 | I miss that Mississippi miss that misses me | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 6096 | 10-in. | 3/31/1918 | Three pickaninnies | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 6180 | 10-in. | 5/31/1918 | I'm a twelve o'clock feller (In a nine o'clock town) | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Edison | 6207 | 10-in. | between 6/5/1918 and 6/7/1918 | Down in the jungle land | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 6286 | 10-in. | 7/31/1918 | Everything is peaches down in Georgia | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 6333 | 10-in. | 8/26/1918 | I'm waiting for you, Liza Jane | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 6382 | 10-in. | 9/30/1918 | Everything is hunky dory down in Honky Tonky Town | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 6439 | 10-in. | 11/4/1918 | Sweet 'n pretty (Gee! I wish you were mine) | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 6558 | 10-in. | 1/9/1919 | Every day's a holiday in Dixie | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 6591 | 10-in. | 1/28/1919 | How 'ya gonna keep 'em down on the farm after they've seen Paree? | Byron G. Harlan ; Ada Jones | Female-male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 6699 | 10-in. | 4/1/1919 | Ever since that town of mine went dry | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 6850 | 10-in. | 6/2/1919 | Sipping cider thru a straw | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 6889 | 10-in. | 7/29/1919 | He used to be a farmer | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Edison | 7425 | 10-in. | 6/25/1920 | I want a jazzy kiss | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 8045 | 10-in. | 6/3/1921 | Gee Willikens | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Edison | 8059 | 10-in. | 6/9/1921 | I ain't nobody's darling | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Edison | 8461 | 10-in. | 5/23/1922 | Ham and eggs | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 8534 | 10-in. | 7/18/1922 | With his umpah umpah on the Umpah Isle | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 8554 | 10-in. | 8/1/1922 | Susie | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 8596 | 10-in. | 9/18/1922 | Now wouldn't you like to know? | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 8606 | 10-in. | 9/22/1922 | Porters on a Pullman train | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 9093 | 10-in. | 7/25/1923 | He's the talk of the whole darn town | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 9643 | 10-in. | 7/24/1924 | Sister hasn't got a chance since Mother bobbed her hair | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 9648 | 10-in. | 7/28/1924 | Fun on the farm | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Edison | 9653 | 10-in. | 7/31/1924 | Any way the wind blows (My sweetie goes) | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Edison | 9654 | 10-in. | 7/31/1924 | Make hay-hay | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Edison | 9763 | 10-in. | 10/3/1924 | Liver and bacon | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 51 | 7-in. | Before Aug. 1903 | Hurrah for Baffin's Bay | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | 52 | 9-in. | Before Aug. 1903 | Hurrah for Baffin's Bay | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | 217 | 9-in. | ca. Aug. 1903 | Down where the Wurzburger flows | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | 265 | 9-in. | ca. Aug. 1903 | Jerry Murphy is a friend of mine | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | 271 | 9-in. | ca. Aug. 1903 | First rehearsal of the husking bee | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | 520 | 9-in. | Before 1904 | Hiawatha | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | 527 | 9-in. | ca. Sept. 1903 | Closing time in a country grocery | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | 535 | 9-in. | ca. Sept. 1903 | They were all doing the same | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | 540 | 9-in. | Before 1904 | It was the Dutch | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | 885 | 9-in. | ca. Oct. 1903 | I'm unlucky | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | 887 | 9-in. | ca. Oct. 1903 | O! O! O'Brien | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | 891 | 7-in. | ca. Oct. 1903 | The troubles of the Reuben and the maid | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | 892 | 9-in. | ca. Oct. 1903 | The troubles of the Reuben and the maid | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | 893 | 7-in. | ca. Oct. 1903 | Two rubes in a tavern | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | 894 | 9-in. | ca. Oct. 1903 | Two rubes in a tavern | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | 1999 | 9-in. | ca. Mar. 1904 | O! O! O'Brien | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | 2008 | 7-in. | Before Apr. 1904 | The man behind | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | 2009 | 9-in. | Before May 1904 | The man behind | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | 2010 | 7-in. | ca. Mar. 1904 | Come down from the big fig tree | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | 2011 | 9-in. | Before May 1904 | Come down from the big fig tree | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | 2903 | 9-in. | Before July 1904 | Hiawatha | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | 2904 | 7-in. | ca. June 1904 | It was the Dutch | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | 2905 | 9-in. | Before July 1904 | It was the Dutch | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | 2995 | 7-in. | ca. July 1904 | First rehearsal of the husking bee | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | 3003 | 7-in. | ca. July 1904 | I'm unlucky | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | 3538 | 7-in. | ca. Sept. 1904 | I got mine | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | 3539 | 9-in. | Before Oct. 1904 | I got mine | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | 3544 | 7-in. | ca. Sept. 1904 | Never bank on a traveling man | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | 3547 | 9-in. | Before Oct. 1904 | Does you love me as you used to, Miss Jane? | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | 3548 | 7-in. | ca. Sept. 1904 | Have you seen Maggie Riley? | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | 3940 | 10-in. | Before Jan. 1905 | I want to be a soldier | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | 4205 | 9-in. | Before Mar. 1905 | Nancy Lee | Byron G. Harlan ; Frank C. Stanley | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | 4208 | 10-in. | Before Mar. 1905 | Almost persuaded | Byron G. Harlan ; Frank C. Stanley | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 4209 | 7-in. | Before June 1905 | Scene in a country blacksmith shop | Byron G. Harlan ; Frank C. Stanley | Comic scene | speaker | |
| Zonophone | 4210 | 9-in. | Before June 1905 | Scene in a country blacksmith shop | Byron G. Harlan ; Frank C. Stanley | Comic scene | speaker | |
| Zonophone | 4215 | 9-in. | Before July 1905 | Waiting for the dinner horn to blow | Byron G. Harlan ; Frank C. Stanley | Comic scene | speaker | |
| Zonophone | 4218 | 9-in. | Before Apr. 1905 | An evening call in Jayville Center | Byron G. Harlan ; Frank C. Stanley | Comic scene | speaker | |
| Zonophone | 4374 | 10-in. | Before Mar. 1905 | A little boy called Taps | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | 4406 | 10-in. | Before Apr. 1905 | I've got my fingers crossed, you can't touch me | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | 4464 | 10-in. | Before Oct. 1905 | Jasper, don't you hear me calling you? | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 4465 | 10-in. | Before Apr. 1905 | Coax me | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 4467 | 10-in. | Before Apr. 1905 | The Bingville band | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 4470 | 10-in. | Before Aug. 1905 | Tammany | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 4472 | 10-in. | Before Apr. 1905 | The farmer and the dude | Arthur Collins ; Byron G. Harlan | Comic scene | vocalist, tenor vocal | |
| Zonophone | 4513 | 10-in. | Before July 1905 | Come along, little girl, come along | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 4537 | 10-in. | Before May 1905 | Japanese lantern dance | Hager's Orchestra ; Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | 4539 | 10-in. | Before May 1905 | Just across the bridge of gold | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | 4541 | 10-in. | Before May 1905 | When the bees are in the hive | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | 4811 | 10-in. | Before Sept. 1905 | Hey, Mr. Joshua | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 4812 | 9-in. | Before July 1905 | Hey, Mr. Joshua | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | 4815 | 10-in. | Before July 1905 | Take a car | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 4816 | 9-in. | ca. May 1905 | Take a car | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | 4817 | 10-in. | Before July 1905 | Meet me down at Luna, Lena | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 4872 | 10-in. | Before July 1905 | Goodbye, sweet Marie | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | 4877 | 10-in. | Before July 1905 | I've set my heart on you | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | 5087 | 10-in. | Before Oct. 1905 | Wait till the sun shines, Nellie | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | 5090 | 9-in. | ca. Aug. 1905 | Two little girls loved one little boy | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | 5243 | 10-in. | Before Nov. 1905 | In my merry Oldsmobile | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 5245 | 10-in. | Before Nov. 1905 | In Timbuctoo | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 5247 | 10-in. | Before Mar. 1906 | On the banks of the Rhine with a stein | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 5282 | 10-in. | Before Jan. 1906 | Somebody's sweetheart I want to be | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | 5538 | 10-in. | Before Feb. 1906 | Dreaming love of you | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | 5566 | 10-in. | Before Feb. 1906 | Barnyard medley | Colonial Male Quartet | Male vocal quartet (unaccompanied) | vocalist, tenor vocal | |
| Zonophone | 5567 | 10-in. | Before Feb. 1906 | Sleigh ride party | Colonial Male Quartet | Male vocal quartet (unaccompanied) | vocalist, tenor vocal | |
| Zonophone | 5585 | 10-in. | Before Mar. 1906 | Barbecue in old Kentucky | Colonial Male Quartet | Male vocal quartet (unaccompanied) | vocalist, tenor vocal | |
| Zonophone | 5586 | 10-in. | Before Mar. 1906 | Characteristic Negro medley | Colonial Male Quartet | Male vocal quartet (unaccompanied) | vocalist, tenor vocal | |
| Zonophone | 5787 | 10-in. | Before Oct. 1906 | Every day will be Sunday bye and bye | Colonial Quartet | Male vocal quartet (unaccompanied) | vocalist, tenor vocal | |
| Zonophone | 5789 | 10-in. | Before May 1906 | Night trip to Buffalo | Colonial Quartet | Male vocal quartet (unaccompanied) | vocalist, tenor vocal | |
| Zonophone | 5961 | 10-in. | Before Apr. 1906 | I'm a-dreaming of you | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 5962 | 10-in. | Before Apr. 1906 | My lovin' Henry | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 5965 | 10-in. | Before May 1906 | L-a-z-y spells lazy | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 5966 | 10-in. | Before Apr. 1906 | When Mose with his nose leads the band | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 5968 | 10-in. | Before May 1906 | Niggeh loves his possum | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 6127 | 10-in. | Before May 1906 | I like your way | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | 6129 | 10-in. | Before June 1906 | One called "Mother" and the other "home sweet home" | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | 6193 | 10-in. | Before June 1906 | Honey, won't you love me like you used to? | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 6197 | 10-in. | Before June 1906 | It's all for you | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 6584 | 10-in. | Before Sept. 1906 | Cheer up, Mary | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | 6585 | 10-in. | Before Sept. 1906 | The good old U.S.A. | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | 6588 | 10-in. | Before Sept. 1906 | Just a little fond affection | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | 6849 | 10-in. | Before Nov. 1906 | When the flowers bloom in springtime, Molly dear | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | 6858 | 10-in. | Before Nov. 1906 | Would you leave your happy home for me? | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 6966 | 10-in. | Before Jan. 1907 | Won't you throw a kiss to me? | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 6967 | 10-in. | Before Dec. 1906 | Arrah wanna | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 6971 | 10-in. | Before Jan. 1907 | Iola | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 6975 | 10-in. | Before Dec. 1906 | And a little child shall lead them | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | 7171 | 10-in. | Before Feb. 1907 | Bake dat chicken pie | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 7173 | 10-in. | Before Feb. 1907 | In a chimney corner | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 7176 | 10-in. | Before Mar. 1907 | My sweet Elizer | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 7195 | 10-in. | Before Feb. 1907 | Captain Baby Bunting | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | 7203 | 10-in. | Before Mar. 1907 | No one knows how much I miss you | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | 7206 | 10-in. | Before Apr. 1907 | We have no one to care for us now | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | 7208 | 10-in. | Before Feb. 1907 | I can't find another girl like you | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | 7378 | 10-in. | Before Apr. 1907 | Rambler Minstrels, no. 1 | Minstrels [Zonophone Records group] | Minstrels | performer | |
| Zonophone | 7379 | 10-in. | Before May 1907 | Rambler Minstrels, no. 2 | Minstrels [Zonophone Records group] | Minstrels, with orchestra | performer | |
| Zonophone | 7511 | 10-in. | Before June 1907 | Lovin' time | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 7515 | 10-in. | Before July 1907 | That welcome on the mat ain't meant for me | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 7516 | 10-in. | Before June 1907 | If you want to pick a fuss, wait till the sun shines | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 7547 | 10-in. | Before Nov. 1907 | School days (When we were a couple of kids) | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | 7550 | 10-in. | Before July 1907 | In the wildwood where the bluebells grow | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | 7578 | 10-in. | Before June 1907 | Brass band Ephraham Jones | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 7702 | 10-in. | Before July 1907 | Rambler Minstrels, no. 4 | Minstrels [Zonophone Records group] | Minstrels | performer | |
| Zonophone | 7705 | 10-in. | Before Oct. 1907 | Rambler Minstrels, no. 5 | Minstrels [Zonophone Records group] | Minstrels | performer | |
| Zonophone | 7706 | 10-in. | Before July 1907 | Rambler Minstrels, no. 3 | Minstrels [Zonophone Records group] | Minstrels, with orchestra | performer | |
| Zonophone | 7781 | 10-in. | Before Sept. 1907 | Reed Bird (The Indian's bride) | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 7783 | 10-in. | Before Sept. 1907 | Every little bit added to what you've got makes just a little bit more | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 7787 | 10-in. | Before Oct. 1907 | Many's the time | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 7790 | 10-in. | Before Aug. 1907 | Won't you let me put my arms around you? (That certainly am Zulu love) | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 7882 | 10-in. | Before Aug. 1907 | Since you called me dearie | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | 7884 | 10-in. | Before Nov. 1907 | Playing hide and seek | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | 7889 | 10-in. | Before Oct. 1907 | I'm tying the leaves so they won't come down | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | 8193 | 10-in. | Before June 1908 | Who do you love? | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 8194 | 10-in. | Before Jan. 1908 | Oh, oh, Miss Lucy Ella | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 8199 | 10-in. | Before Apr. 1908 | Come on and kiss your baby | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 8200 | 10-in. | Before Dec. 1907 | I'm a-running after Nancy | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 8210 | 10-in. | Before Feb. 1908 | Bye-bye, dearie | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | 8352 | 10-in. | Before Feb. 1908 | Rambler Minstrels, no. 6 | Minstrels [Zonophone Records group] | Minstrels, with orchestra | performer | |
| Zonophone | 8354 | 10-in. | Before Apr. 1908 | Rambler Minstrels, no. 7 | Minstrels [Zonophone Records group] | Minstrels | performer | |
| Zonophone | 8584 | 10-in. | Before June 1908 | Rambler Minstrels, no. 9 | Minstrels [Zonophone Records group] | Minstrels, with orchestra | performer | |
| Zonophone | 8585 | 10-in. | Before May 1908 | Rambler Minstrels, no. 8 | Minstrels [Zonophone Records group] | Minstrels, with orchestra | performer | |
| Zonophone | 8626 | 10-in. | Before July 1908 | Honey, won't you please come down? | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 8627 | 10-in. | Before Sept. 1908 | Down in Jungle Town | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 8629 | 10-in. | Before Aug. 1908 | Mother hasn't spoke to Father since | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 8639 | 10-in. | Before July 1908 | Smarty | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | 8731 | 10-in. | Before Sept. 1908 | Rambler Minstrels, no. 10 | Minstrels [Zonophone Records group] | Minstrels, with orchestra | performer | |
| Zonophone | 8733 | 10-in. | Before Oct. 1908 | Rambler Minstrels, no. 11 | Minstrels [Zonophone Records group] | Minstrels, with orchestra | performer | |
| Zonophone | 8775 | 10-in. | Before Dec. 1908 | Down in Georgia on camp meeting day | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 8777 | 10-in. | Before Oct. 1908 | Don't go away | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 8908 | 10-in. | Before Mar. 1909 | Honey Lou | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 8909 | 10-in. | Before Dec. 1908 | Play dat rag | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 8970 | 10-in. | Before Dec. 1908 | Grandma | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | 9054 | 10-in. | Before Mar. 1909 | Rambler Minstrels, no. 12 | Minstrels [Zonophone Records group] | Minstrels, with orchestra | performer | |
| Zonophone | 9056 | 10-in. | Before Mar. 1909 | Rambler Minstrels, no. 13 | Minstrels [Zonophone Records group] | Minstrels, with orchestra | performer | |
| Zonophone | 9074 | 10-in. | Before Mar. 1909 | Alabam' | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 9076 | 10-in. | Before Mar. 1909 | Yip-i-addy-i-ay! | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 9079 | 10-in. | Before Mar. 1909 | The sweetest gal in town | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 9299 | 10-in. | Before June 1909 | Down among the sugar cane | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 9310 | 10-in. | Before May 1909 | Tittle, tattle, tattle tale | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | 9311 | 10-in. | Before May 1909 | Schoolmates | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | 9404 | 10-in. | Before June 1909 | Rambler Minstrels, no. 14 | Minstrels [Zonophone Records group] | Minstrels | performer | |
| Zonophone | 9406 | 10-in. | Before June 1909 | Rambler Minstrels, no. 15 | Minstrels [Zonophone Records group] | Minstrels | performer | |
| Zonophone | 9414 | 10-in. | Before June 1909 | On a monkey honeymoon | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 9417 | 10-in. | Before Sept. 1909 | Set them up in the other alley | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 9418 | 10-in. | Before Aug. 1909 | Heinie waltzed 'round on his hickory limb | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 9489 | 10-in. | Before Nov. 1909 | Under the Irish moon | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | 9499 | 10-in. | Before Sept. 1909 | Oh! You loving gal! | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 9500 | 10-in. | Before Aug. 1909 | Down at the huskin' bee | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 9503 | 10-in. | Before Oct. 1909 | Dinah dear | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 9588 | 10-in. | Before Oct. 1909 | Lonesome | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | 9600 | 10-in. | Before Nov. 1909 | Run, Brudder Possum, run | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 9602 | 10-in. | Before Nov. 1909 | How do you do, Miss Josephine? | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 9604 | 10-in. | Before Oct. 1909 | Down where the big bananas grow | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 9719 | 10-in. | Before Jan. 1910 | I'd like to be a soldier boy in blue | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | 9801 | 10-in. | Before Feb. 1910 | Zoo-lou | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 9803 | 10-in. | Before Feb. 1910 | Slip on your gingham gown | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | Z-3 | 10-in. | 5/3/1910 | There's a mother old and gray who needs me now | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | Z-4 | 10-in. | 5/3/1910 | When the girl you want wants you | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | Z-5 | 10-in. | 5/3/1910 | Baboon bungalow | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | Z-6 | 10-in. | 5/3/1910 | Moonlight in jungle land | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | Z-12 | 10-in. | 5/31/1910 | Swingin' in de sky | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | Z-13 | 10-in. | 5/31/1910 | Underneath the sugar moon | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | Z-15 | 10-in. | 5/31/1910 | Dear Mame, I love you | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | Z-17 | 10-in. | 5/31/1910 | Shame, shame, shame, everybody knows your name | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | Z-61 | 10-in. | 7/29/1910 | I've got the time, I've got the place, but it's hard to find the girl | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | Z-62 | 10-in. | 7/29/1910 | Don't forget to drop a line to mother | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | Z-63 | 10-in. | 7/29/1910 | Kerry Mills' barn dance | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | Z-64 | 10-in. | 7/29/1910 | That mesmerizing Mendelssohn tune | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | Z-96 | 10-in. | 10/21/1910 | Think it over, Mary | Byron G. Harlan ; King's Orchestra | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | Z-97 | 10-in. | 10/21/1910 | Toodles | Byron G. Harlan ; King's Orchestra | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | Z-113 | 10-in. | 11/16/1910 | Curly head | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | Z-114 | 10-in. | 11/16/1910 | Now she's anybody's girlie | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | Z-115 | 10-in. | 11/16/1910 | Way down in Georgia | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | Z-116 | 10-in. | 11/16/1910 | Whoa, Bill! | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 47] | 10-in. | Before Jan. 1905 | Mama's boy | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 175] | 10-in. | Before June 1905 | The waltz must change to a march, Marie | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 265] | 10-in. | Before Oct. 1905 | Pals, good old pals | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | 266 | 7-in. | between late 1902 and early 1903 | Down where the Würzburger flows | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Zo cat 315] | 10-in. | Before Dec. 1905 | Bye-bye, ma Eva, bye-bye | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 340] | 10-in. | Before Jan. 1906 | Central, give me back my dime | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 437] | 10-in. | Before Nov. 1906 | Belle of the ball | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 625] | 10-in. | Before Dec. 1906 | Yimminy yee, i yumped my yob for you | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 668] | 10-in. | Before Feb. 1907 | I can't find another girl like you | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 807] | 10-in. | Before Aug. 1907 | Since Arrah Wanna married Barney Carney | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 924] | 10-in. | Before Dec. 1907 | Two blue eyes | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 1061] | 10-in. | Before May 1908 | Won't you waltz Home sweet home with me for old time's sake? | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 1186] | 10-in. | Before Oct. 1908 | Wishes | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | 4876 | 10-in. | Before Aug. 1905 | He looks just like his mother | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5172-A] | 10-in. | Before Jan. 1909 | My old lady | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5172-B] | 10-in. | Before Jan. 1909 | Always me | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5279] | 9-in. | Late 1902-early 1903 | Down where the Wurzburger flows | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5281] | 7-in. | Late 1902-early 1903 | I'm unlucky | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5281] | 9-in. | Late 1902-early 1903 | I'm unlucky | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5282] | 7-in. | Late 1902-early 1903 | They were all doing the same | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5282] | 9-in. | Late 1902-early 1903 | They were all doing the same | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Zo cat P 5439] | 7-in. | Before 1906 | Back, back to the woods | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Zo cat P 5440] | 7-in. | Before June 1903 | Closing time in a country grocery | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Ox cat 5440] | 7-in. | ca. 1904-1905 | Closing time in a country grocery | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Zo cat C 5440] | 9-in. | Before June 1903 | Closing time in a country grocery | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Zo cat P 5442] | 7-in. | Before June 1903 | First rehearsal of the husking bee | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Zo cat C 5442] | 9-in. | Before June 1903 | First rehearsal of the husking bee | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Zo cat P 5444] | 7-in. | Before June 1903 | Jerry Murphy is a friend of mine | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Ox cat 5444] | 7-in. | ca. 1904-1905 | Jerry Murphy is a friend of mine | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Zo cat C 5444] | 9-in. | Before June 1903 | Jerry Murphy is a friend of mine | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Zo cat P 5446] | 7-in. | Before 1906 | Nursery rhymes | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Ox cat 5446] | 7-in. | ca. 1904-1905 | Nursery rhymes | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Zo cat C 5446[b]] | 9-in. | Before 1906 | Nursery rhymes | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Zo cat P 5447] | 7-in. | Before June 1903 | On Broadway in Dahomey bye and bye | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Ox cat 5447] | 7-in. | ca. 1904-1905 | On Broadway in Dahomey bye and bye | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Zo cat C 5447] | 9-in. | Before June 1903 | On Broadway in Dahomey bye and bye | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Zo cat P 5448] | 7-in. | Before June 1903 | Strike out McCracken | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Zo cat C 5448] | 9-in. | Before June 1903 | Strike out McCracken | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Zo cat C 5449] | 9-in. | Before June 1903 | The troubles of the Reuben and the maid | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Ox cat 5449] | 7-in. | ca. 1904-1905 | The troubles of the Reuben and the maid | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Ox cat 5450] | 7-in. | ca. 1904-1905 | They were all doing the same | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Zo cat P 5451] | 7-in. | Before June 1903 | Two rubes in a tavern | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Ox cat 5451] | 7-in. | ca. 1904-1905 | Two rubes in a tavern | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Zo cat C 5451] | 9-in. | Before June 1903 | Two rubes in a tavern | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Zo cat P 5452] | 7-in. | Before 1906 | Whoa, Bill | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Zo cat C 5452[b]] | 9-in. | Before 1906 | Whoa, Bill | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5454-A] | 10-in. | Before Mar. 1909 | I know dat I'll be happy till I die | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5479-A] | 10-in. | Before May 1909 | My bambazoo | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5479-B] | 10-in. | Before May 1909 | Who's your friend? | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5500-A] | 10-in. | Before June 1909 | When I dream in the gloaming of you | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5500-B] | 10-in. | Before June 1909 | Toys for sale | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5524-A] | 10-in. | Before Aug. 1909 | Mama, don't scold me | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5524-B] | 10-in. | Before Aug. 1909 | Let's go back to my baby days | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5553-A] | 10-in. | Before Oct. 1909 | Sweetheart's a pretty name when it is y-o-u | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5565-A] | 10-in. | Before Nov. 1909 | Come and spend Christmas with me | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5571-A] | 10-in. | Before Nov. 1909 | Rambler Minstrels, no. 16 | Minstrels [Zonophone Records group] | Minstrels, with orchestra | performer | |
| Zonophone | [Zo cat 5571-B] | 10-in. | Before Nov. 1909 | Rambler Minstrels, no. 17 | Minstrels [Zonophone Records group] | Minstrels | performer | |
| Zonophone | [Zo cat 5592-B] | 10-in. | Before Jan. 1910 | Little Miss Golden Curls | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat P 5593] | 7-in. | Before Aug. 1903 | Ephasafa Dill | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Zo cat C 5593] | 9-in. | Before Aug. 1903 | Ephasafa Dill | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5595-A] | 10-in. | Before Jan. 1910 | Lyna, oh, oh, Miss Lyna | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5595-B] | 10-in. | Before Jan. 1910 | Some day, Melinda | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Ox cat 5598] | 7-in. | ca. 1904-1905 | Hurrah for Baffin's Bay | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Zo cat P 5599] | 7-in. | Before Aug. 1903 | Marriage is sublime | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Ox cat 5599] | 7-in. | ca. 1904-1905 | Marriage is sublime | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Zo cat C 5599] | 9-in. | Before Aug. 1903 | Marriage is sublime | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Zo cat P 5602] | 7-in. | Before Aug. 1903 | O! O! O'Brien | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Zo cat C 5602] | 9-in. | Before Aug. 1903 | O! O! O'Brien | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Zo cat P 5611] | 7-in. | Before Aug. 1903 | Trouble | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Zo cat C 5611] | 9-in. | Before Aug. 1903 | Trouble | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5633-A] | 10-in. | Before June 1910 | Has anybody seen my husband? | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5645-A] | 10-in. | Before Aug. 1910 | I love you | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5700-A] | 10-in. | Before Mar. 1911 | Cyrus Pippins' wedding day | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5700-B] | 10-in. | Before Mar. 1911 | If I only had a home, sweet home | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5705-A] | 10-in. | Before Mar. 1911 | The Reuben rag | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5705-B] | 10-in. | Before Mar. 1911 | I wish I had a pal like you | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5715-A] | 10-in. | Before May 1911 | Mary, sweet Maryland | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5715-B] | 10-in. | Before May 1911 | Swinging (Swinging on the old rope swing) | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5719-A] | 10-in. | Before May 1911 | Dancing on the levee | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5719-B] | 10-in. | Before May 1911 | Back to the woods | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5722-A] | 10-in. | 2/2/1911 | Congressman Filkin's homecoming | Byron G. Harlan ; Steve Porter | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5734-A] | 10-in. | Before May 1911 | The Mississippi dippy dip | Unidentified performer(s) (Zonophone Records) | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5734-B] | 10-in. | 3/10/1911 | Rain-in-the-face | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat P 5736] | 7-in. | Before 1904 | Hiawatha | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Ox cat 5736] | 7-in. | ca. 1904-1905 | Hiawatha | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Zo cat P 5737] | 7-in. | Before 1904 | It was the Dutch | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5748-A] | 10-in. | Before June 1911 | Baby rose | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5748-B] | 10-in. | Before June 1911 | Clara Jenkins' tea | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5751-A] | 10-in. | Before June 1911 | Mornin' Ezra, mornin' Si! | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5763-A] | 10-in. | Before July 1911 | I like the hat, I like the dress, and I like the girl that's in it | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5763-B] | 10-in. | Before July 1911 | Rueben Glue (I am stuck on you) | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5766-A] | 10-in. | Before July 1911 | Alexander's ragtime band | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5766-B] | 10-in. | Before July 1911 | Sitting Bull | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5780-A] | 10-in. | Before Aug. 1911 | The village barber | Byron G. Harlan ; Steve Porter | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5780-B] | 10-in. | Before Aug. 1911 | Can't you take it back and change it for a boy? | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5794-A] | 10-in. | Before Sept. 1911 | The country doctor and the rube patient | Byron G. Harlan ; Steve Porter | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat P 5837] | 7-in. | Before Apr. 1904 | Never bank on a traveling man | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Zo cat C 5837] | 9-in. | Before Apr. 1904 | Never bank on a traveling man | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5849-A] | 10-in. | Before Jan. 1912 | In the days of girls and boys | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5849-B] | 10-in. | Before Jan. 1912 | Dan | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5851-A] | 10-in. | Before Jan. 1912 | The rooster and the hen | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5869-A] | 10-in. | Before Feb. 1912 | Way down east where I belong | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5877-B] | 10-in. | Before Mar. 1912 | The country postmaster | Byron G. Harlan ; Steve Porter | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5879-A] | 10-in. | Before Mar. 1912 | I'm going back to Dixie | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5891-A] | 10-in. | Before Apr. 1912 | They gotta quit kickin' my dawg aroun' (The Missouri "hound" song) | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5895-A] | 10-in. | Before Apr. 1912 | That baboon baby dance | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5907-B] | 10-in. | Before May 1912 | I'll share all my toys with you | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5914-A] | 10-in. | Before May 1912 | The precious little thing called love (The riddle song) | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5915-A] | 10-in. | Before May 1912 | In Jaytown, Ohio | Byron G. Harlan ; Steve Porter | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat 5919-A] | 10-in. | Before June 1912 | Lead me to that beautiful band | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat P 6000] | 7-in. | Before Oct. 1904 | Does you love me as you used to, Miss Jane? | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Ox cat 6000] | 7-in. | ca. 1904-1905 | Does you love me as you used to, Miss Jane? | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Zo cat C 6002] | 9-in. | Before Oct. 1904 | Have you seen Maggie Riley? | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Zo cat 6005] | 7-in. | Before Oct. 1904 | Imagination | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Zo cat 6005] | 9-in. | Before Oct. 1904 | Imagination | Arthur Collins ; Byron G. Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Zo cat C 6081] | 9-in. | Before 1905 | Virginia | Byron G. Harlan | Male vocal solo, with piano | vocalist, tenor vocal | |
| Zonophone | [Zo cat C 6093] | 9-in. | Before Mar. 1905 | Little rustic cottage by the stream | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Zonophone | [Zo cat C 6123] | 9-in. | Before July 1905 | While the leaves come drifting down | Byron G. Harlan ; Frank C. Stanley | Male vocal duet, with piano | vocalist, tenor vocal | |
| Zonophone | [Zo cat C 6176] | 9-in. | Before July 1905 | My gal Sal | Byron G. Harlan | Male vocal solo, with piano | vocalist, tenor vocal | |
| Leeds & Catlin | 6257 | 10-in. | before Aug. 1905 | Mama's boy | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 6258 | 10-in. | before Aug. 1905 | The waltz must change to a march, Marie | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 6335 | 10-in. | before Aug. 1905 | Take a car! | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 6336 | 10-in. | before Aug. 1905 | On a summer night | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 6356 | 10-in. | before Aug. 1905 | I'm trying so hard to forget you | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 6696 | 10-in. | approximately 1905 | A night trip to Buffalo | Rambler Minstrel Company | Minstrels, unaccompanied | vocalist, tenor vocal | |
| Leeds & Catlin | 6698 | 10-in. | approximately 1905 | Way down yonder in the cornfield | Rambler Minstrel Company | Minstrels, unaccompanied | vocalist, tenor vocal | |
| Leeds & Catlin | 6699 | 10-in. | approximately 1905 | Steamboat leaving the wharf at New Orleans | Rambler Minstrel Company | Minstrels, unaccompanied | vocalist, tenor vocal | |
| Leeds & Catlin | 6701 | 10-in. | approximately 1905 | The sleigh ride party | Rambler Minstrel Company | Minstrels | vocalist, tenor vocal | |
| Leeds & Catlin | 6702 | 10-in. | approximately 1905 | Characteristic Negro medley | Rambler Minstrel Company | Minstrels | vocalist, tenor vocal | |
| Leeds & Catlin | 6710 | 10-in. | late 1905-early 1906 | [A trip to] The county fair | Rambler Minstrel Company | Minstrels | vocalist, tenor vocal | |
| Leeds & Catlin | 6713 | 10-in. | late 1905-early 1906 | Camp meeting jubilee | Rambler Minstrel Company | Minstrels | vocalist, tenor vocal | |
| Leeds & Catlin | 6787 | 10-in. | late 1905-early 1906 | When the whip-poor-will sings, Marguerite | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 6903 | 10-in. | 1906 | Second minstrel show | Rambler Minstrel Company | Minstrels | vocalist, tenor vocal | |
| Leeds & Catlin | 6904 | 10-in. | 1906 | First minstrel show | Rambler Minstrel Company | Minstrels, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 6907 | 10-in. | 1906 | First Minstrel Show | Rambler Minstrel Company | Minstrels, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 6929 | 10-in. | 1906 | It's up to you to move | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 6930 | 10-in. | 1906 | It's up to you to move | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 6931 | 10-in. | 1906 | I'm a-dreaming of you | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 6932 | 10-in. | 1906 | Honey, won't you love me like you used to? | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 6937 | 10-in. | 1906 | Anxious | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 8008 | 7-in. | between 1901 and 1905 | Oh, such a business | Collins and Harlan | Male vocal solo, with piano | vocalist, tenor vocal | |
| Leeds & Catlin | 8116 | 10-in. | 1906 | Closing time in the country grocery | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Leeds & Catlin | 8171 | 7-in. | between 1901 and 1905 | Strike out McCracken | Collins and Harlan | Male vocal solo, with piano | vocalist, tenor vocal | |
| Leeds & Catlin | 8177 | 10-in. | approximately mid-1906 | The songs of the ragtime boy | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 8178 | 10-in. | approximately mid-1906 | At the telephone | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 8179 | 10-in. | approximately mid-1906 | Are you coming out tonight, Mary Ann? | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 8181 | 10-in. | 1906 | Down where the sweet potatoes grow | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 8182 | 7-in. | between 1901 and 1905 | Keep on the sunny side | Byron G. Harlan | Male vocal solo | vocalist, tenor vocal | |
| Leeds & Catlin | 8196 | 7-in. | between 1901 and 1905 | In the sweet bye and bye | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 8256 | 10-in. | late 1906 | Arrah wanna (An Irish-Indian matrimonial venture) | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 8634 | 7-in. | between 1901 and 1905 | Two rubes in an eating house | Byron G. Harlan ; Frank C. Stanley | Comic dialogue | speaker | |
| Leeds & Catlin | 8646 | 10-in. | 1906 | They were all doing the same | Byron G. Harlan | Male vocal solo, with piano | vocalist, tenor vocal | |
| Leeds & Catlin | 8655 | 10-in. | late 1906 | Good-a bye, John | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 8660 | 10-in. | late 1906 | Iola | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 8833 | 10-in. | approximately early 1907 | Bake dat chicken pie | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 8834 | 10-in. | approximately early 1907 | Many's the time | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 8836 | 10-in. | approximately early 1907 | And a little bit more | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 8837 | 10-in. | approximately early 1907 | Ev'ry little bit, added to what you've got, makes just a little bit more | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 8841 | 10-in. | approximately early 1907 | Since arrah wanna married Barney Carney | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 8842 | 10-in. | approximately early 1907 | Reed bird (The Indian's bride) | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 8955 | 10-in. | approximately summer 1907 | Who do you love? | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 8956 | 10-in. | approximately summer 1907 | May fuzzy | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 8958 | 10-in. | approximately summer 1907 | In Monkeyland | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 8961 | 10-in. | approximately summer 1907 | Who? Me? | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 9223 | 10-in. | late 1906 or Jan. 1907 | The family tree | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 9271 | 10-in. | late 1907-early 1908 | My gal Irene | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 9362[?] | 10-in. | between January and October 1908 | Rag babe | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 9392 | 10-in. | between January and October 1908 | Red wing | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 9395 | 10-in. | between late 1908 and early 1909 | Way down in Alabam' | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 5074 | 10-in. | between late 1903 and 1904 | Barney | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Leeds & Catlin | 5114 | 10-in. | between late 1903 and 1904 | Iffa saffa dill | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Leeds & Catlin | 5115 | 10-in. | between late 1903 and 1904 | When the winter time comes 'round | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Leeds & Catlin | 5304 | 10-in. | between late 1903 and 1904 | Under the Anheuser bush | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 5305 | 10-in. | between late 1903 and 1904 | Hoolahan | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 5307 | 10-in. | between late 1903 and 1904 | He was a sailor | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Leeds & Catlin | 5307 | 10-in. | between late 1903 and 1904 | He was a sailor | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 5970 | 10-in. | before Aug. 1905 | Heinie | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 5971 | 10-in. | before Aug. 1905 | Does you love me as you used to, Miss Jane? | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 6205 | 10-in. | Would you care? | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | ||
| Leeds & Catlin | 6250 | 10-in. | before Aug. 1905 | Would you care? | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 6252 | 10-in. | before Aug. 1905 | In the shade of the old apple tree | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 6253 | 10-in. | before Aug. 1905 | Violette | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 6254 | 10-in. | before Aug. 1905 | A picnic for two | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 6256 | 10-in. | before Aug. 1905 | Just across the bridge of gold | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 6259 | 10-in. | before Aug. 1905 | I've set my heart on you | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 6278 | 10-in. | before Aug. 1905 | Farewell, sweetheart May | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 6297 | 10-in. | before Aug. 1905 | Bright eyes | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 6298 | 10-in. | before Aug. 1905 | He looks just like his mother | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 6299 | 10-in. | before Aug. 1905 | A little boy called "Taps” | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 6300 | 10-in. | before Aug. 1905 | When the sunset turns of ocean's blue to gold | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 6301 | 10-in. | before Aug. 1905 | When the bees are in the hive | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 6302 | 10-in. | before Aug. 1905 | Pretty Mary | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 6303 | 10-in. | before Aug. 1905 | Why don't they play with me? | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 6304 | 10-in. | before Aug. 1905 | Please come and play in my yard | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 6306 | 10-in. | before Aug. 1905 | My gal Sal | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 6307 | 10-in. | before Aug. 1905 | In the shade of the old apple tree | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 6308 | 10-in. | before Aug. 1905 | Just across the bridge of gold | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 6309 | 10-in. | before Aug. 1905 | Would you care? | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 6312 | 10-in. | before Aug. 1905 | Violette | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 6314 | 10-in. | before Aug. 1905 | Goodbye, sweet Marie | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 6324 | 10-in. | before Aug. 1905 | Wait till the sun shines, Nellie | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 6330 | 10-in. | before Aug. 1905 | Bunker Hill | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 6333 | 10-in. | before Sept. 1905 | Oh, oh, Sallie | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 6334 | 10-in. | before Aug. 1905 | Making eyes | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 6355 | 10-in. | before Aug. 1905 | Down where the silvery mohawk flows | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 6695 | 10-in. | approximately 1905 | Every day will be Sunday bye and bye | Rambler Minstrel Company | Minstrels | vocalist, tenor vocal | |
| Leeds & Catlin | 6703 | 10-in. | approximately 1905 | A coon wedding in southern Georgia | Rambler Minstrel Company | Minstrels | vocalist, tenor vocal | |
| Leeds & Catlin | 6704 | 10-in. | approximately 1905 | A barbecue in old Kentucky | Rambler Minstrel Company | Minstrels | vocalist, tenor vocal | |
| Leeds & Catlin | 6706 | 10-in. | late 1905-early 1906 | (You're my heart's desire, I love you) Nellie Dean | Rambler Minstrel Company | Minstrels | vocalist, tenor vocal | |
| Leeds & Catlin | 6712 | 10-in. | late 1905-early 1906 | A high old time | Rambler Minstrel Company | Minstrels | vocalist, tenor vocal | |
| Leeds & Catlin | 6784 | 10-in. | late 1905-early 1906 | Just a little rocking chair and you | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 6785 | 10-in. | late 1905-early 1906 | Keep on the sunny side | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 6789 | 10-in. | late 1905-early 1906 | Someone thinks of someone | Byron G. Harlan | Male vocal solo | vocalist, tenor vocal | |
| Leeds & Catlin | 6926 | 10-in. | early 1906 | It's all for you | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 6997 | 10-in. | Jan.-July 1906 | Come and take a skate with me | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 7001 | 10-in. | Jan.-July 1906 | Why don't you write when you don't need money? | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 8125 | 10-in. | approximately mid-1906 | I'm thinking 'bout you honey, all the time | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 8189 | 10-in. | approximately mid-1906 | When the flowers bloom in springtime | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 8200 | 7-in. | between 1901 and 1905 | Side by side | Byron G. Harlan | Male vocal solo, with piano | vocalist, tenor vocal | |
| Leeds & Catlin | 8201 | 7-in. | between 1901 and 1905 | Nobody seems to love me now | Byron G. Harlan | Male vocal solo | vocalist, tenor vocal | |
| Leeds & Catlin | 9093 | 10-in. | late 1907 | See-saw | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 9094 | 10-in. | between January and October 1908 | Bye-bye, Dearie | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 9100 | 10-in. | approximately fall 1907 | When the world don't treat you right, come home | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 9212 | 10-in. | late 1907-early 1908 | Daddy's little tomboy girl | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 9224 | 10-in. | late 1906 or Jan. 1907 | Rain-in-the-face | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 9269 | 10-in. | late 1907-early 1908 | Hoo-hoo! Ain't you comin' out tonight? | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 9272 | 10-in. | late 1907-early 1908 | Has anybody seen my husband? | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 9273 | 10-in. | between 1907 and mid-1908 | Honey, won't you please come down? | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 9364 | 10-in. | between January and October 1908 | Childhood | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 9366 | 10-in. | between January and October 1908 | It's me in my nightie | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 9392 | 10-in. | between January and October 1908 | The Arkansas traveler | Collins and Harlan | Comic dialogue, with orchestra | speaker | |
| Leeds & Catlin | 9599 | 10-in. | between late 1908 and early 1909 | My bambazoo | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 9601 | 10-in. | between late 1908 and early 1909 | It looks like a big night tonight | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 9626 | 10-in. | between late 1908 and early 1909 | Meet me in rose time, Rosie | Byron G. Harlan ; Frank C. Stanley | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | 9640 | 10-in. | between late 1908 and early 1909 | Honey Lou | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 16092] | 7-in. | between 1901 and 1905 | I never trouble trouble until trouble troubles me | Collins and Harlan | Male vocal solo, with piano | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 16093] | 7-in. | between 1901 and 1905 | Oh! Didn't he ramble | Collins and Harlan | Male vocal solo, with piano | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 44994] | 10-in. | 1906 | I'm crazy 'bout it | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 44995] | 10-in. | 1906 | Waltz me around again, Willie | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 44998] | 10-in. | 1906 | I kind of like to have you fussin' 'round | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 45194] | 10-in. | Jan.-July 1906 | Eliza, save a little for me | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 45354] | 10-in. | late 1906 | Won't you throw a kiss to me? | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 45457] | 10-in. | approximately summer 1907 | School days | Byron G. Harlan | Male vocal solo, with piano | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 45458] | 10-in. | approximately summer 1907 | Nobody's little girl | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 45459] | 10-in. | approximately summer 1907 | Since you called me dearie | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 45471] | 10-in. | approximately summer 1907 | Oh, oh, Miss Lucy Ella | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 45474] | 10-in. | approximately summer 1907 | Just help yourself | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 45657] | 10-in. | between 1907 and mid-1908 | Smarty | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 207] | 10-in. | between late 1908 and early 1909 | When I marry you | Byron G. Harlan | Male vocal solo | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 209-A] | 10-in. | between late 1908 and early 1909 | Schoolmates | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 218-B] | 10-in. | between late 1908 and early 1909 | Mandy Lane | Arthur Collins ; Byron G. Harlan | Female vocal solo | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 219-B] | 10-in. | between late 1908 and early 1909 | Alabam' | Arthur Collins ; Byron G. Harlan | Male vocal solo | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 220-A] | 10-in. | between late 1908 and early 1909 | Go and get your partner for the barn dance | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 230-A] | 10-in. | between late 1908 and early 1909 | The sweetest gal in town | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 231-A] | 10-in. | between late 1908 and early 1909 | Make a noise like a hoop and roll away | Collins and Harlan | Male vocal duet | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 4006] | 10-in. | between late 1903 and 1904 | Come down from the big fig tree | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 4008] | 10-in. | between late 1903 and 1904 | Hurrah for Baffin's Bay | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 4009] | 10-in. | between late 1903 and 1904 | Oh! Oh! O'Brien | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 4013] | 10-in. | between late 1903 and 1904 | Blue bells | Byron G. Harlan | Male vocal solo, with piano | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 4014] | 10-in. | between late 1903 and 1904 | Little Dolly Driftwood | Byron G. Harlan | Male vocal solo, with piano | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 4015] | 10-in. | between late 1903 and 1904 | Rose, my rose | Byron G. Harlan | Male vocal solo, with piano | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 4017] | 10-in. | between late 1903 and 1904 | The man behind | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 4037] | 10-in. | between late 1903 and 1904 | The sweetest girl in Dixie | Byron G. Harlan | Male vocal solo, with piano | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 4043] | 10-in. | between late 1903 and 1904 | Pretty little Dinah Jones | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 4080] | 10-in. | between late 1903 and 1904 | Navajo | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 4092[a]] | 10-in. | between late 1903 and 1904 | Possum pie | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 4092[b]] | 10-in. | between late 1903 and 1904 | Possum pie | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 4094] | 10-in. | between late 1903 and 1904 | Over the Pilsner foam | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 4386] | 10-in. | before Sept. 1905 | What the brass band played | Collins and Harlan | Male vocal duet, with piano | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 4400] | 10-in. | before Aug. 1905 | Coax me | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 4494] | 10-in. | before Aug. 1905 | Hey, Mr. Joshua | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 4503] | 10-in. | before Aug. 1905 | My Yankee Irish girl | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 4508] | 10-in. | before Aug. 1905 | She waits by the deep blue sea | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 4515] | 10-in. | before Aug. 1905 | Pals, good old pals | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 4538] | 10-in. | before Aug. 1905 | Where the silvery Colorado wends its way | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 44759] | 10-in. | late 1905-early 1906 | One called "Mother,” and the other "Home, sweet home” | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 44761] | 10-in. | late 1905-early 1906 | Is there any room in heaven for a little girl like me? | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 44814] | 10-in. | early 1906 | Welcome to our city | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 45183] | 10-in. | Jan.-July 1906 | Eliza, save a little for me | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 45186] | 10-in. | Jan.-July 1906 | Grandpa, I'm going to be a soldier | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 45187] | 10-in. | Jan.-July 1906 | The good old U.S.A. | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 45193] | 10-in. | Jan.-July 1906 | Susan, kiss me good and hard | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 45198] | 10-in. | Jan.-July 1906 | I like your way | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 45200] | 10-in. | Jan.-July 1906 | Coming through the rye | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 45202] | 10-in. | Jan.-July 1906 | Cheer up, Mary | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 45208] | 10-in. | Jan.-July 1906 | Alice, where art thou going? | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 45241] | 10-in. | approximately mid-1906 | Camp meeting time | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 45242] | 10-in. | approximately mid-1906 | In the evening by the moonlight, dear Louise | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 45352] | 10-in. | late 1906 | I'm keeping my love lamp burning for you | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 45353] | 10-in. | late 1906 | In a chimney corner | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 45565] | 10-in. | late 1907 | I'm a-running after Nancy | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 45587] | 10-in. | late 1906 or Jan. 1907 | Two little baby shoes | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 45589] | 10-in. | late 1906 or Jan. 1907 | There never was a girl like you | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 45590] | 10-in. | late 1906 or Jan. 1907 | Don't worry | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 45596] | 10-in. | late 1906 or Jan. 1907 | Way back | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 45658] | 10-in. | between 1907 and mid-1908 | Stop making faces at me | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 45659] | 10-in. | between January and October 1908 | Nothing hardly ever troubles me | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 45665] | 10-in. | between January and October 1908 | Mother hasn't spoke to father since | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 45675] | 10-in. | between January and October 1908 | Come on and kiss your baby | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 45679] | 10-in. | between January and October 1908 | Love me like I like to be loved | Collins and Harlan | Male vocal duet, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 45693] | 10-in. | between January and October 1908 | The story the picture-blocks told | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 45703.1] | 10-in. | between 1907 and 1908 | True heart | Byron G. Harlan | Male vocal solo | vocalist, tenor vocal | |
| Leeds & Catlin | [L & C cat 45718] | 10-in. | between late 1908 and early 1909 | Meet me, sweet Kathleen, in honeysuckle time | Byron G. Harlan | Male vocal solo, with orchestra | vocalist, tenor vocal |
Citation
Discography of American Historical Recordings, s.v. "Harlan, Byron G.," accessed April 19, 2024, https://adp.library.ucsb.edu/names/106531.
Harlan, Byron G.. (2024). In Discography of American Historical Recordings. Retrieved April 19, 2024, from https://adp.library.ucsb.edu/names/106531.
"Harlan, Byron G.." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 19 April 2024.
DAHR Persistent Identifier
Linked Open Data Sources
LCNAR: Harlan, Byron G. - http://id.loc.gov/authorities/names/n92049022
Wikidata: Byron G. Harlan - http://www.wikidata.org/entity/Q5004360
VIAF: http://viaf.org/viaf/63202152
MusicBrainz: Byron G. Harlan - https://musicbrainz.org/artist/52bee53c-a2cd-4ea0-b806-262dd8dc2f92
Wikipedia content provided under the terms of the Creative Commons BY-SA license
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