Mario Talavera

Mario Talavera Andrade (December 13, 1885 – March 27, 1960) was a Mexican musician, tenor, songwriter and conductor.

Born and raised in Xalapa, Mario Talavera was the son of Francisco and Sebastiana (née Andrade) Talavera. The young Mario grew up with an intense love for music, especially opera and art songs. He also showed an early interest for composition, writing his first piece of music at the age of nine. As a teenager, he moved with his parents to Córdoba, Veracruz, where he completed his basic education.

Talavera then moved to Mexico City and joined the opera company, where he honed his vocal skills and achieved his dream of singing before large audiences opera works as Giacomo Puccini's La bohème, that gave him the musical direction he had long coveted, although his main contribution was as a popular music songwriter rather than as an opera singer.

During the decade of the 1920s, Talavera was part of several ensembles of traditional Mexican music, toured with the Orquesta Típica Presidencial, and organized and led various groups. Some of his most popular tunes include Amar en silencio, Arrullo, Bendita seas, China, El Nopal, Flor de Mayo, Jesusita la Vaquera and Muchachita mía. His most significant work at international level was Gratia Plena, with lyrics by the poet Amado Nervo, which was recorded in 1926 by the famous tenor José Mojica.

In 1945 Talavera became a founding member of the SACM (Sociedad de Autores y Compositores de México, for its acronym in Spanish) along with Alberto Domínguez, Alfonso Esparza Oteo, Manuel Esperón, Ignacio Fernández Esperón, Agustín Lara and Consuelo Velázquez, among others.

Talavera died in 1960 in Mexico City from advanced arteriosclerosis at the age of 74.

Birth and Death Data: Born December 13, 1885 (Xalapa), Died March 27, 1960 (Mexico City)

Date Range of DAHR Recordings: 1917 - 1949

Roles Represented in DAHR: tenor vocal, composer, songwriter, piano

Notes: Appears in Victor trials ledgers as "Falavera"

= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.

Recordings (Results 26-50 of 83 records)

Company Matrix No. Size First Recording Date Title Primary Performer Description Role Audio
Victor B-19827 10-in. 5/15/1917 Perjura Ángel R. Esquivel ; Carmen García Cornejo ; Mario Talavera Mixed vocal trio, with piano vocalist, tenor vocal  
Victor B-19828 10-in. 5/15/1917 Perjura Ángel R. Esquivel ; Carmen García Cornejo ; Mario Talavera Mixed vocal trio, with piano vocalist, tenor vocal  
Victor B-19829 10-in. 5/15/1917 Cuiden de su vida Mario Talavera Male vocal solo, with piano vocalist, tenor vocal  
Victor B-19830 10-in. 5/15/1917 La paloma Ángel R. Esquivel ; Carmen García Cornejo ; Mario Talavera Mixed vocal trio, with piano vocalist, tenor vocal  
Victor B-19838 10-in. 5/16/1917 La golondrina Ángel R. Esquivel ; Carmen García Cornejo ; Mario Talavera Mixed vocal trio, with piano vocalist, tenor vocal  
Victor C-19838 12-in. 5/16/1917 La golondrina Ángel R. Esquivel ; Carmen García Cornejo ; Mario Talavera Mixed vocal trio, with piano vocalist, tenor vocal  
Victor B-19839 10-in. 5/16/1917 Ven a mi pobre cabana Ángel R. Esquivel ; Carmen García Cornejo ; Mario Talavera Mixed vocal trio, with piano vocalist, tenor vocal  
Victor B-19862 10-in. 5/17/1917 Himno nacional mexicano Ángel R. Esquivel ; Carmen García Cornejo ; Mario Talavera Mixed vocal trio, with piano vocalist, tenor vocal  
Victor B-19863 10-in. 5/17/1917 Las mañanitas Ángel R. Esquivel ; Carmen García Cornejo ; Mario Talavera Mixed vocal trio, with piano vocalist, tenor vocal  
Victor C-19864 12-in. 5/17/1917 Tu amor es un milagro Mario Talavera Male vocal solo, with piano vocalist, tenor vocal  
Victor B-19865 10-in. 5/17/1917 ¡Oh mi sol! Mario Talavera Male vocal solo, with piano vocalist, tenor vocal  
Victor B-19869 10-in. 5/17/1917 Un poco de amor Mario Talavera Male vocal solo, with piano vocalist, tenor vocal  
Victor BVE-33019 10-in. 6/24/1925 Chinita Rodolfo Hoyos ; Carlos Mejía Male vocal duet, with instrumental ensemble composer  
Victor BVE-33020 10-in. 6/24/1925 Flor de mayo Carlos Mejía Male vocal solo, with instrumental ensemble composer  
Victor BVE-33036 10-in. 6/26/1925 Adiós Carlos Mejía Male vocal solo, with instrumental ensemble composer  
Victor BVE-34323 10-in. 1/12/1926 El nopal Carlos Mejía Male vocal solo, with orchestra composer  
Victor BVE-34782 10-in. 4/20/1926 Muchachita mía Carlos Mejía Male vocal solo, with orchestra composer  
Victor BVE-40026 10-in. 9/22/1927 Gratia plena José Mojica Tenor vocal solo, with orchestra composer  
Victor BVE-46172 10-in. 9/18/1928 Viejos conventos José Mojica Tenor vocal solo, with orchestra composer  
Victor BVE-47821 10-in. 10/10/1928 Jesusita la vaquera Trío Garnica-Ascencio Female vocal trio, with piano (takes 3 and 4); with 2 pianos (takes 1 and 2) composer  
Victor BVE-49626 10-in. 1/9/1929 Ódiame Carlos Mejía Male vocal solo, with orchestra composer  
Victor XVE-53242 10-in. 6/14/1929 Flor de mayo Alfonso Ortiz Tirado Tenor vocal solo, with orchestra composer  
Victor BVE-62121 10-in. 4/25/1930 Así te quiero Juan Arvizu Male vocal solo, with orchestra songwriter  
Victor BS-78690 10-in. 12/1/1933 Por la señal Alfonso Ortiz Tirado Tenor vocal solo, with orchestra and soprano obbligato composer  
Victor MBS-90578 10-in. February 1936 or earlier Arrullo Pedro Vargas ; Eduardo Vigil y Robles Male vocal solo, with instrumental ensemble songwriter  
(Results 26-50 of 83 records)

Citation

Discography of American Historical Recordings, s.v. "Talavera, Mario," accessed April 18, 2024, https://adp.library.ucsb.edu/names/109183.

Talavera, Mario. (2024). In Discography of American Historical Recordings. Retrieved April 18, 2024, from https://adp.library.ucsb.edu/names/109183.

"Talavera, Mario." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 18 April 2024.

DAHR Persistent Identifier

URI: https://adp.library.ucsb.edu/names/109183

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