Henry W. Santly
Date Range of DAHR Recordings: 1919 - 1929
Roles Represented in DAHR: composer, songwriter, piano, vocalist
= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.
Recordings
| Company | Matrix No. | Size | First Recording Date | Title | Primary Performer | Description | Role | Audio |
|---|---|---|---|---|---|---|---|---|
| Victor | B-26010 | 10-in. | 1/3/1922 | Marie | Paul Whiteman Orchestra | Jazz/dance band | composer | |
| Victor | B-26130 | 10-in. | 2/23/1922 | Don't leave me, Mammy | Vernon Dalhart | Male vocal solo, with violin duet and orchestra | composer | |
| Victor | B-28683 | 10-in. | 10/23/1923 | I'm sitting pretty in a pretty little city | Henry Burr ; Albert Campbell | Male vocal duet, with piano duet and orchestra | composer | |
| Victor | B-29109 | 10-in. | 12/6/1923 | I'm sitting pretty in a pretty little city | Paul Whiteman Orchestra | Jazz/dance band | composer | |
| Victor | B-31692 | 10-in. | 1/23/1925 | Will you remember me? | Pennsylvanians ; Fred Waring | Jazz/dance band | composer | |
| Victor | BVE-33661 | 10-in. | 1/7/1926 | The day that I met you | Ted Weems Orchestra | Jazz/dance band, with male vocal solo | composer | |
| Victor | BVE-35517 | 10-in. | 5/7/1926 | What good is 'good-morning'? (There's more good in 'good-night'!) | Irving Aaronson ; Commanders | Jazz/dance band, with male vocal solo | composer | |
| Victor | BVE-35814 | 10-in. | 7/20/1926 | Put your arms where they belong (For they belong to me) | Henry Burr | Male vocal solo, with orchestra | composer | |
| Victor | BVE-37032 | 10-in. | 11/30/1926 | Put your arms where they belong (For they belong to me) | Jesse Crawford | Pipe organ solo, with orchestra | composer | |
| Victor | BVE-38759 | 10-in. | 5/18/1927 | Sixty seconds every minute (I'm in love with you) | Jan Garber Orchestra | Jazz/dance band, with male vocal solo | vocalist, composer | |
| Victor | BVE-43728 | 10-in. | 4/16/1928 | Tell me you love me | Pennsylvanians ; Fred Waring | Jazz/dance band, with male vocal solo | composer | |
| Victor | BVE-57122 | 10-in. | 10/25/1929 | On the road to Rainbow Bay | Jack Smith | Male vocal solo, with pianos | instrumentalist, piano | |
| Victor | BVE-57123 | 10-in. | 10/25/1929 | Congratulations | Jack Smith | Male vocal solo, with pianos | instrumentalist, piano | |
| Victor | [Trial 1923-01-04-03] | 10-in. | 1/4/1923 | Three o'clock in the morning | Chief Big Buffalo | Whistling solo, with piano | instrumentalist, piano | |
| Victor | [Trial 1923-01-04-04] | 10-in. | 1/4/1923 | Within the garden of my heart | Frank F. Baur | Male vocal solo, with piano | instrumentalist, piano | |
| Columbia | 78889 | 10-in. | 12/22/1919 | Down in my heart | Charles Harrison | Male vocal solo, with orchestra | composer | |
| Columbia | 80122 | 10-in. | 12/23/1921 | Marie | Ted Lewis Jazz Band | Jazz/dance band | composer | |
| Columbia | 80148 | 10-in. | 1/19/1922 | Don't leave me, Mammy | Charles Hart ; Elliott Shaw | Male vocal duet, with orchestra | composer | |
| Columbia | 81267 | 10-in. | 10/5/1923 | I'm sitting pretty in a pretty little city | Frank Crumit | Male vocal solo, with orchestra | composer | |
| Columbia | 81272 | 10-in. | 10/9/1923 | I'm sitting pretty in a pretty little city | Georgians | Jazz/dance band | composer | |
| Columbia | 140234 | 10-in. | 1/9/1925 | Will you remember me? | Ted Lewis and his Band | Jazz/dance band, with male vocal solo | composer | |
| Columbia | 140262 | 10-in. | 1/16/1925 | I can't stop babying you | Lanin’s Roseland Orchestra | Jazz/dance band | composer | |
| Columbia | 140335 | 10-in. | 2/9/1925 | Will you remember me? | Lewis James | Male vocal solo, with instrumental trio | composer | |
| Columbia | 141467 | 10-in. | 1/7/1926 | Let me introduce you to my Rosie | Arthur Fields ; Lou Gold Orchestra | Jazz/dance band, with male vocal solo | songwriter | |
| Columbia | W141535 | 10-in. | 1/21/1926 | Let me introduce you to my Rosie | Clyde Doerr's Saxophone Orchestra | Jazz/dance band | songwriter | |
| Columbia | 141859 | 10-in. | 3/24/1926 | What good is "good-morning"? | Mal Hallett Orchestra | Jazz/dance band | composer | |
| Columbia | W141939 | 10-in. | 4/9/1926 | What good is "good morning"? | Lewis James ; The Knickerbockers | Jazz/dance band, with male vocal solo | composer | |
| Columbia | 142336 | 10-in. | 6/22/1926 | Put your arms where they belong | Irving Kaufman | Male vocal solo, with orchestra | songwriter | |
| Columbia | W142340 | 10-in. | 6/24/1926 | Put your arms where they belong | Henry B. Murtagh | Organ solo | songwriter | |
| Columbia | W142460 | 10-in. | 7/19/1926 | Put your arms where they belong | Franklyn Baur ; The Cavaliers | Jazz/dance band, with male vocal solo | songwriter | |
| Columbia | 143149 | 10-in. | 11/26/1926 | Angel eyes | Arthur Fields ; Manhattan Dance Makers | Jazz/dance band, with male vocal solo | composer | |
| Columbia | 143207 | 10-in. | 12/21/1926 | Angel eyes | Honey Duke and his Uke | Male vocal solo, with clarinet and ukulele | composer | |
| Columbia | W143275 | 10-in. | 1/9/1927 | Angel eyes | Charles Kaley ; Leo Reisman Orchestra | Jazz/dance band, with male vocal solo | composer | |
| Columbia | 143361 | 10-in. | 1/27/1927 | Put your arms where they belong | Jimmy Flynn ; The Harmonians [Selvin's Orchestra] | Jazz/dance band, with male vocal solo | songwriter | |
| Columbia | W143598 | 10-in. | 3/8/1927 | Put your arms where they belong | Harold L. Rieder | Organ solo | songwriter | |
| Columbia | W144141 | 10-in. | 5/12/1927 | Sixty seconds every minute (I'm in love with you) | Four Aristocrats | Male vocal quartet | composer | |
| Columbia | W98296 | 12-in. | 8/6/1926 | Studio stunts | Columbia Artists | Vocalists, comic duo, saxophone soloist, and jazz/dance band | songwriter | |
| OKeh | S-71967 | 10-in. | October 1923 | I'm sitting pretty in a pretty little city | Hotel Pennsylvania Orchestra ; Vincent Lopez | Jazz/dance band | composer | |
| OKeh | S-72127 | 10-in. | November 1923 | I'm sitting pretty in a pretty little city | Aileen Stanley | Female vocal solo, with jazz/dance band | composer | |
| OKeh | S-72652 | 10-in. | July 1924 | Just a little bit of love | Bruce Wallace | Male vocal solo, with orchestra | songwriter | |
| OKeh | S-73048 | 10-in. | Dec. 1924 | Will you remember me? | Hotel Pennsylvania Orchestra ; Vincent Lopez | Jazz/dance band | composer | |
| OKeh | S-73240 | 10-in. | 3/16/1925 | While we danced till dawn | Hotel Pennsylvania Orchestra ; Vincent Lopez | Jazz/dance band, with male vocal solo | composer | |
| OKeh | 80126 | 10-in. | 9/20/1926 | Put your arms where they belong (For they belong to me) | Alma Rotter | Female vocal solo, with piano | songwriter | |
| OKeh | W80237 | 10-in. | 12/2/1926 | Angel eyes | OKeh Kut-Ups | Male vocal duet, with piano | composer | |
| OKeh | W80486 | 10-in. | 3/3/1927 | Put your arms where they belong | George Epstyne | Organ solo | composer | |
| OKeh | W81086 | 10-in. | 5/16/1927 | Sixty seconds every minute (I'm in love with you) | Les Reis | Male vocal solo, with piano | composer, instrumentalist, piano | |
| OKeh | W81096 | 10-in. | 5/23/1927 | Sixty seconds every minute (I'm in love with you) | Gotham Troubadours [Irwin Abrams Hotel Manger Orchestra] ; Les Reis | Jazz/dance band, with male vocal solo | composer | |
| OKeh | W401018 | 10-in. | 7/12/1928 | Tell me you love me (That's all I ask of you) | Arnold Frank Orchestra | Jazz/dance band, with male vocal solo | songwriter | |
| Brunswick | 7554 | 10-in. | approximately Feb. 1922 | Don't leave me, Mammy | Benny Krueger’s Orchestra | Jazz/dance band | composer | |
| Brunswick | 10847-10849 | 10-in. | 6/15/1923 | ‘Tain’t nuthin’ else | Marion Harris | Female vocal solo, with orchestra | composer | |
| Brunswick | 11652-11654 | 10-in. | 10/18/1923 | I'm sitting pretty in a pretty little city | Oriole Orchestra | Jazz/dance band | composer | |
| Brunswick | 11891-11893 | 10-in. | 11/15/1923 | I'm sittin' pretty in a pretty little city | Gene Rodemich’s Orchestra | Jazz/dance band | composer | |
| Brunswick | 14895-14898 | 10-in. | 2/10/1925 | Will you remember me? | Ray Miller Orchestra | Jazz/dance band | composer | |
| Brunswick | [E3313-E315a] | 10-in. | 6/29/1926 | At peace with the world | Yvette Rugel | Female vocal solo, with piano | composer | |
| Brunswick | E2058-E2060 | 10-in. | 1/6/1926 | Let me introduce you to my Rosie | Fletcher Henderson's Orchestra | Jazz/dance band | songwriter | |
| Brunswick | E3456-E3458 | 10-in. | 7/17/1926 | Put your arms where they belong (For they belong to me) | Mayfair Trio | Instrumental trio | composer | |
| Brunswick | E5161-E5163 | 10-in. | 5/20/1927 | Sixty seconds every minute (I’m in love with you) | Peggy English | Female vocal solo, with piano | composer | |
| Brunswick | E18557-E18559 | 10-in. | 3/25/1926 | What good is good morning | Ben Selvin and his Orchestra | Jazz/dance band | composer | |
| Brunswick | E19735-E19737 | 10-in. | 7/12/1926 | Put your arms where they belong (For they belong to me) | Regent Club Orchestra | Jazz/dance band, with male vocal solo | songwriter | |
| Brunswick | E20934-E20936 | 10-in. | 12/13/1926 | Angel eyes | Harold Leonard ; Waldorf-Astoria Orchestra | Jazz/dance band, with male vocal solo | composer | |
| Brunswick | E21223-E21225 | 10-in. | 1/18/1927 | Put your arms where they belong (For they belong to me) | Nick Lucas | Male vocal solo, with guitar | composer | |
| Brunswick | E23218-E23220 | 10-in. | 5/18/1927 | Sixty seconds every minute (I’m in love with you) | Chester Gaylord | Male vocal solo, with piano | songwriter | |
| Brunswick | 370W-372W | 10-in. | 2/14/1925 | Will you remember me? | Selvin’s Orchestra | Jazz/dance band | composer | |
| Edison | 8344 | 10-in. | 1/17/1922 | Marie | Green Brothers' Novelty Band | Jazz/dance band | composer | |
| Edison | 8352 | 10-in. | 1/26/1922 | Don't leave me, Mammy | Harry Raderman's Jazz Orchestra | Jazz/dance band | composer | |
| Edison | 8552 | 10-in. | 7/31/1922 | The heart of Virginia | Kaplan's Melodists | Jazz/dance band | songwriter | |
| Edison | 9181 | 10-in. | 9/27/1923 | I'm sitting pretty in a pretty little city | Atlantic Dance Orchestra | Jazz/dance band | composer | |
| Edison | 9499 | 10-in. | 5/7/1924 | Where have those old timers gone? | Vernon Dalhart ; Ed Smalle | Male vocal duet, with orchestra | songwriter | |
| Edison | 9511 | 10-in. | 5/13/1924 | Where have all those old timers gone | Max Fells' Della Robbia Orchestra | Jazz/dance band | songwriter | |
| Edison | 9997 | 10-in. | 2/10/1925 | Will you remember me? | George Wilton Ballard ; Clover Garden Orchestra | Jazz/dance band, with male vocal solo | composer | |
| Edison | 10949 | 10-in. | 4/29/1926 | What good is 'good-morning'? | Palais D'Or Orchestra ; B. A. Rolfe | Jazz/dance band | composer | |
| Edison | 11164 | 10-in. | 8/11/1926 | Put your arms where they belong (For they belong to me) | John F. Burckhardt ; Ponce Sisters | Female vocal duet, with piano | composer | |
| Edison | 11473 | 10-in. | 1/26/1927 | Put your arms where they belong (For they belong to me) | Frederick Kinsley | Pipe organ solo | composer |
Citation
Discography of American Historical Recordings, s.v. "Santly, Henry W.," accessed April 24, 2024, https://adp.library.ucsb.edu/names/111932.
Santly, Henry W.. (2024). In Discography of American Historical Recordings. Retrieved April 24, 2024, from https://adp.library.ucsb.edu/names/111932.
"Santly, Henry W.." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 24 April 2024.
DAHR Persistent Identifier
Linked Open Data Sources
LCNAR: Santly, Henry W., 1890-1934 - http://id.loc.gov/authorities/names/no2002106012
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