
Manuel Corona
Manuel Corona Raimundo (17 June 1880, in Caibarién – 9 January 1950 in Marianao, Havana) was a Cuban trova musician, and a long-term professional rival of Sindo Garay. He came to Havana when the Cuban War of Independence broke out, and worked as a bootblack and a cigar-roller. His supervisor at the cigar factory taught him the guitar, and in 1905 he set up in a café in the red-light district of San Isidro. The district was controlled by the chulo (pimp) Alberto Yarini (1882–1910), who became famous for introducing French prostitutes (putas francesas) willing to perform more salacious acts than even the Cubans were used to. The francesas cut heavily into the profits of the Cuban putas, and the result was a gang war in which Yarini was killed. Corona was present through all this, playing and singing to the punters, whores and pimps. He and one of the girls developed a love affair, and soon enough her pimp was on his trail. In a line that might have come from "Frankie and Johnny", Corona said later "She was a whore, and she had her man, but I liked her." The pimp came after him with a knife, and a cut to his hand prevented him playing the guitar again. From then on he lived from his compositions. He wrote hundreds of compositions, some of them amongst the finest examples of Cuban sentiment, such as Mercedes, Longina, Santa Cecilia and Aurora. Guarachas such as El servicio obligatorio (National Service) and Acelera, Ñico, acelera were topical comments. La habanera was a deliberate reply to Garay's La bayamesa. Corona died in poverty. |
- Show Less...
- Continue reading at Wikipedia...
- Wikipedia content provided under the terms of the Creative Commons BY-SA license
- Show More...
- Continue reading at Wikipedia...
- Wikipedia content provided under the terms of the Creative Commons BY-SA license
Birth and Death Data: Born June 17th, 1880 (Caibarién), Died January 1st, 1950 (Havana)
Date Range of DAHR Recordings: 1913 - 1930
Roles Represented in DAHR: guitar, composer, vocalist
Recordings
Company | Matrix No. | Size | First Recording Date | Title | Primary Performer | Description | Role | Audio |
---|---|---|---|---|---|---|---|---|
Victor | B-13271 | 10-in. | 5/12/1913 | El río | Floro y Cruz | Male vocal duet, with guitar | composer | |
Victor | B-13286 | 10-in. | 5/13/1913 | Solo suspiro | Floro y Cruz | Male vocal duet, with guitar | composer | |
Victor | B-13288 | 10-in. | 5/13/1913 | Te ví primero | Floro y Cruz | Male vocal duet, with guitar | composer | |
Victor | B-16236 | 10-in. | 7/26/1915 | Herminia | Floro Zorrilla | Male vocal solo, with guitar | composer | |
Victor | BVE-59510 | 10-in. | 3/6/1930 | Nubes de ensueno | Dueto Bobadilla Brito | Female-male duet, with instrumental ensemble | composer | |
Victor | G-1598 | 10-in. | 10/23/1916 | Caruso del solar | Floro y Cruz | Male vocal duet, with guitar | instrumentalist, guitar | |
Victor | G-1599 | 10-in. | 10/23/1916 | Rafael y su mujer | Floro y Cruz | Male vocal duet, with guitar | instrumentalist, guitar | |
Victor | G-1600 | 10-in. | 10/23/1916 | Josefa | Floro Zorrilla | Male vocal solo, with guitar | instrumentalist, guitar | |
Victor | G-1601 | 10-in. | 10/23/1916 | ¡Qué bigotes tiene Gil! | Floro y Cruz | Male vocal duet, with guitar | instrumentalist, guitar | |
Victor | G-1624 | 10-in. | 10/24/1916 | El biplano | Floro y Cruz | Male vocal duet, with guitar | instrumentalist, guitar | |
Victor | G-1625 | 10-in. | 10/24/1916 | La matancera | Floro y Cruz | Male vocal duet, with guitar | instrumentalist, guitar | |
Victor | G-1626 | 10-in. | 10/24/1916 | Los ángeles | Floro y Cruz | Male vocal duet, with guitar | instrumentalist, guitar | |
Victor | G-1627 | 10-in. | 10/24/1916 | Las mulatas de Bombay | Floro y Cruz | Male vocal duet, with guitar | instrumentalist, guitar | |
Victor | G-1628 | 10-in. | 10/24/1916 | Fuga de amor | Floro y Cruz | Male vocal duet, with guitar | instrumentalist, guitar | |
Victor | G-2604 | 10-in. | 2/8/1918 | Amalia Batista | Sexteto Habanero Godínez | Vocal and instrumental sextet | instrumentalist, guitar, vocalist | |
Victor | G-2605 | 10-in. | 2/8/1918 | Carmelina mira, tuyo soy corazón | Sexteto Habanero Godínez | Vocal and instrumental sextet | instrumentalist, guitar, vocalist | |
Victor | G-2606 | 10-in. | 2/8/1918 | Mi nena | Sexteto Habanero Godínez | Vocal and instrumental sextet | instrumentalist, guitar, vocalist | |
Victor | G-2607 | 10-in. | 2/8/1918 | Mujer bandolera | Sexteto Habanero Godínez | Vocal and instrumental sextet | instrumentalist, guitar, vocalist | |
Victor | G-2608 | 10-in. | 2/8/1918 | Voy a patinar con mi novia | Sexteto Habanero Godínez | Vocal and instrumental sextet | instrumentalist, guitar, vocalist | |
Victor | G-2609 | 10-in. | 2/8/1918 | Rosa, qué linda eres | Sexteto Habanero Godínez | Vocal and instrumental sextet | instrumentalist, guitar, vocalist | |
Victor | G-2705 | 10-in. | 2/23/1918 | Mulata sandunguera | Floro y Cruz | Male vocal duet, with guitar | instrumentalist, guitar | |
Columbia | 82971 | 10-in. | Between December 1919 and January 1920 | Acuérdate de mí | María Teresa y Zequeira | Female-male vocal duet, with guitar | composer |
Citation
Discography of American Historical Recordings, s.v. "Corona, Manuel," accessed April 10, 2021, https://adp.library.ucsb.edu/names/116684.
Corona, Manuel. (2021). In Discography of American Historical Recordings. Retrieved April 10, 2021, from https://adp.library.ucsb.edu/names/116684.
"Corona, Manuel." Discography of American Historical Recordings. UC Santa Barbara Library, 2021. Web. 10 April 2021.
DAHR Persistent Identifier
External Sources
Wikipedia: Manuel Corona
Linked Open Data Sources
LCNAR: Corona, Manuel, 1880-1950 - http://id.loc.gov/authorities/names/nr96020639
Wikidata: Manuel Corona - http://www.wikidata.org/entity/Q3286792
VIAF: https://viaf.org/viaf/51588463/
MusicBrainz: Corona, Manuel, 1880-1950 - https://musicbrainz.org/artist/21f8af3c-9ba6-4786-9b89-18d9c1ea6628
Feedback
Send the Editors a message about this record.