William J. Beckwith
Date Range of DAHR Recordings: 1919 - 1930
Roles Represented in DAHR: recordist
= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.
Recordings
| Company | Matrix No. | Size | First Recording Date | Title | Primary Performer | Description | Role | Audio |
|---|---|---|---|---|---|---|---|---|
| Gramophone | CM27 | 12-in. | 5/26/1921 | Ah! Non avea piu lagrime | Mattia Battistini | Baritone vocal solo, with piano | recordist | |
| Gramophone | 43am | 10-in. | 10/29/1919 | Hemgjord sockerdricka | Calle Lindström | Male vocal solo, with accordion | recordist | |
| Gramophone | 44am | 10-in. | 10/29/1919 | Pelle som for till Indien | Calle Lindström | Male vocal solo, with accordion | recordist | |
| Gramophone | 45am | 10-in. | 10/29/1919 | När Sven i Kartorp va' tanddoktor | Einar Ek ; Calle Lindström | Comic scene, with accordion | recordist | |
| Gramophone | 50am | 10-in. | 10/29/1919 | Ho' som va' rädder för karar och han som va' rädder för kvinns | Calle Lindström | Male vocal solo, with accordion duet | recordist | |
| Gramophone | BM124 | 10-in. | 10/6/1921 | La gracia de Dios | Banda del Regimiento de Los Ingenieros (Madrid) | Band | recordist | |
| Gramophone | BM152 | 10-in. | 10/12/1921 | Flor de Levante | Emilia Benito | Female vocal solo, with orchestra | recordist | |
| Gramophone | BM153 | 10-in. | 10/12/1921 | Ven, neña, ven | Emilia Benito | Female vocal solo, with orchestra | recordist | |
| Gramophone | BM154 | 10-in. | 10/12/1921 | Flor granadina | Emilia Benito | Female vocal solo, with orchestra | recordist | |
| Gramophone | BM155 | 10-in. | 10/12/1921 | Dientes de nácar | Emilia Benito | Female vocal solo, with orchestra | recordist | |
| Gramophone | BM166 | 10-in. | 10/15/1921 | Majo y moreno | Emilia Benito | Female vocal solo, with orchestra | recordist | |
| Gramophone | BM167 | 10-in. | 10/15/1921 | Emilianas | Emilia Benito | Female vocal solo, with orchestra | recordist | |
| Gramophone | BM192 | 10-in. | 11/4/1921 | Dicen que tienes tres gochos | Enrique Claverol ; Marcelo del Fresno | Male vocal solo, with gaita | recordist | |
| Gramophone | BM193 | 10-in. | 11/4/1921 | Marchó Pachín pa la siega | Enrique Claverol ; Marcelo del Fresno | Male vocal solo, with gaita | recordist | |
| Gramophone | BM195 | 10-in. | 11/5/1921 | A les endeches | Enrique Claverol ; Marcelo del Fresno | Male vocal solo, with gaita | recordist | |
| Gramophone | BM196 | 10-in. | 11/5/1921 | Alegre y contento | Enrique Claverol ; Marcelo del Fresno | Male vocal solo, with gaita | recordist | |
| Gramophone | BM199 | 10-in. | 11/6/1921 | Puerto Payares | Visitación Bayón de Calvo | Female vocal solo | recordist | |
| Gramophone | BM200 | 10-in. | 11/6/1921 | Ayer vite en la fonte | Visitación Bayón de Calvo ; Mariano Cabal | Female-male vocal duet | recordist | |
| Gramophone | BM201 | 10-in. | 11/6/1921 | Las moces de la Majoya | Mariano Cabal | Male vocal solo | recordist | |
| Gramophone | BM202 | 10-in. | 11/6/1921 | Después de aquel tropezuco | Mariano Cabal | Male vocal solo | recordist | |
| Gramophone | BM204 | 10-in. | 11/7/1921 | Los mineros del Fondón | González, Angel [Gramophone Co. 1920s] | Male vocal solo | recordist | |
| Gramophone | BM205 | 10-in. | 11/7/1921 | El gaiteru | González, Angel [Gramophone Co. 1920s] | Male vocal solo | recordist | |
| Gramophone | BM207 | 10-in. | 11/7/1921 | Vaqueiras | González, Angel [Gramophone Co. 1920s] | Male vocal solo, with piano | recordist | |
| Gramophone | BM208 | 10-in. | 11/7/1921 | Para que madrugues tanto | González, Angel [Gramophone Co. 1920s] | Male vocal solo, with piano | recordist | |
| Gramophone | BM209 | 10-in. | 11/7/1921 | Torna la gocha | González, Angel [Gramophone Co. 1920s] | Male vocal solo, with piano | recordist | |
| Gramophone | BM210 | 10-in. | 11/7/1921 | La Pipiona | González, Angel [Gramophone Co. 1920s] | Male vocal solo, with piano | recordist | |
| Gramophone | BM211 | 10-in. | 11/7/1921 | Pasé la puente | González, Angel [Gramophone Co. 1920s] | Male vocal solo, with piano | recordist | |
| Gramophone | BM212 | 10-in. | 11/7/1921 | Adiós Rosina | González, Angel [Gramophone Co. 1920s] | Male vocal solo, with piano | recordist | |
| Gramophone | 212am | 10-in. | 11/10/1919 | Dance in Jonaker (Polka) | Lundblad Trio | Instrumental trio | recordist | |
| Gramophone | 213am | 10-in. | 11/10/1919 | Full speed | Lundblad Trio | Instrumental trio | recordist | |
| Gramophone | BM218 | 10-in. | 11/22/1921 | Canto a Alsacia | Emilio Sagi-Barba ; Luisa Vela | Vocal duet (soprano and baritone), with orchestra | recordist | |
| Gramophone | BM219 | 10-in. | 11/22/1921 | Salida del capitán | Emilio Sagi-Barba ; Luisa Vela | Vocal duet (soprano and baritone), with orchestra | recordist | |
| Gramophone | BM223 | 10-in. | 11/29/1921 | Marcha | Emilio Sagi-Barba ; Luisa Vela | Vocal duet (soprano and baritone), with vocal chorus and orchestra | recordist | |
| Gramophone | BM235 | 10-in. | 12/2/1921 | La cruz de Mayo | La Goya | Soprano vocal solo, with orchestra | recordist | |
| Gramophone | BM236 | 10-in. | 12/2/1921 | Maldito tango | La Goya | Soprano vocal solo, with orchestra | recordist | |
| Gramophone | BM237 | 10-in. | 12/2/1921 | Todo auténtico | La Goya | Soprano vocal solo, with orchestra | recordist | |
| Gramophone | BM238 | 10-in. | 12/3/1921 | La Parisina | La Goya | Soprano vocal solo, with orchestra | recordist | |
| Gramophone | BM239 | 10-in. | 12/3/1921 | La cantinera cautiva | La Goya | Soprano vocal solo, with orchestra | recordist | |
| Gramophone | BM240 | 10-in. | 12/3/1921 | Sandunga | La Goya | Soprano vocal solo, with orchestra | recordist | |
| Gramophone | BM241 | 10-in. | 12/3/1921 | La chula tanguista | La Goya | Soprano vocal solo, with orchestra | recordist | |
| Gramophone | BM242 | 10-in. | 12/3/1921 | La cruz de guerra | La Goya | Soprano vocal solo, with orchestra | recordist | |
| Gramophone | BM243 | 10-in. | 12/5/1921 | ¡Es el colmo! | La Goya | Soprano vocal solo, with orchestra | recordist | |
| Gramophone | BM245 | 10-in. | 12/5/1921 | Aurora, Aurora | La Goya | Soprano vocal solo, with orchestra | recordist | |
| Gramophone | BM247 | 10-in. | 12/6/1921 | El loco shimmy | La Goya | Soprano vocal solo, with orchestra | recordist | |
| Gramophone | BM249 | 10-in. | 12/6/1921 | La novia marinera | La Goya | Soprano vocal solo, with orchestra | recordist | |
| Gramophone | BM250 | 10-in. | 12/6/1921 | El va y ven | La Goya | Soprano vocal solo, with orchestra | recordist | |
| Gramophone | BM260 | 10-in. | 12/10/1921 | Fondak español | Banda Municipal de Barcelona | Band | recordist | |
| Gramophone | BM261 | 10-in. | 12/10/1921 | De Andalucía á Aragón | Banda Municipal de Barcelona | Band | recordist | |
| Gramophone | 266am | 10-in. | 11/13/1919 | Kungl. Kalmar Reg. paradmarsch | Kungl. Svea Livgardes Musikkår | Band | recordist | |
| Gramophone | 330Am | 10-in. | 11/20/1919 | Hade som duvan jag vingar | Oscar Bergström | Male vocal solo, with organ | recordist | |
| Gramophone | BM340 | 10-in. | March 1922 | La solfejadora | Pilar Alonso | Female vocal solo | recordist | |
| Gramophone | BM343 | 10-in. | March 1922 | Catalaniña da Figueiras | Banda Municipal de Barcelona | Band | recordist | |
| Gramophone | BM346 | 10-in. | Mar. 1922 | Nena | Emilio Sagi-Barba | Baritone vocal solo, with orchestra | recordist | |
| Gramophone | BM347 | 10-in. | Mar. 1922 | El color de tus ojos | Emilio Sagi-Barba | Baritone vocal solo, with orchestra | recordist | |
| Gramophone | BM350 | 10-in. | March 1922 | Soltera o casada | Pilar Alonso | Female vocal solo | recordist | |
| Gramophone | BM358 | 10-in. | March 1922 | L'eclipse | Pilar Alonso | Female vocal solo | recordist | |
| Gramophone | BM362 | 10-in. | Mar. 1922 | Un caso | Ricardo Calvo | Recitation | recordist | |
| Gramophone | BM363 | 10-in. | Mar. 1922 | Sonatina | Ricardo Calvo | Recitation | recordist | |
| Gramophone | BM367 | 10-in. | 3/10/1922 | El relicario | Emilio Sagi-Barba | Baritone vocal solo, with orchestra | recordist | |
| Gramophone | BM369 | 10-in. | Mar. 1922 | El canto del trovador : Serenata | Federico Caballé | Male vocal solo, with female vocal chorus and orchestra | recordist | |
| Gramophone | BM370 | 10-in. | Mar. 1922 | Escena de la apuesta | Ricardo Calvo | Dramatic scene | recordist | |
| Gramophone | BM371 | 10-in. | Mar. 1922 | Escena del amor | Ricardo Calvo | Dramatic scene | recordist | |
| Gramophone | BM372 | 10-in. | Mar. 1922 | Escena del cementerio | Ricardo Calvo | Dramatic scene | recordist | |
| Gramophone | BM373 | 10-in. | Mar. 1922 | Escena del cementerio | Ricardo Calvo | Dramatic scene | recordist | |
| Gramophone | BM375 | 10-in. | Mar. 1922 | La alsaciana : Dúo | Federico Caballé ; Srta. Huerta | Female-male vocal duet, with orchestra | recordist | |
| Gramophone | BM377 | 10-in. | Mar. 1922 | Canto a la espada | Ricardo Calvo | Recitation | recordist | |
| Gramophone | BM378 | 10-in. | Mar. 1922 | Réplica al Virrey | Rafael Calvo ; Ricardo Calvo | Dramatic scene | recordist | |
| Gramophone | BM379 | 10-in. | Mar. 1922 | La tizona | Ricardo Calvo | Recitation | recordist | |
| Gramophone | BM381 | 10-in. | Mar. 1922 | Soneto a las rosas | Ricardo Calvo | Recitation | recordist | |
| Gramophone | BM383 | 10-in. | Mar. 1922 | Flores | Emilio Sagi-Barba | Baritone vocal solo, with orchestra | recordist | |
| Gramophone | BM384 | 10-in. | Mar. 1922 | La alsaciana : Marcha | Federico Caballé ; Srta. Huerta | Female-male vocal duet, with chorus and orchestra | recordist | |
| Gramophone | BM385 | 10-in. | Mar. 1922 | Capitán, Capitán | Federico Caballé ; Srta. Huerta | Female-male vocal duet, with orchestra | recordist | |
| Gramophone | BM387 | 10-in. | Mar. 1922 | Presentación de los cadetes | Ricardo Calvo | Recitation | recordist | |
| Gramophone | BM388 | 10-in. | Mar. 1922 | Monólogo de la aparición | Ricardo Calvo | Recitation | recordist | |
| Gramophone | BM392 | 10-in. | March 1922 | Fatiguitas del querer | Pilar Alonso | Female vocal solo | recordist | |
| Gramophone | BM393 | 10-in. | March 1922 | Alma brava | Pilar Alonso | Female vocal solo | recordist | |
| Gramophone | BM399 | 10-in. | 3/17/1922 | Como las hojas | Emilio Sagi-Barba | Baritone vocal solo, with orchestra | recordist | |
| Gramophone | BM400 | 10-in. | Mar. 1922 | El sentir de la copla | Emilio Sagi-Barba | Baritone vocal solo, with orchestra | recordist | |
| Gramophone | BM405 | 10-in. | Mar. 1922 | Mimitos | Inocencio Navarro | Male vocal solo, with orchestra | recordist | |
| Gramophone | BM406 | 10-in. | Mar. 1922 | Flor de amor | Inocencio Navarro | Male vocal solo, with orchestra | recordist | |
| Gramophone | 742am | 10-in. | 9/8/1920 | På kvällskvisten | Calle Lindström | Monologue and male vocal solo, with accordion | recordist | |
| Gramophone | 743am | 10-in. | 9/8/1920 | Da'n som kommer bakätter e' marknadsfärd | Einar Ek ; Calle Lindström | Comic dialogue, with accordion | recordist | |
| Gramophone | 749am | 10-in. | 9/8/1920 | Bråviksvalsen | Calle Lindström | Male vocal solo, with accordion | recordist | |
| Gramophone | 1166am | 10-in. | 2/24/1921 | Parade march of the Royal Jamtlands Rifles Regiment | Militär Orkestern | Band | recordist |
Citation
Discography of American Historical Recordings, s.v. "Beckwith, William J.," accessed April 19, 2024, https://adp.library.ucsb.edu/names/303611.
Beckwith, William J.. (2024). In Discography of American Historical Recordings. Retrieved April 19, 2024, from https://adp.library.ucsb.edu/names/303611.
"Beckwith, William J.." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 19 April 2024.
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