Gramophone matrix 0J855. Marcha 'Amistad ... amistad' / Mary Isaura

TitleSource
Marcha 'Amistad ... amistad' (Primary title)Disc label
Parte 7 (Title part)Disc label (BHC verso) (Vi 23-1361)
Los gavilanes (Work title)Disc label
Gavilanes. Marcha de la amistad (Uniform title)
Authors and ComposersNotes
José Ramos Martín (librettist)
Jacinto Guerrero (composer)
Composer information source: Alan Kelly files.
PersonnelNotes Hide Additional Titles
Mary Isaura (vocalist)
Concordio Gelabert (conductor)
  • Description: Female vocal solo with orchestra and chorus
  • Category: Vocal
  • Marketing Genre: Spanish
  • Language: Spanish
  • Master Size: 10-in.
Notes
Source(s): Alan Kelly files; Victor blue history card; trade catalog; disc.
One of eight selections from the zarzuela that were recorded by Gramophone in 1932.
Gramophone master number from Victor blue history card. Kelly files note the master as 0J861-2.
Take Date and PlaceTakeStatusLabel Name/NumberFormatNote Hide Additional Titles
12/5/1932 Barcelona, Spain [unconfirmed] Unknown
12/5/1932 Barcelona, Spain [unconfirmed] Master Gramophone DA-4228 10-in.
12/5/1932 Barcelona, Spain [unconfirmed] Master Victor 30949 10-in.
12/5/1932 Barcelona, Spain [unconfirmed] Master Gramophone 110-2783 10-in.
12/5/1932 Barcelona, Spain [unconfirmed] 2 Master Victor 23-1361 10-in. From dub D9XB-1286, made 9/23/1949.

Citation

Discography of American Historical Recordings, s.v. "Gramophone matrix 0J855. Marcha 'Amistad ... amistad' / Mary Isaura," accessed May 6, 2021, https://adp.library.ucsb.edu/index.php/matrix/detail/1000002181/0J855-Marcha_Amistad_..._amistad.

Gramophone matrix 0J855. Marcha 'Amistad ... amistad' / Mary Isaura. (2021). In Discography of American Historical Recordings. Retrieved May 6, 2021, from https://adp.library.ucsb.edu/index.php/matrix/detail/1000002181/0J855-Marcha_Amistad_..._amistad.

"Gramophone matrix 0J855. Marcha 'Amistad ... amistad' / Mary Isaura." Discography of American Historical Recordings. UC Santa Barbara Library, 2021. Web. 6 May 2021.

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