Gramophone matrix 02302v. Ah paventa il furor / Vincenzo Bettoni ; A. Neumarker ; Teresa Principe ; Giuseppi Sala

TitleSource
Ah paventa il furor (Primary title)Disc label (RDI)
Finale atto ii (Subtitle)Disc label (RDI)
La favorita (Work title)Disc label (RDI)
Favorite. Redoutez la fureur d'un Dieu (Uniform title)
Authors and ComposersNotes
Gaetano Donizetti (composer)
Composer information source: Alan Kelly files.
PersonnelNotes Hide Additional Titles
Teresa Principe (vocalist : mezzo-soprano)
Vincenzo Bettoni (vocalist : bass vocal)
Giuseppi Sala (vocalist : tenor vocal)
A. Neumarker (vocalist : baritone vocal)
Teatro alla Scala Coro (Vocal group)
Carlo Sabajno (conductor)
Charles Scheuplein (recordist)
  • Description: Vocal quartet, with chorus and orchestra
  • Category: Vocal
  • Marketing Genre: Italian
  • Language: Italian
  • Master Size: 12-in.
Notes
Source(s): John Bolig files; Alan Kelly files; Rigler-Deutsch Index; Victor blue history card; trade catalog.
Take Date and PlaceTakeStatusLabel Name/NumberFormatNote Hide Additional Titles
2/21/1912 Milan, Italy [1] Master Gramophone 054370 12-in.
2/21/1912 Milan, Italy [1] Master Gramophone (Italy) S-3286 12-in.
2/21/1912 Milan, Italy [1] Master Victor 68377 12-in.

Citation

Discography of American Historical Recordings, s.v. "Gramophone matrix 02302v. Ah paventa il furor / Vincenzo Bettoni ; A. Neumarker ; Teresa Principe ; Giuseppi Sala," accessed July 2, 2022, https://adp.library.ucsb.edu/index.php/matrix/detail/1000005116/02302v-Ah_paventa_il_furor.

Gramophone matrix 02302v. Ah paventa il furor / Vincenzo Bettoni ; A. Neumarker ; Teresa Principe ; Giuseppi Sala. (2022). In Discography of American Historical Recordings. Retrieved July 2, 2022, from https://adp.library.ucsb.edu/index.php/matrix/detail/1000005116/02302v-Ah_paventa_il_furor.

"Gramophone matrix 02302v. Ah paventa il furor / Vincenzo Bettoni ; A. Neumarker ; Teresa Principe ; Giuseppi Sala." Discography of American Historical Recordings. UC Santa Barbara Library, 2022. Web. 2 July 2022.

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