Gramophone matrix 0GA31. T' aidoni mou paricile / Rita Abatzi (Ρίτα Αμπατζή) ; Ath. Vrouvas (Αθ. Βρουβας)

TitleSource
T' aidoni mou paricile (Primary title)Disc label (BHC verso)
Syrto (Συρτο) (Title descriptor)Disc label (BHC verso)
T' aidoni mou paringile (Alternate title)Orthophonic catalog
Unverified composer information: Pira
Composer information source: BHC.
PersonnelNotes Hide Additional Titles
Rita Abatzi (Ρίτα Αμπατζή) (vocalist)
Ath. Vrouvas (Αθ. Βρουβας) (instrumentalist : clarinet)
  • Description: Female vocal solo, with clarinet
  • Category: Vocal
  • Marketing Genre: Greek
  • Language: Greek
  • Master Size: 10-in.
Notes
The total number of instruments played in this selection is not known.
Source(s): Bolig Greek files (take date); Victor blue history card; Victor ledgers.
Take Date and PlaceTakeStatusLabel Name/NumberFormatNote Hide Additional Titles
11/21/1934 Athens, Greece 1 Master Gramophone 151-190 (Not issued) 10-in. Gramophone face number.
11/21/1934 Athens, Greece 1 Master Gramophone (Greece) AO-1073 10-in.
11/21/1934 Athens, Greece [1]1R Master Orthophonic S-703 12-in. Issued from dub CS-99597, made 2/18/1936.
11/21/1934 Athens, Greece [1]1R Master Victor 38-3078 12-in. Issued from dub CS-99597, made 2/18/1936.

Citation

Discography of American Historical Recordings, s.v. "Gramophone matrix 0GA31. T' aidoni mou paricile / Rita Abatzi (Ρίτα Αμπατζή) ; Ath. Vrouvas (Αθ. Βρουβας)," accessed March 30, 2020, https://adp.library.ucsb.edu/index.php/matrix/detail/2000264216/0GA31-T_aidoni_mou_paricile_.

Gramophone matrix 0GA31. T' aidoni mou paricile / Rita Abatzi (Ρίτα Αμπατζή) ; Ath. Vrouvas (Αθ. Βρουβας). (2020). In Discography of American Historical Recordings. Retrieved March 30, 2020, from https://adp.library.ucsb.edu/index.php/matrix/detail/2000264216/0GA31-T_aidoni_mou_paricile_.

"Gramophone matrix 0GA31. T' aidoni mou paricile / Rita Abatzi (Ρίτα Αμπατζή) ; Ath. Vrouvas (Αθ. Βρουβας)." Discography of American Historical Recordings. UC Santa Barbara Library, 2020. Web. 30 March 2020.

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