Gramophone matrix 0B4750. Four Indian love lyrics / Marek Weber Orchestra
| Title | Source |
|---|---|
| Four Indian love lyrics (Primary title) | Disc label (Gra B-8205 |
| Indian love lyrics (Primary title) | Disc label (RDI) (Vi 25059) |
| [Part 2] (Title part) | ADP editors |
| Pale hands ; Till I wake (Part name) | Disc label |
| Indian love lyrics; arranged (Uniform title) | |
| Authors and Composers | Notes |
| Amy Woodforde-Finden (composer) | |
| Mikulicz (arranger) | |
| Composer information source: Disc label. | |
| Personnel | Notes Hide Additional Titles |
| Marek Weber Orchestra (Musical group) | |
| Marek Weber (leader) | |
- Description: Jazz/dance band
- Category: Instrumental
- Master Size: 10-in.
| Notes |
|---|
| Source(s): John Bolig files (take information; issues); Rigler-Deutsch Index; Victor blue history card; trade catalog; disc. |
| Take Date and Place | Take | Status | Label Name/Number | Format | Note Hide Additional Titles |
|---|---|---|---|---|---|
| On or before 12/15/1933 London, England. Studio 2 | [1] | Unknown | |||
| 12/15/1933 London, England. Studio 2 | 2 | Master | Gramophone 30-11523 (Not issued) | 10-in. | Gram. Co. face number. |
| 12/15/1933 London, England. Studio 2 | 2 | Master | Gramophone B-8205 | 10-in. | |
| 12/15/1933 London, England. Studio 2 | 2 | Master | Victor 25059 | 10-in. |
Citation
Discography of American Historical Recordings, s.v. "Gramophone matrix 0B4750. Four Indian love lyrics / Marek Weber Orchestra," accessed April 23, 2024, https://adp.library.ucsb.edu/index.php/matrix/detail/2000251029/0B4750-Four_Indian_love_lyrics.
Gramophone matrix 0B4750. Four Indian love lyrics / Marek Weber Orchestra. (2024). In Discography of American Historical Recordings. Retrieved April 23, 2024, from https://adp.library.ucsb.edu/index.php/matrix/detail/2000251029/0B4750-Four_Indian_love_lyrics.
"Gramophone matrix 0B4750. Four Indian love lyrics / Marek Weber Orchestra." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 23 April 2024.
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