Victor matrix BSHQ-72535. Quisiera olvidar tus ojos / Beniamino Gigli
| Title | Source |
|---|---|
| Quisiera olvidar tus ojos (Primary title) | Disc label (BHC verso) |
| Canción espanola (Title descriptor) | Disc label (BHC verso) |
| Tango in D (Subtitle) | Victor ledgers |
| Authors and Composers | Notes |
| Isaac Albéniz (composer) | |
| Miguel Sandoval (arranger) | |
| Miguel Sandoval (lyricist) | |
| Composer information source: Disc label; U.S. Copyright Office files. | |
| Personnel | Notes |
| Beniamino Gigli (vocalist : tenor vocal) | |
| Nathaniel Shilkret (director) | |
- Description: Tenor vocal solo, with orchestra
- Instrumentation: 3 violins, viola, cello, bass, flute, oboe, clarinet, cornet, trombone, guitar, piano, and traps
- Category: Vocal
- Language: Spanish
- Master Size: 10-in.
- Title Note: Victor ledgers credit Miguel Sandoval as lyricist and arranger, but his name does not appear on Vi 1646 disc label.
| Take Date and Place | Take | Status | Label Name/Number | Note |
|---|---|---|---|---|
| 5/3/1932 New York, New York. Studio 2 | 1 | Hold | ||
| 5/3/1932 New York, New York. Studio 2 | 2 | Master | Victor 1646 | |
| 5/3/1932 New York, New York. Studio 2 | 2 | Master | Gramophone 40-5307 (Not issued) | Gram. Co. face number. |
| 5/3/1932 New York, New York. Studio 2 | 2 | Master | Gramophone DA-1295 |
Citation
Discography of American Historical Recordings, s.v. "Victor matrix BSHQ-72535. Quisiera olvidar tus ojos / Beniamino Gigli," accessed December 11, 2025, http://adp.library.ucsb.edu/index.php/matrix/detail/800038298/BSHQ-72535-Quisiera_olvidar_tus_ojos.
Victor matrix BSHQ-72535. Quisiera olvidar tus ojos / Beniamino Gigli. (2025). In Discography of American Historical Recordings. Retrieved December 11, 2025, from http://adp.library.ucsb.edu/index.php/matrix/detail/800038298/BSHQ-72535-Quisiera_olvidar_tus_ojos.
"Victor matrix BSHQ-72535. Quisiera olvidar tus ojos / Beniamino Gigli." Discography of American Historical Recordings. UC Santa Barbara Library, 2025. Web. 11 December 2025.
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