Gramophone B-2627 (10-in.)
The following matrix(es) were released with this catalog number:
| Company | Matrix No. | Take Number | Date | Title/Artist | |
|---|---|---|---|---|---|
| Victor | BVE-59420 | 2 | 2/21/1930 | Pójde do sadu / W. Filipczak ; Ignacy Podgórski i jego Nadzwyczajna Orkiestra ; Aniela Nyzio |
Primary Performers:
| Ignacy Podgórski i jego Nadzwyczajna Orkiestra (Musical group) |
| W. Filipczak (vocalist) |
| Aniela Nyzio (vocalist) |
Citation
Discography of American Historical Recordings, s.v. "Gramophone B-2627 (10-in.)," accessed May 7, 2024, https://adp.library.ucsb.edu/index.php/object/detail/152270/Gramophone_B-2627.
Gramophone B-2627 (10-in.). (2024). In Discography of American Historical Recordings. Retrieved May 7, 2024, from https://adp.library.ucsb.edu/index.php/object/detail/152270/Gramophone_B-2627.
"Gramophone B-2627 (10-in.)." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 7 May 2024.
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MARC (Show ↓) 
007 s ǂb d ǂd d ǂe m ǂf s ǂg d ǂh n ǂi n ǂj m ǂk s ǂl l ǂm n ǂn a
02800B-2627 ǂb Gramophone
02810BVE-59420 ǂb Gramophone
24500Pójde do sadu.
264 1[Camden, N.J.] : ǂb Victor, ǂc [1930]
300 1 audio disc : ǂb analog, 78 rpm ; ǂc 10 in.
336 performed music ǂb prm ǂ2 rdacontent
337 audio ǂb s ǂ2 rdamedia
338 audio disc ǂb sd ǂ2 rdacarrier
340 shellac ǂ2 rdamat
344 analog ǂ2 rdatr
344 ǂc 78 rpm
344 ǂd coarse groove ǂ2 rdagw
344 ǂg mono ǂ2 rdacpc
500 Gramophone: B-2627 (BVE-59420 (matrix)).
5208 Instrumental ensemble, with female-male vocal duet.
546 Sung in Polish.
500 Marketing genre: Polish.
500 Data derived from the Discography of American Historical Recordings.
5103 Discography of American Historical Recordings ǂu http://adp.library.ucsb.edu/index.php/objects/detail/152270
500 Title from disc label.
5110 W. Filipczak ; Ignacy Podgórski i jego Nadzwyczajna Orkiestra ; Aniela Nyzio.
7001 Filipczak, W., ǂe singer.
7001 Nyzio, Aniela, ǂe singer.
7001 Podgórski, Ignacy, ǂd 1886-1957, ǂe performer.
7102 Ignacy Podgórski i jego Nadzwyczajna Orkiestra, ǂe instrumentalist.