Thomas Moore
Thomas Moore (28 May 1779 – 25 February 1852) was an Irish writer, poet, and lyricist, widely regarded in his lifetime as Ireland's "national bard". The acclaim rested primarily on the popularity of his Irish Melodies (with the first of ten volumes appearing in 1808). In these, Moore set to old Irish tunes verses that spoke to a nationalist narrative of Irish dispossession, loss, and resistance. With his romantic work Lalla Rookh (1817), in which these same themes are explored in an elaborate orientalist allegory, Moore achieved wider critical recognition. Translated into several languages, and adapted and arranged for musical performance by, among others, Robert Schumann, the chivalric verse-narrative established Moore as one of the leading exemplars of European romanticism. In England, Moore moved in aristocratic Whig circles where, in addition to a salon performer, he was appreciated as a squib writer and master of political satire. Chief among his targets, in successive Tory governments, was Lord Castlereagh in whose promises of "emancipation" Moore believed his fellow Catholics in Ireland had been deceived. In the verse novel The Fudge Family in Paris (1818), and its sequels, he pillories the Foreign Secretary for employing the same "faithless craft" used to press Ireland into a union with Great Britain to accommodate restoration and reaction in Europe. Wary in Ireland of an overtly Catholic place-seeking nationalism, Moore refused a nomination to stand with Daniel O'Connell and his Repeal Association for the Westminster parliament. His broader sympathies were expressed in his several prose works, including a biography of the United Irish leader Lord Edward Fitzgerald (1831) and the Memoirs of Captain Rock (1824). Complementing Maria Edgeworth's Castle Rackrent (1800), the satirical novel is the story, not of Anglo-Irish landowners, but of their exhausted tenants driven to the semi-insurrection of Whiteboyism. Moore continues to be remembered chiefly for his Melodies (typically "The Minstrel Boy" and "The Last Rose of Summer"). He is also recalled, less generously, for the role he is thought to have played in the destruction of the memoirs of his friend, Lord Byron. |
Birth and Death Data: Born Dublin (capital and largest city of Ireland), Died 1852 (Sloperton Cottage (cottage in Bromham, Wiltshire, England, UK) )
Date Range of DAHR Recordings: 1897 - 1949
Roles Represented in DAHR: author, composer, lyricist, songwriter
= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.
Recordings (Results 1-25 of 266 records)
| Company | Matrix No. | Size | First Recording Date | Title | Primary Performer | Description | Role | Audio |
|---|---|---|---|---|---|---|---|---|
| Berliner | 1645 | 7-in. | November 1897 | The harp that once thro’ Tara’s halls | Artists vary | Male vocal solo | author | |
| Berliner | 1773 | 7-in. | 11/7/1897 | Believe me if all those endearing young charms | J. W. Myers | Male vocal solo | author | |
| Berliner | 1790 | 7-in. | Before September 1897 | Farewell, but whenever you welcome the hour | J. W. Myers | Male vocal solo | author | |
| Berliner | 1940 | 7-in. | 12/14/1898 | The last rose of summer | J. W. Myers | Male vocal solo | author | |
| Berliner | 0418 | 7-in. | between August 1899 and April 1900 | Believe me if all those endearing young charms | Haydn Quartet | Male vocal quartet | author | |
| Berliner | 0856 | 7-in. | 12/16/1899 | The last rose of summer | Frank Badollet | Flute solo | author | |
| Victor | [Pre-matrix A-]117 | 7-in. | 7/11/1900 | Believe me if all those endearing young charms | Haydn Quartet | Male vocal quartet | author | |
| Victor | [Pre-matrix A-]482 | 7-in. | 10/30/1900 | The last rose of summer | Rosalia Chalia | Soprano vocal solo, with piano | author | |
| Victor | [Pre-matrix B-]482 | 10-in. | 5/24/1901 | The last rose of summer | Rosalia Chalia | Soprano vocal solo, with piano | author | |
| Victor | [Pre-matrix A-]701 | 7-in. | 2/21/1901 | Let Erin remember the days of yore | J. W. Myers | Male vocal solo, with piano | author | |
| Victor | [Pre-matrix A-]718 | 7-in. | 3/11/1901 | Come ye disconsolate | Choir [i.e., Choir of the Lombard Street Mission] ; Choir [i.e., Lyric Trio] | Mixed vocal trio, with organ | author | |
| Victor | [Pre-matrix B-]718 | 10-in. | 11/25/1902 | Come ye disconsolate | Choir [i.e., Choir of the Lombard Street Mission] ; Choir [i.e., Lyric Trio] | Mixed vocal trio, with organ | author | |
| Victor | [Pre-matrix A-]1623 | 7-in. | 9/11/1902 | The minstrel boy | George Schweinfest | Piccolo solo | author | |
| Victor | [Pre-matrix B-]1623 | 10-in. | 9/11/1902 | The minstrel boy | George Schweinfest | Piccolo solo | author | |
| Victor | [Pre-matrix B-]1708 | 10-in. | 10/21/1902 | The last rose of summer | Jules Levy | Cornet solo, with piano | author | |
| Victor | [Pre-matrix B-]3142 | 10-in. | 2/21/1901 | Let Erin remember the days of old | J. W. Myers | Male vocal solo, with piano | author | |
| Victor | [Pre-matrix B-]3196 | 10-in. | 3/11/1901 | Come ye disconsolate | Lyric Trio | Mixed vocal trio | author | |
| Victor | [Pre-matrix B-]3409 | 10-in. | 5/24/1901 | The last rose of summer | Rosalia Chalia | Soprano vocal solo | author | |
| Victor | A-73 | 7-in. | 6/10/1903 | The last rose of summer | Edith Helena | Soprano vocal solo, with piano | author | |
| Victor | B-73 | 10-in. | 6/10/1903 | The last rose of summer | Edith Helena | Soprano vocal solo, with piano | author | |
| Victor | C-351 | 12-in. | 8/14/1903 | The harp that once thro' Tara's halls | Sousa's Band | Cornet solo, with band | author | |
| Victor | B-351 | 10-in. | 1904 | The harp that once thro' Tara's halls | Sousa's Band | Cornet solo, with band | author | |
| Victor | A-520 | 7-in. | 10/7/1903 | The harp that once thro' Tara's halls | Jules Levy | Cornet solo, with piano | author | |
| Victor | B-520 | 10-in. | 10/7/1903 | The harp that once thro' Tara's halls | Jules Levy | Cornet solo, with piano | author | |
| Victor | B-2228 | 10-in. | 2/9/1905 | The last rose of summer | Edith Helena | Soprano vocal solo, with orchestra | author |
Citation
Discography of American Historical Recordings, s.v. "Moore, Thomas," accessed January 3, 2026, http://adp.library.ucsb.edu/names/102361.
Moore, Thomas. (2026). In Discography of American Historical Recordings. Retrieved January 3, 2026, from http://adp.library.ucsb.edu/names/102361.
"Moore, Thomas." Discography of American Historical Recordings. UC Santa Barbara Library, 2026. Web. 3 January 2026.
DAHR Persistent Identifier
External Sources
Wikipedia: Thomas Moore
Discogs: Thomas Moore
Grove: Thomas Moore
IMSLP: Thomas Moore
RILM: Thomas Moore
RISM: Thomas Moore
Britannica: Thomas Moore
Linked Open Data Sources
LCNAR: Moore, Thomas, 1779-1852 - https://id.loc.gov/authorities/names/n79055409
Wikidata: Thomas Moore - https://www.wikidata.org/entity/Q315346
VIAF: https://viaf.org/viaf/24616222
MusicBrainz: Thomas Moore - https://musicbrainz.org/artist/68b30416-113c-4c2e-8ca2-9a50a62fd5b7
Fast: https://id.worldcat.org/fast/35614 - https://id.worldcat.org/fast/35614
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