Mario Recio

Date Range of DAHR Recordings: 1941 - 1951

Roles Represented in DAHR: composer, vocalist, songwriter, lyricist

= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.

Company	Matrix No.	Size	First Recording Date	Title	Primary Performer	Description	Role
Victor	MBS-092211	10-in.	before 1/30/1951	Mucho, mucho, mucho	Trío Servando Díaz	Vocal and instrumental ensemble	composer
Victor	PR-24	10-in.	before 5/27/1949	Las trompetas	Daniel Santos Sonora Boricua	Male vocal solo, with male vocal ensemble and jazz/dance band	composer
Victor	CU-207	10-in.	before 2/14/1949	Vive corazón	Conjunto Casino ; Roberto Espí	Instrumental ensemble, with male vocal solo	composer
Victor	CU-835	10-in.	before 12/1/1941	Lamento guajiro	Trío Habana	Vocal and instrumental trio, with sound effects	composer
Victor	CU-1168	10-in.	before 3/27/1944	Una frase popular	Conjunto Kubavana ; Roberto Faz ; Mario Recio ; Alberto Ruiz	Instrumental ensemble, with male vocal trio	vocalist
Victor	CU-1169	10-in.	before 6/5/1944	¿Por qué te vas tan pronto?	Pedro Calonge ; Conjunto Kubavana ; Roberto Faz ; Mario Recio ; Alberto Ruiz	Instrumental ensemble, with male vocal trio	vocalist
Victor	CU-1170	10-in.	before 6/5/1944	No me importas tú	Conjunto Kubavana ; Roberto Faz ; Mario Recio ; Alberto Ruiz	Instrumental ensemble, with male vocal trio	vocalist, composer
Victor	CU-1180	10-in.	before 4/4/1944	Rumba bomba	Orquesta Casino de la Playa ; Mario Recio	Jazz/dance band, with male vocal solo	vocalist

Discography of American Historical Recordings, s.v. "Recio, Mario," accessed April 26, 2024, https://adp.library.ucsb.edu/names/208371.

Recio, Mario. (2024). In Discography of American Historical Recordings. Retrieved April 26, 2024, from https://adp.library.ucsb.edu/names/208371.

"Recio, Mario." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 26 April 2024.

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