Johann Sebastian Bach

Johann Sebastian Bach (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the Brandenburg Concertos; instrumental compositions such as the Cello Suites; keyboard works such as the Goldberg Variations and The Well-Tempered Clavier; organ works such as the Schubler Chorales and the Toccata and Fugue in D minor; and vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music.

The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician, Johann Ambrosia, in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant churches in Arnstadt and Mühlhausen and, for longer stretches of time, at courts in Weimar, where he expanded his organ repertory, and Köthen, where he was mostly engaged with chamber music. From 1723, he was employed as Thomaskantor (cantor at St Thomas's) in Leipzig. There he composed music for the principal Lutheran churches of the city, and for its university's student ensemble Collegium Musicum. From 1726, he published some of his keyboard and organ music. In Leipzig, as had happened during some of his earlier positions, he had difficult relations with his employer, a situation that was little remedied when he was granted the title of court composer by his sovereign, Augustus III of Poland, in 1736. In the last decades of his life, he reworked and extended many of his earlier compositions. He died of complications after eye surgery in 1750 at the age of 65.

Bach enriched established German styles through his mastery of counterpoint, harmonic, and motivic organisation, and his adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include hundreds of cantatas, both sacred and secular. He composed Latin church music, Passions, oratorios, and motets. He often adopted Lutheran hymns, not only in his larger vocal works, but for instance also in his four-part chorales and his sacred songs. He wrote extensively for organ and for other keyboard instruments. He composed concertos, for instance for violin and for harpsichord, and suites, as chamber music as well as for orchestra. Many of his works employ the genres of canon and fugue.

Throughout the 18th century, Bach was primarily valued as an organist, while his keyboard music, such as The Well-Tempered Clavier, was appreciated for its didactic qualities. The 19th century saw the publication of some major Bach biographies, and by the end of that century all of his known music had been printed. Dissemination of scholarship on the composer continued through periodicals (and later also websites) exclusively devoted to him, and other publications such as the Bach-Werke-Verzeichnis (BWV, a numbered catalogue of his works) and new critical editions of his compositions. His music was further popularised through a multitude of arrangements, including the Air on the G String and "Jesu, Joy of Man's Desiring", and of recordings, such as three different box sets with complete performances of the composer's oeuvre marking the 250th anniversary of his death.

Birth and Death Data: Born March 31, 1685 (Eisenach), Died July 28, 1750 (Leipzig)

Date Range of DAHR Recordings: 1904 - 1950

Roles Represented in DAHR: composer, arranger

= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.

Recordings (Results 326-350 of 589 records)

Company Matrix No. Size First Recording Date Title Primary Performer Description Role Audio
Victor CS-07550 12-in. 3/26/1937 The Passion of our Lord (According to St. Matthew) Boston Symphony Orchestra ; Harvard Glee Club ; Serge Koussevitzky ; Radcliffe Choral Society ; G. Wallace Woodworth Vocal chorus, soloists, and orchestra composer  
Victor CS-07558 12-in. 4/5/1937 Chorale from Easter cantata Philadelphia Orchestra ; Leopold Stokowski Orchestra composer  
Victor CS-07585 12-in. 4/18/1937 Chorale prelude, "Fervent is my longing" Charles M. Courboin Pipe organ solo composer  
Victor CS-07587 12-in. 4/18/1937 Passacaglia in C minor Charles M. Courboin Pipe organ solo composer  
Victor PBS-09022 10-in. 10/30/1936 Arioso Kenshu Wanifuchi Violin solo composer  
Victor BS-010300 10-in. 5/20/1937 Motet for double choir Westminster Choir ; John Finley Williamson Mixed vocal chorus, unaccompanied composer  
Victor BS-010301 10-in. 5/20/1937 Motet for double choir Westminster Choir ; John Finley Williamson Mixed vocal chorus, unaccompanied composer  
Victor CS-010306 12-in. 5/20/1937 Motet for double choir Westminster Choir ; John Finley Williamson Mixed vocal chorus, unaccompanied composer  
Victor CS-010307 12-in. 5/20/1937 Motet for double choir Westminster Choir ; John Finley Williamson Mixed vocal chorus, unaccompanied composer  
Victor BS-010439 10-in. 6/9/1937 O! Word of God most holy Frederick Jagel ; Charles Paul Tenor vocal solo, with electric organ composer  
Victor CS-010662 12-in. 6/15/1937 Sonata no. 1, in B minor Georges Barrère ; Yella Pessl Harpsichord and flute duet composer  
Victor CS-010663 12-in. 6/15/1937 Sonata no. 1, in B minor Georges Barrère ; Yella Pessl Harpsichord and flute duet composer  
Victor CS-010664 12-in. 6/15/1937 Sonata no. 1, in B minor Georges Barrère ; Yella Pessl Harpsichord and flute duet composer  
Victor CS-010665 12-in. 6/15/1937 Sonata no. 1, in B minor Georges Barrère ; Yella Pessl Harpsichord and flute duet composer  
Victor CS-010666 12-in. 6/15/1937 Sonata no. 2, in E flat major Georges Barrère ; Yella Pessl Harpsichord and flute duet composer  
Victor CS-010667 12-in. 6/15/1937 Sonata no. 2, in E flat major Georges Barrère ; Yella Pessl Harpsichord and flute duet composer  
Victor CS-010669 12-in. 6/16/1937 Sonata no. 4, in C major Georges Barrère ; Yella Pessl Harpsichord and flute duet composer  
Victor CS-010670 12-in. 6/16/1937 Sonata no. 4, in C major Georges Barrère ; Yella Pessl Harpsichord and flute duet composer  
Victor BS-011035 10-in. 6/24/1937 Bourée Frank Black ; Victor Concert Orchestra Orchestra composer  
Victor CS-014394 12-in. 12/12/1937 Prelude and fugue in E minor Philadelphia Orchestra ; Leopold Stokowski Orchestra composer  
Victor CS-014753 12-in. 10/21/1937 Suite no. 5, in E minor : Prelude Yella Pessl Harpsichord solo composer  
Victor CS-015861 12-in. 11/10/1937 Suite no. 6, in D minor Yella Pessl Harpsichord solo composer  
Victor CS-015862 12-in. 11/10/1937 Suite no. 5, in E minor Yella Pessl Harpsichord solo composer  
Victor CS-015863 12-in. 11/10/1937 Suite no. 5, in E minor Yella Pessl Harpsichord solo composer  
Victor CS-015864 12-in. 11/10/1937 Suite no. 5, in E minor Yella Pessl Harpsichord solo composer  
(Results 326-350 of 589 records)

Citation

Discography of American Historical Recordings, s.v. "Bach, Johann Sebastian," accessed May 15, 2024, https://adp.library.ucsb.edu/names/102304.

Bach, Johann Sebastian. (2024). In Discography of American Historical Recordings. Retrieved May 15, 2024, from https://adp.library.ucsb.edu/names/102304.

"Bach, Johann Sebastian." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 15 May 2024.

DAHR Persistent Identifier

URI: https://adp.library.ucsb.edu/names/102304

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