Resource id #75
Image Source: Wikipedia

Peter Ilich Tchaikovsky

Pyotr Ilyich Tchaikovsky ( chy-KOF-skee; 7 May 1840 – 6 November 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. Tchaikovsky wrote some of the most popular concert and theatrical music in the current classical repertoire, including the ballets Swan Lake and The Nutcracker, the 1812 Overture, his First Piano Concerto, Violin Concerto, the Romeo and Juliet Overture-Fantasy, several symphonies, and the opera Eugene Onegin.

Although musically precocious, Tchaikovsky was educated for a career as a civil servant as there was little opportunity for a musical career in Russia at the time and no system of public music education. When an opportunity for such an education arose, he entered the nascent Saint Petersburg Conservatory, from which he graduated in 1865. The formal Western-oriented teaching that Tchaikovsky received there set him apart from composers of the contemporary nationalist movement embodied by the Russian composers of The Five with whom his professional relationship was mixed.

Tchaikovsky's training set him on a path to reconcile what he had learned with the native musical practices to which he had been exposed from childhood. From that reconciliation, he forged a personal but unmistakably Russian style. The principles that governed melody, harmony, and other fundamentals of Russian music ran completely counter to those that governed Western European music, which seemed to defeat the potential for using Russian music in large-scale Western composition or for forming a composite style, and it caused personal antipathies that dented Tchaikovsky's self-confidence. Russian culture exhibited a split personality, with its native and adopted elements having drifted apart increasingly since the time of Peter the Great. That resulted in uncertainty among the intelligentsia about the country's national identity, an ambiguity mirrored in Tchaikovsky's career.

Despite his many popular successes, Tchaikovsky's life was punctuated by personal crises and depression. Contributory factors included his early separation from his mother for boarding school followed by his mother's early death, the death of his close friend and colleague Nikolai Rubinstein, his failed marriage with Antonina Miliukova, and the collapse of his 13-year association with the wealthy patroness Nadezhda von Meck. Tchaikovsky's homosexuality, which he kept private, has traditionally also been considered a major factor though some scholars have played down its importance. His dedication of his Sixth symphony to his nephew Vladimir "Bob" Davydov and his feelings expressed about Davydov in letters to others, especially following Davydov's suicide, have been cited as evidence for a romantic love between the two. Tchaikovsky's sudden death at the age of 53 is generally ascribed to cholera, but there is an ongoing debate as to whether cholera was indeed the cause and whether the death was accidental or intentional.

While his music has remained popular among audiences, critical opinions were initially mixed. Some Russians did not feel it was sufficiently representative of native musical values and expressed suspicion that Europeans accepted the music for its Western elements. In an apparent reinforcement of the latter claim, some Europeans lauded Tchaikovsky for offering music more substantive than base exoticism, and said he transcended stereotypes of Russian classical music. Others dismissed Tchaikovsky's music as deficient because they did not stringently follow Western principles.

Birth and Death Data: Born May 7, 1840 (Votkinsk), Died November 6, 1893 (Malaya Morskaya Street, 13)

Date Range of DAHR Recordings: 1900 - 1950

Roles Represented in DAHR: composer

= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.

Recordings (Results 376-400 of 684 records)

Company Matrix No. Size First Recording Date Title Primary Performer Description Role Audio
Victor D7VB-0219 10-in. 4/1/1947 Waltz of the flowers Russ Case Orchestra ; Doris Stockton Marimba solo, with instrumental ensemble composer  
Victor D7VB-1340 10-in. 9/12/1947 The story of a starry night Stuart Foster ; Tommy Dorsey Orchestra Male vocal solo, with jazz/dance band composer  
Victor D7VB-1341 10-in. 9/13/1947 None but the lonely heart Stuart Foster ; Tommy Dorsey Orchestra Male vocal solo, with jazz/dance band composer  
Victor D7VB-1342 10-in. 9/12/1947 The things I love Stuart Foster ; Tommy Dorsey Orchestra Male vocal solo, with jazz/dance band composer  
Victor D7VB-1343 10-in. 9/12/1947 Tonight we love Sentimentalists ; Tommy Dorsey Orchestra ; Town Criers Vocal group, with jazz/dance band composer  
Victor D7VB-1344 10-in. 9/12/1947 Moon love Sentimentalists ; Tommy Dorsey Orchestra ; Town Criers Vocal group, with jazz/dance band composer  
Victor D7VB-1345 10-in. 9/13/1947 Our love Stuart Foster ; Tommy Dorsey Orchestra Male vocal solo, with jazz/dance band composer  
Victor D7VB-1348 10-in. 9/13/1947 Some things will never change Tommy Dorsey Orchestra ; Audrey Young Female vocal solo, with jazz/dance band composer  
Victor D7VB-1349 10-in. 9/13/1947 On the Isle of May Tommy Dorsey Orchestra ; Audrey Young Female vocal solo, with jazz/dance band composer  
Victor X-0117 10-in. 9/1/1924 Andante cantabile Natalie Boshko Violin and piano duet composer  
Victor XVE-01894 10-in. 5/27/1928 And the angels spoke to Mary Russian Church Chorus Vocal chorus composer  
Victor XVE-01901 10-in. 5/28/1928 Who can compare with my Matilda? K. Knizhnikov ; Russian Opera Orchestra [Victor Chinese ensemble] Baritone vocal solo, with orchestra composer  
Victor [Trial 1917-03-23-07] Not documented 3/23/1917 Serenade melancholique Abraham Haitovitch Violin solo, with piano composer  
Victor [Trial 1924-05-07-02] 12-in. 5/7/1924 Meditation Georgia Kober Piano solo composer  
Victor [Trial 1926-06-04-05] 10-in. 6/4/1926 Eugene Onegin : Selection Luda Fedotoff ; Camilla Yozevaka Female vocal duet, with piano composer  
Columbia 1017 7-in. ca. 1902-Oct. 1905 Kogda be shezn A. V. Aleksandrov Baritone vocal solo, with piano composer  
Columbia 1017 10-in. ca. 1902 Kogda be shezn A. V. Aleksandrov Baritone vocal solo, with piano composer  
Columbia 1019 7-in. ca. 1902-Oct. 1905 Serenada Don Juana A. V. Aleksandrov Baritone vocal solo, with piano composer  
Columbia 1019 10-in. ca. 1902-1908 Serenada Don Juana A. V. Aleksandrov Baritone vocal solo, with piano composer  
Columbia 1223 10-in. approximately 1903 Serenade : Don Juan Edouard de Reszke Bass vocal solo, with piano composer  
Columbia 1401 7-in. ca. 1903-Oct. 1905 Slyoza drojeet A. V. Aleksandrov Baritone vocal solo, with piano composer  
Columbia 1401 10-in. ca. 1903-1908 Slyoza drojeet A. V. Aleksandrov Baritone vocal solo, with piano composer  
Columbia 1413 7-in. ca. 1903-Oct. 1905 Niet tolko kto znal A. V. Aleksandrov Baritone vocal solo, with piano composer  
Columbia 1413 10-in. ca. 1903-1908 Niet tolko kto znal A. V. Aleksandrov Baritone vocal solo, with piano composer  
Columbia 19407 10-in. 6/14/1911 Song without words Prince's Orchestra Orchestra composer  
(Results 376-400 of 684 records)

Citation

Discography of American Historical Recordings, s.v. "Tchaikovsky, Peter Ilich," accessed May 28, 2024, https://adp.library.ucsb.edu/names/102415.

Tchaikovsky, Peter Ilich. (2024). In Discography of American Historical Recordings. Retrieved May 28, 2024, from https://adp.library.ucsb.edu/names/102415.

"Tchaikovsky, Peter Ilich." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 28 May 2024.

DAHR Persistent Identifier

URI: https://adp.library.ucsb.edu/names/102415

Wikipedia content provided under the terms of the Creative Commons BY-SA license

Feedback

Send the Editors a message about this record.