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Paul Robeson

Paul Leroy Robeson ( ROHB-sən; April 9, 1898 – January 23, 1976) was an American bass-baritone concert artist, stage and film actor, professional football player, and activist who became famous both for his cultural accomplishments and for his political stances.

In 1915, Robeson won an academic scholarship to Rutgers College, where he was the only African-American student. While at Rutgers, he was twice named a consensus All-American in football and was elected class valedictorian. He earned his LL.B. from Columbia Law School, while playing in the National Football League (NFL). After graduation, he became a figure in the Harlem Renaissance, with performances in Eugene O'Neill's The Emperor Jones and All God's Chillun Got Wings.

Robeson performed in Britain in a touring melodrama, Voodoo, in 1922, and in Emperor Jones in 1925. In 1928, he scored a major success in the London premiere of Show Boat. Living in London for several years with his wife Eslanda, Robeson continued to establish himself as a concert artist and starred in a London production of Othello, the first of three productions of the play over the course of his career. He also gained attention in Sanders of the River (1935) and in the film production of Show Boat (1936). Robeson's political activities began with his involvement with unemployed workers and anti-imperialist students in Britain, and it continued with his support for the Republican cause during the Spanish Civil War and his involvement in the Council on African Affairs (CAA).

After returning to the United States in 1939, Robeson supported the American and Allied war efforts during World War II. However, his history of supporting civil rights causes and Soviet policies brought scrutiny from the FBI. After the war ended, the CAA was placed on the Attorney General's List of Subversive Organizations. Robeson was investigated during the McCarthy era. When he refused to recant his public advocacy of left-wing beliefs, the U.S. State Department denied his passport and his income plummeted. He moved to Harlem and published a periodical called Freedom, which was critical of United States policies, from 1950 to 1955. Robeson's right to travel was eventually restored as a result of the 1958 United States Supreme Court decision Kent v. Dulles.

Between 1925 and 1961, Robeson recorded and released some 276 songs. The first of these was the spiritual "Steal Away", backed with "Were You There", in 1925. Robeson's recorded repertoire spanned many styles, including Americana, popular standards, classical music, European folk songs, political songs, poetry and spoken excerpts from plays.

Birth and Death Data: Born April 9, 1898 (Princeton), Died January 23, 1976 (Philadelphia)

Date Range of DAHR Recordings: 1925 - 1940

Roles Represented in DAHR: bass vocal

= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.

Recordings (Results 51-70 of 70 records)

Company Matrix No. Size First Recording Date Title Primary Performer Description Role Audio
Gramophone 0B6295 10-in. 2/15/1933 Swing low, sweet chariot Paul Robeson Bass vocal solo, with piano vocalist, bass vocal  
Gramophone 0B6296 10-in. 2/15/1933 On ma journey Paul Robeson Bass vocal solo, with piano vocalist, bass vocal  
Gramophone 0EA6572 10-in. 9/15/1938 Goin' to ride up in de chariot Lawrence Brown ; Paul Robeson Bass vocal solo, with piano vocalist, bass vocal  
Gramophone 0EA7087 10-in. 11/20/1938 Trees Paul Robeson Bass vocal solo, with orchestra vocalist, bass vocal  
Gramophone 0EA7089 10-in. 11/20/1938 Loch Lomond Paul Robeson Bass vocal solo, with orchestra vocalist, bass vocal  
Gramophone 0EA7090 10-in. 11/20/1938 Drink to me only with thine eyes Paul Robeson Bass vocal solo, with orchestra vocalist, bass vocal  
Gramophone 0EA7694 10-in. 5/9/1939 Down de Lovers' Lane Lawrence Brown ; Paul Robeson Bass vocal solo, with piano vocalist, bass vocal  
Gramophone 0EA7695 10-in. 5/9/1939 Lullaby Lawrence Brown ; Paul Robeson Bass vocal solo, with piano vocalist, bass vocal  
Gramophone 0EA7696 10-in. 5/9/1939 Night Lawrence Brown ; Paul Robeson Male vocal solo, with piano vocalist, bass vocal  
Gramophone 0EA8104 10-in. 9/28/1939 Sylvia Paul Robeson Bass vocal solo, with orchestra vocalist, bass vocal  
Gramophone 0EA8283 10-in. 9/26/1939 Dear old Southland Paul Robeson Bass vocal solo, with orchestra vocalist, bass vocal  
Gramophone 0EA8284 10-in. 9/26/1939 Jerusalem Paul Robeson Bass vocal solo, with orchestra vocalist, bass vocal  
Gramophone 0EA8285 10-in. 9/26/1939 The blind ploughman Paul Robeson Bass vocal solo, with orchestra vocalist, bass vocal  
Gramophone 0EA8287 10-in. 9/26/1939 Oh, could I but express in song Paul Robeson Bass vocal solo, with orchestra vocalist, bass vocal  
Gramophone 0EA8292 10-in. 9/26/1939 Nothin' Paul Robeson Bass vocal solo, with orchestra vocalist, bass vocal  
Gramophone 0EA8293 10-in. 9/27/1939 The rosary Paul Robeson Bass vocal solo, with orchestra vocalist, bass vocal  
Gramophone 0EA8294 10-in. 9/27/1939 A perfect day Paul Robeson Bass vocal solo, with orchestra vocalist, bass vocal  
Gramophone 0EA8295 10-in. 9/27/1939 Absent Paul Robeson Bass vocal solo, with orchestra vocalist, bass vocal  
Gramophone 0EA8296 10-in. 9/27/1939 Black eyes Paul Robeson Bass vocal solo, with orchestra vocalist, bass vocal  
Gramophone 0EA8302 10-in. 9/29/1939 Land of my fathers Harry Chapman ; Paul Robeson Bass vocal solo, with male vocal chorus and harp vocalist, bass vocal  
(Results 51-70 of 70 records)

Citation

Discography of American Historical Recordings, s.v. "Robeson, Paul," accessed May 7, 2024, https://adp.library.ucsb.edu/names/102809.

Robeson, Paul. (2024). In Discography of American Historical Recordings. Retrieved May 7, 2024, from https://adp.library.ucsb.edu/names/102809.

"Robeson, Paul." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 7 May 2024.

DAHR Persistent Identifier

URI: https://adp.library.ucsb.edu/names/102809

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