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Franz Liszt

Franz Liszt (22 October 1811 – 31 July 1886) was a Hungarian composer, virtuoso pianist, conductor, and teacher of the Romantic period. With a diverse body of work spanning more than six decades, he is considered to be one of the most prolific and influential composers of his era and remains one of the most popular composers in modern concert piano repertoire.

Liszt first gained renown during the early nineteenth century for his virtuoso skill as a pianist. Regarded as one of the greatest pianists of all time, he toured Europe during the 1830s and 1840s, often playing for charity. In these years, Liszt developed a reputation for his powerful performances as well as his physical attractiveness. In what has now been dubbed "Lisztomania", he rose to a degree of stardom and popularity among the public not experienced by the virtuosos who preceded him. Whereas earlier performers mostly served the upper class, Liszt attracted a more general audience. During this period and into his later life, Liszt was a friend, musical promoter and benefactor to many composers of his time, including Frédéric Chopin, Charles-Valentin Alkan, Richard Wagner, Hector Berlioz, Robert Schumann, Clara Schumann, Camille Saint-Saëns, Edvard Grieg, Ole Bull, Joachim Raff, Mikhail Glinka, and Alexander Borodin.

Liszt was one of the most prominent representatives of the New German School (German: Neudeutsche Schule). He left behind an extensive and diverse body of work that influenced his forward-looking contemporaries and anticipated 20th-century ideas and trends. Among Liszt's musical contributions were the symphonic poem, developing thematic transformation as part of his experiments in musical form, and radical innovations in harmony. Liszt has also been regarded as a forefather of Impressionism in music, with his Années de pèlerinage, often regarded as his masterwork, featuring many impressionistic qualities. In a radical departure from his earlier compositional styles, many of Liszt's later works also feature experiments in atonality, foreshadowing the serialist movement of the 20th century.

Birth and Death Data: Born October 22, 1811 (Raiding), Died July 31, 1886 (Bayreuth)

Date Range of DAHR Recordings: 1901 - 1946

Roles Represented in DAHR: composer, arranger

= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.

Recordings (Results 126-150 of 369 records)

Company Matrix No. Size First Recording Date Title Primary Performer Description Role Audio
Victor BS-87057 10-in. 12/20/1934 Orpheus Bruno Reibold ; Victor Orchestra Orchestra composer  
Victor CS-88958 12-in. 5/6/1935 Chant polonaise no. 1 Josef Hofmann Piano solo arranger  
Victor BS-88988 10-in. 6/14/1935 Wandering Myrtle C. Eaver Piano solo composer  
Victor CS-92224 12-in. 6/7/1935 Toccata in C major Josef Lhévinne Piano solo arranger  
Victor CS-92851 12-in. 9/26/1935 Oh! Quand je dors Louise Lerch Soprano vocal solo, with piano composer  
Victor BS-98405 10-in. 12/11/1935 Lonesome road Elmer, Zeb, and Paul Instrumental trio composer  
Victor CS-101240 12-in. 5/8/1936 Mefisto waltz Boston Symphony Orchestra ; Serge Koussevitzky Orchestra composer  
Victor CS-101241 12-in. 5/8/1936 Mefisto waltz Boston Symphony Orchestra ; Serge Koussevitzky Orchestra composer  
Victor CS-101242 12-in. 5/8/1936 Mefisto waltz Boston Symphony Orchestra ; Serge Koussevitzky Orchestra composer  
Victor B-[Unnumbered 1923-02-26-01] 10-in. 2/26/1923 Dream of love Alfred Cortot Piano solo composer  
Victor CS-03100 12-in. 11/16/1936 Hungarian rhapsody—no. 2 Philadelphia Orchestra ; Leopold Stokowski Orchestra composer  
Victor CS-03101 12-in. 11/16/1936 Hungarian rhapsody—no. 2 Philadelphia Orchestra ; Leopold Stokowski Orchestra composer  
Victor BS-03520 10-in. 12/4/1936 Liebestraum Guy Lombardo ; Royal Canadians Jazz/dance band composer  
Victor BS-04933 10-in. 2/18/1937 Liebestraum Tommy Dorsey Orchestra Jazz/dance band composer  
Victor CS-010982 12-in. 6/30/1937 Todtentanz Boston Pops Orchestra ; Arthur Fiedler ; Jesús María Sanromá Piano and orchestra composer  
Victor CS-010983 12-in. 6/30/1937 Todtentanz Boston Pops Orchestra ; Arthur Fiedler ; Jesús María Sanromá Piano and orchestra composer  
Victor CS-010984 12-in. 6/30/1937 Todtentanz Boston Pops Orchestra ; Arthur Fiedler ; Jesús María Sanromá Piano and orchestra composer  
Victor CS-010985 12-in. 6/30/1937 Todtentanz Boston Pops Orchestra ; Arthur Fiedler ; Jesús María Sanromá Piano and orchestra composer  
Victor CS-011477 12-in. 8/13/1937 Liebestraum Lew White Organ solo, with violin, harp, and vocal ensemble composer  
Victor CS-013065 12-in. 10/17/1937 Les préludes (Symphonic poem no. 3) Eugene Ormandy ; Philadelphia Orchestra Orchestra composer  
Victor CS-013066 12-in. 10/17/1937 Les préludes (Symphonic poem no. 3) Eugene Ormandy ; Philadelphia Orchestra Orchestra composer  
Victor CS-013067 12-in. 10/17/1937 Les préludes (Symphonic poem no. 3) Eugene Ormandy ; Philadelphia Orchestra Orchestra composer  
Victor CS-013068 12-in. 10/17/1937 Les préludes (Symphonic poem no. 3) Eugene Ormandy ; Philadelphia Orchestra Orchestra composer  
Victor BS-018821 10-in. 1/29/1938 Liebestraum Florida Clubmen ; Dean Hudson Mixed vocal chorus, with vibraphone composer  
Victor BS-027222 10-in. 9/26/1938 Comment disaient-ils? Frank La Forge ; Lily Pons Soprano vocal solo, with piano composer  
(Results 126-150 of 369 records)

Citation

Discography of American Historical Recordings, s.v. "Liszt, Franz," accessed April 19, 2024, https://adp.library.ucsb.edu/names/102432.

Liszt, Franz. (2024). In Discography of American Historical Recordings. Retrieved April 19, 2024, from https://adp.library.ucsb.edu/names/102432.

"Liszt, Franz." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 19 April 2024.

DAHR Persistent Identifier

URI: https://adp.library.ucsb.edu/names/102432

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