George Frideric Handel

George Frideric (or Frederick) Handel (; baptised Georg Friedrich Händel, German: [ˈɡeːɔʁk ˈfʁiːdʁɪç ˈhɛndl̩] (listen); 23 February 1685 – 14 April 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age.

Handel started three commercial opera companies to supply the English nobility with Italian opera. In 1737, he had a physical breakdown, changed direction creatively, and addressed the middle class and made a transition to English choral works. After his success with Messiah (1742), he never composed an Italian opera again. His orchestral Water Music and Music for the Royal Fireworks remain steadfastly popular. One of his four coronation anthems, Zadok the Priest, has been performed at every British coronation since 1727. Almost blind, he died in 1759, a respected and rich man, and was given a state funeral at Westminster Abbey.

Handel composed more than forty opere serie over a period of more than thirty years. Since the late 1960s, interest in Handel's music has grown. The musicologist Winton Dean wrote that "Handel was not only a great composer; he was a dramatic genius of the first order." His music was admired by Classical-era composers, especially Mozart, Haydn and Beethoven.

Birth and Death Data: Born January 1, 1685 (Halle (Saale)), Died April 14, 1759 (London)

Date Range of DAHR Recordings: 1898 - 1951

Roles Represented in DAHR: composer

= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.

Recordings (Results 201-225 of 460 records)

Company Matrix No. Size First Recording Date Title Primary Performer Description Role Audio
Victor LCS-100349 12-in. (33-1/3 rpm) 4/6/1936 Vittoria, mio core Martin W. Bush ; Mable Allen Smails Soprano vocal solo, with piano composer  
Victor LCS-100355 12-in. (33-1/3 rpm) 4/6/1936 Care selve Martin W. Bush ; Mable Allen Smails Female vocal solo, with piano composer  
Victor CS-101250 12-in. 5/8/1936 Concerto no. 12 : Larghetto Boston Symphony Orchestra ; Serge Koussevitzky Orchestra composer  
Victor C-[Unnumbered 1918-03-15-01] 12-in. 3/15/1918 He shall feed his flock like a shepherd Elsie Baker Female vocal solo composer  
Victor C-[Unnumbered 1923-10-26-01] 12-in. 10/26/1923 Forgeron harmonieux Wanda Landowska Harpsichord solo composer  
Victor PBVE-148 10-in. 9/22/1925 Largo Edward P. Kimball Pipe organ solo composer  
Victor CS-018446 12-in. 2/2/1938 Sonata no. 6, in G minor Mitch Miller ; Yella Pessl Oboe and harpsichord duet composer  
Victor CS-018447 12-in. 2/2/1938 Sonata no. 6, in G minor Mitch Miller ; Yella Pessl Oboe and harpsichord duet composer  
Victor BS-022363 10-in. 5/8/1938 Largo Charles M. Courboin Pipe organ solo composer  
Victor CS-024488 12-in. 8/11/1938 Fantasie in A minor Yella Pessl Harpsichord solo composer  
Victor BS-026903 10-in. 9/8/1938 Joy to the world Lewis White Mixed vocal chorus, with violin, organ, and harp composer  
Victor BS-035480 10-in. 4/13/1939 Organ concerto no. 11, in G minor Arthur Fiedler Sinfonietta ; E. Power Biggs Organ solo, with orchestra composer  
Victor BS-035481 10-in. 4/13/1939 Organ concerto no. 11, in G minor Arthur Fiedler Sinfonietta ; E. Power Biggs Organ solo, with orchestra composer  
Victor BS-043279 10-in. 11/2/1939 Alma mia Lucy Monroe Soprano vocal solo, with piano composer  
Victor BS-047789 10-in. 3/8/1940 Alma mia Lily Pons ; Renaissance Quintet Soprano vocal solo, with string quintet composer  
Victor BS-047793 10-in. 3/9/1940 Lusinghe più care Lily Pons ; Renaissance Quintet Soprano vocal solo, with string quintet composer  
Victor BS-056117 10-in. 9/16/1940 Alma mia Richard Crooks Tenor vocal solo, with piano composer  
Victor CS-071326 12-in. 1/16/1942 Total eclipse Richard Crooks ; Charles O'Connell ; Victor Symphony Orchestra Tenor vocal solo, with instrumental ensemble composer  
Victor BS-071755 10-in. 1/31/1942 I know that my Redeemer liveth Emile Coté ; Frank Parker ; Victor Mixed Chorus Male vocal solo, with mixed vocal chorus and organ composer  
Victor BS-071756 10-in. 1/31/1942 Where'er you walk Emile Coté ; Frank Parker ; Victor Mixed Chorus Male vocal solo, with mixed vocal chorus and organ (take 2); with mixed chorus and piano (take 1) composer  
Victor E0RC-0015 12-in. 1/3/1950 Come to me, soothing sleep Marian Anderson ; Franz Rupp Contralto vocal solo, with iano composer  
Victor E0RC-0016 12-in. 1/3/1950 O what pleasure! (Vanne, segui'l mio desio) [from Floridante] Marian Anderson ; Franz Rupp Contralto solo, with piano composer  
Victor E1FB-1107 10-in. 2/9/1951 Paz en la tierra Los Ruiseñores Vocal chorus, with percussion and organ composer  
Victor D7VB-1592 10-in. 8/27/1947 Joy to the world! Dick Leibert Organ solo composer  
Victor D7VB-1597 10-in. 8/27/1947 Angels from the realms of glory Dick Leibert Organ solo composer  
(Results 201-225 of 460 records)

Citation

Discography of American Historical Recordings, s.v. "Handel, George Frideric," accessed April 26, 2024, https://adp.library.ucsb.edu/names/102593.

Handel, George Frideric. (2024). In Discography of American Historical Recordings. Retrieved April 26, 2024, from https://adp.library.ucsb.edu/names/102593.

"Handel, George Frideric." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 26 April 2024.

DAHR Persistent Identifier

URI: https://adp.library.ucsb.edu/names/102593

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