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Cole Porter

Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film.

Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs.

After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback with his most successful musical, Kiss Me, Kate. It won the first Tony Award for Best Musical.

Porter's other musicals include Fifty Million Frenchmen, DuBarry Was a Lady, Anything Goes, Can-Can and Silk Stockings. His numerous hit songs include "Night and Day", "Begin the Beguine", "I Get a Kick Out of You", "Well, Did You Evah!", "I've Got You Under My Skin", "My Heart Belongs to Daddy" and "You're the Top". He also composed scores for films from the 1930s to the 1950s, including Born to Dance (1936), which featured the song "You'd Be So Easy to Love"; Rosalie (1937), which featured "In the Still of the Night"; High Society (1956), which included "True Love"; and Les Girls (1957).

Birth and Death Data: Born Peru, Died October 15, 1964 (Santa Monica)

Date Range of DAHR Recordings: 1916 - 1956

Roles Represented in DAHR: composer, lyricist, vocalist, piano, songwriter

= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.

Recordings (Results 176-200 of 358 records)

Company Matrix No. Size First Recording Date Title Primary Performer Description Role Audio
Victor MBS-092559 10-in. before 1/2/1951 Begin the beguine Los Tres Diamantes Male vocal and instrumental trio composer, lyricist  
Victor MBS-093263 10-in. 1/9/1952 Noche y día Los Tres Diamantes Male vocal and instrumental trio composer  
Victor E0VB-3000 10-in. 1/3/1950 Why shouldn't I Tommy Dorsey Orchestra Jazz/dance band composer, lyricist  
Victor E0VB-3001 10-in. 1/3/1950 Just one of those things Tommy Dorsey Orchestra Jazz/dance band composer  
Victor E0VB-3002 10-in. 1/4/1950 I get a kick out of you Tommy Dorsey Orchestra Jazz/dance band composer, lyricist  
Victor E0VB-3003 10-in. 1/4/1950 It's delovely Tommy Dorsey Orchestra Jazz/dance band composer, lyricist  
Victor E0VB-3005 10-in. 1/4/1950 You do something to me Tommy Dorsey Orchestra Jazz/dance band composer  
Victor E0VB-3006 10-in. 1/4/1950 Love for sale Tommy Dorsey Orchestra Jazz/dance band composer  
Victor E0VB-4362 10-in. 5/31/1950 Rosalie Tony Martin ; Henri René Male vocal solo, with instrumental ensemble composer, lyricist  
Victor E0VB-5920 10-in. 10/27/1950 I am loved Vaughn Monroe's Orchestra Male vocal solo, with instrumental ensemble composer, lyricist  
Victor E0VB-5922 10-in. 10/27/1950 Use your imagination Moon Maids ; Vaughn Monroe's Orchestra Male vocal solo, with female vocal group and instrumental ensemble composer, lyricist  
Victor E0VB-5927 10-in. 10/29/1950 Nobody's chasing me Dinah Shore Female vocal solo, with instrumental ensemble composer, lyricist  
Victor D4VB-0032 10-in. 2/8/1944 I love you Perry Como Male vocal solo, with mixed vocal chorus composer, lyricist  
Victor D4VB-0314 10-in. 11/13/1944 Don't fence me in Swing and Sway with Sammy Kaye ; Billy Williams [1913-2001] Male vocal solo, with jazz/dance band composer, lyricist  
Victor D4AB-0433 10-in. 11/21/1944 Don't fence me in Ruth Gaylor ; Hal McIntyre Orchestra ; Al Nobel Jazz/dance band, with female-male vocal duet composer, lyricist  
Victor D4RB-0451 10-in. 11/28/1944 Ev'rytime we say goodbye Dorothy Kirsten ; Maximilian Pilzer ; Victor Orchestra Soprano vocal solo, with orchestra composer, lyricist  
Victor D4RB-0452 10-in. 11/28/1944 Only another boy and girl Dorothy Kirsten ; Maximilian Pilzer ; Victor Orchestra Soprano vocal solo, with orchestra composer, lyricist  
Victor D4VB-0489 10-in. 12/20/1944 Only another boy and girl Charlie Spivak Orchestra ; Jimmy Saunders Male vocal solo, with jazz/dance band composer  
Victor D4VB-0490 10-in. 12/20/1944 Ev'ry time we say goodbye Charlie Spivak Orchestra ; Irene Daye Female vocal solo, with jazz/dance band composer  
Victor E4LB-5878 10-in. 11/1/1954 Begin the beguine march Richard Maltby Orchestra composer  
Victor D5VB-0010 10-in. 1/4/1945 Hence, it don't make sense Tony Pastor Orchestra Male vocal solo, with jazz/dance band composer, lyricist  
Victor D5XB-1002 10-in. 1/2/1945 No digas no Tito Guizar Male vocal solo, with instrumental ensemble composer  
Victor D5VB-1056 10-in. 6/7/1945 Easy to love Artie Shaw Orchestra Jazz/dance band composer  
Victor D5RC-1093 12-in. 5/17/1945 What is this thing called love? Allan Jones ; Ray Sinatra Male vocal solo, with mixed vocal octet and orchestra composer, lyricist  
Victor D5RC-1094 12-in. 5/17/1945 Night and day Allan Jones ; Ray Sinatra Male vocal solo, with mixed vocal octet and orchestra composer, lyricist  
(Results 176-200 of 358 records)

Citation

Discography of American Historical Recordings, s.v. "Porter, Cole," accessed December 11, 2025, http://adp.library.ucsb.edu/names/102688.

Porter, Cole. (2025). In Discography of American Historical Recordings. Retrieved December 11, 2025, from http://adp.library.ucsb.edu/names/102688.

"Porter, Cole." Discography of American Historical Recordings. UC Santa Barbara Library, 2025. Web. 11 December 2025.

DAHR Persistent Identifier

URI: http://adp.library.ucsb.edu/names/102688

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