Albert W. Ketèlbey
Albert William Ketèlbey (; born Ketelbey; 9 August 1875 – 26 November 1959) was an English composer, conductor and pianist, best known for his short pieces of light orchestral music. He was born in Birmingham and moved to London in 1889 to study at Trinity College of Music. After a brilliant studentship he did not pursue the classical career predicted for him, becoming musical director of the Vaudeville Theatre before gaining fame as a composer of light music and as a conductor of his own works.
For many years Ketèlbey worked for a series of music publishers, including Chappell & Co and the Columbia Graphophone Company, making arrangements for smaller orchestras, a period in which he learned to write fluent and popular music. He also found great success writing music for silent films until the advent of talking films in the late 1920s.
The composer's early works in conventional classical style were well received, but it was for his light orchestral pieces that he became best known. One of his earliest works in the genre, In a Monastery Garden (1915), sold over a million copies and brought him to widespread notice; his later musical depictions of exotic scenes caught the public imagination and established his fortune. Such works as In a Persian Market (1920), In a Chinese Temple Garden (1923), and In the Mystic Land of Egypt (1931) became best-sellers in print and on records; by the late 1920s he was Britain's first millionaire composer. His celebrations of British scenes were equally popular: examples include Cockney Suite (1924) with its scenes of London life, and his ceremonial music for royal events. His works were frequently recorded during his heyday, and a substantial part of his output has been put on CD in more recent years.
Ketèlbey's popularity began to wane during the Second World War and his originality also declined; many of his post-war works were re-workings of older pieces and he increasingly found his music ignored by the BBC. In 1949 he moved to the Isle of Wight, where he spent his retirement, and he died at home in obscurity. His work has been reappraised since his death; in a 2003 poll by the BBC radio programme Your Hundred Best Tunes, Bells Across the Meadows was voted the 36th most popular tune of all time and the last night of the 2009 Proms season marked the fiftieth anniversary of Ketèlbey's death—the first time his music had been included in the festival's finale.
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Birth and Death Data: Born August 9, 1875 (Birmingham), Died November 26, 1959 (Cowes)
Date Range of DAHR Recordings: 1907 - 1950
Roles Represented in DAHR: conductor, composer, lyricist, arranger, organ, piano, pipe organ
Notes: Pseudonym for Albert Ketèlbey,
= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.
Recordings (Results 201-225 of 310 records)
|Company||Matrix No.||Size||First Recording Date||Title||Primary Performer||Description||Role||Audio|
|Columbia||75413||12-in.||approximately 1917||On the Volga||Court Symphony Orchestra [U.K.]||Orchestra||composer, arranger|
|Columbia||75469||12-in.||approximately 1917||Faust, selections, part 1||Court Symphony Orchestra [U.K.] ; Albert W. Ketelbey||Orchestra||conductor|
|Columbia||75868||12-in.||approximately 1917||It is only a tiny garden||Elsa Stralia||Soprano vocal solo, with orchestra||conductor|
|Columbia||75869||12-in.||approximately 1917||I wonder if love is a dream||Elsa Stralia||Soprano vocal solo, with orchestra||conductor|
|Columbia||75893||12-in.||approximately 1917||Cheep, selection, part 1||Albert W. Ketelbey ; Vaudeville Theatre Orchestra||Orchestra||conductor|
|Columbia||75894||12-in.||approximately 1917||Cheep, selection, part 2||Albert W. Ketelbey ; Vaudeville Theatre Orchestra||Orchestra||conductor|
|Columbia||75895||12-in.||approximately 1917||Faust, selections, part 2||Court Symphony Orchestra [U.K.] ; Albert W. Ketelbey||Orchestra||conductor|
|Columbia||75922||12-in.||approximately May 1917||Julia||Albert W. Ketelbey ; Beatrice Lillie ; Vaudeville Theatre Orchestra||Female vocal solo, with orchestra||conductor|
|Columbia||75923||12-in.||approximately May 1917||Shoot the rabbit||Albert W. Ketelbey ; Beatrice Lillie ; Vaudeville Theatre Orchestra||Female vocal solo, with orchestra||conductor|
|Columbia||75924||12-in.||approximately May 1917||When I'm with her again||Albert W. Ketelbey ; Guy Le Feuvre ; Beatrice Lillie ; Vaudeville Theatre Orchestra||Vocal duet, with orchestra||conductor|
|Columbia||75925||12-in.||approximately May 1917||Where the black-eyed Susans grow||Albert W. Ketelbey ; Guy Le Feuvre ; Beatrice Lillie ; Vaudeville Theatre Orchestra||Vocal duet, with orchestra||conductor|
|Columbia||75926||12-in.||approximately May 1917||Yaketa||Albert W. Ketelbey ; Guy Le Feuvre ; Vaudeville Theatre Orchestra||Male vocal solo, with orchestra||conductor|
|Columbia||75927||12-in.||approximately May 1917||Our navy||Albert W. Ketelbey ; Guy Le Feuvre ; Vaudeville Theatre Orchestra||Male vocal solo, with orchestra||conductor|
|Columbia||75928||12-in.||approximately May 1917||Take me back to the land of promise||Albert W. Ketelbey ; Beatrice Lillie ; Vaudeville Theatre Orchestra||Female vocal solo, with orchestra||conductor|
|Columbia||75939||12-in.||approximately 1917||I shall see you tonight||Albert W. Ketelbey ; May Morris||Female vocal solo, with orchestra||conductor|
|Columbia||75940||12-in.||approximately 1917||Somebody's coming to tea||Albert W. Ketelbey ; May Morris||Female vocal solo, with orchestra||conductor|
|Columbia||75941||12-in.||approximately 1917||Cheep, vocal gems, part 1||Columbia Revue Company ; Albert W. Ketelbey||Vocal chorus and soloists, with orchestra||conductor|
|Columbia||75942||12-in.||approximately 1917||Cheep, vocal gems, part 1||Columbia Revue Company ; Albert W. Ketelbey||Vocal chorus and soloists, with orchestra||conductor|
|Columbia||75946||12-in.||approximately 1917||Where did that one go?||Harry Glenn ; Albert W. Ketelbey ; Vaudeville Theatre Orchestra||Male vocal solo, with chorus and orchestra||conductor|
|Columbia||75960||12-in.||approximately 1917||Hills of Donegal||Carrie Herwin||Female vocal solo, with orchestra||conductor|
|Columbia||75991||12-in.||approximately 1917||Guide me to the light||Carrie Herwin||Female vocal solo, with orchestra||conductor|
|Columbia||76021||12-in.||approximately 1918||Love's old sweet song||Clara Butt||Contralto vocal solo, with orchestra||conductor|
|Columbia||76079||12-in.||approximately 1918||Arlette, selection, part 1||Albert W. Ketelbey ; London Revue Orchestra||Orchestra||conductor|
|Columbia||76094||12-in.||approximately 1918||Arlette, selection, part 2||Albert W. Ketelbey ; London Revue Orchestra||Orchestra||conductor|
|Columbia||76095||12-in.||approximately 1918||Carminetta, selection, part 1||Albert W. Ketelbey ; London Revue Orchestra||Orchestra||conductor|
Discography of American Historical Recordings, s.v. "Ketèlbey, Albert W.," accessed June 1, 2023, https://adp.library.ucsb.edu/names/103225.
Ketèlbey, Albert W.. (2023). In Discography of American Historical Recordings. Retrieved June 1, 2023, from https://adp.library.ucsb.edu/names/103225.
"Ketèlbey, Albert W.." Discography of American Historical Recordings. UC Santa Barbara Library, 2023. Web. 1 June 2023.
DAHR Persistent Identifier
Wikipedia: Albert Ketèlbey
Discogs: Albert W. Ketèlbey
Linked Open Data Sources
LCNAR: Ketèlbey, Albert W. (Albert William), 1875-1959 - http://id.loc.gov/authorities/names/n81078907
Wikidata: Albert Ketèlbey - http://www.wikidata.org/entity/Q503005
MusicBrainz: Albert Ketèlbey - https://musicbrainz.org/artist/ec4ba9cc-3b8e-41a3-859c-59737bbe01e1
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