Leroy E. Kirkland (February 10, 1904 or 1906 – April 6, 1988) was an American arranger, bandleader, guitarist and songwriter whose career spanned the eras of big band jazz, R&B, rock and roll and soul.
Born in Columbia, South Carolina, in either 1904 or 1906 (sources differ), Kirkland played guitar in southern jazz bands in the 1920s, and after a spell in the army worked as arranger and songwriter for Erskine Hawkins. He joined Tommy and Jimmy Dorsey in the 1940s, and in 1951 began arranging music at Savoy Records in New York. He continued to arrange R&B artists for OKeh Records, Mercury Records and other companies, and worked on rock and roll shows with Alan Freed. He also directed "My Favorite Song" for Ella Fitzgerald on Decca Records (Decca #9-28433). Two of his compositions became popular with jazz musicians: "Charleston Alley" (recorded by Lambert, Hendricks & Ross, Charlie Barnet, and others) and "Cloudburst" (recorded by Count Basie, The Pointer Sisters, and others).
Some of Kirkland's more successful collaborations were with Screamin' Jay Hawkins ("I Put a Spell on You, "Little Demon","Yellow Coat", etc.) and Big Maybelle (Kirkland co-wrote her biggest hit, "Gabbin' Blues"). In 1956, Kirkland and his session band teamed up with 14-year-old singer Barbie Gaye to record an R&B song, "My Boy Lollypop". When the song was covered eight years later by Jamaican artist Millie Small, the cover version became a worldwide hit. Later at Savoy Records, Kirkland worked with Nappy Brown and Wilbert Harrison. Although behind the scenes for most of his career, Kirkland contributed to the recordings of music legends such as Etta James, Charlie Parker, Ella Fitzgerald, The Righteous Brothers, The Supremes, Brook Benton and the Five Satins. His work on 1963's #1 hit "Our Day Will Come" by Ruby and the Romantics is among his most successful arrangements.
Kirkland died in New York City in 1988.
Birth and Death Data: Born February 10, 1906 (South Carolina), Died April 6, 1988 (New York City)
Date Range of DAHR Recordings: 1941 - 1967
Roles Represented in DAHR: guitar, leader, arranger, composer
Recordings (Results 1-25 of 66 records)
|Company||Matrix No.||Size||First Recording Date||Title||Primary Performer||Description||Role||Audio|
|Victor||BS-058772||10-in.||1/7/1941||Charleston Alley||Charlie Barnet Orchestra||Jazz/dance band||composer|
|Victor||BS-067727||10-in.||8/26/1941||Foo-gee||Sunset Orchestra ; Julius Watson ; Doc Wheeler||Jazz/dance band, with male vocal solo||instrumentalist, guitar|
|Victor||BS-067728||10-in.||8/26/1941||How 'bout that mess||Sunset Orchestra ; Doc Wheeler||Jazz/dance band||instrumentalist, guitar|
|Victor||BS-067729||10-in.||8/26/1941||Take a tip||Sunset Orchestra ; Doc Wheeler||Jazz/dance band||instrumentalist, guitar, composer|
|Victor||BS-067730||10-in.||8/26/1941||Baby, I just want you||Frohsine Stewart ; Sunset Orchestra ; Doc Wheeler||Jazz/dance band, with vocal solo||instrumentalist, guitar|
|Victor||BS-068152||10-in.||11/6/1941||Gabby||Sunset Orchestra ; Doc Wheeler||Jazz/dance band||instrumentalist, guitar|
|Victor||BS-068166||10-in.||11/6/1941||Big and fat and forty-four||Hardway Four ; Sunset Orchestra ; Doc Wheeler||Jazz/dance band, with male vocal solo and male vocal quartet||instrumentalist, guitar|
|Victor||BS-068167||10-in.||11/6/1941||Sarghum switch||Sunset Orchestra ; Doc Wheeler||Jazz/dance band||instrumentalist, guitar|
|Victor||BS-068168||10-in.||11/6/1941||Leave the rest to me||Sunset Orchestra ; Doc Wheeler||Jazz/dance band||instrumentalist, guitar|
|Victor||BS-073487||10-in.||3/30/1942||Who threw the whiskey in the well?||Hardway Four ; Sunset Orchestra ; Doc Wheeler||Jazz/dance band, with male vocal solo and male vocal quartet||instrumentalist, guitar|
|Victor||BS-073488||10-in.||3/30/1942||Me and my Melinda||James Otis Lewis ; Sunset Orchestra ; Doc Wheeler||Jazz/dance band, with male vocal solo||arranger, instrumentalist, guitar|
|Victor||BS-073490||10-in.||3/30/1942||Keep jumpin'||Sunset Orchestra ; Doc Wheeler||Jazz/dance band||instrumentalist, guitar|
|Decca||76827||9/11/1950||so long, goodbye blues||Erskine Hawkins Orchestra||instrumentalist, guitar|
|Decca||76828||9/11/1950||Skippin' and hoppin'||Erskine Hawkins Orchestra||instrumentalist, guitar|
|Decca||76829||9/11/1950||Down beat||Erskine Hawkins Orchestra||instrumentalist, guitar|
|Decca||76830||9/11/1950||Tennessee waltz||Erskine Hawkins Orchestra||instrumentalist, guitar|
|Decca||80262||12/6/1950||After hours-1||Erskine Hawkins Orchestra||instrumentalist, guitar|
|Decca||80263||12/6/1950||No regrets||Erskine Hawkins Orchestra||instrumentalist, guitar|
|Decca||80264||12/6/1950||Tuxedo junction-2||Erskine Hawkins Orchestra||instrumentalist, guitar|
|Decca||80265||12/6/1950||Bear mash blues-3||Erskine Hawkins Orchestra||instrumentalist, guitar|
|Decca||80409||1/18/1951||Love never comes around||Erskine Hawkins Orchestra||instrumentalist, guitar|
|Decca||80410||1/18/1951||Nona-1||Erskine Hawkins Orchestra||instrumentalist, guitar|
|Decca||80411||1/18/1951||Please don't put me down||Erskine Hawkins Orchestra||instrumentalist, guitar|
|Decca||80412||1/18/1951||Station break||Erskine Hawkins Orchestra||instrumentalist, guitar|
|Decca||82349||2/28/1952||Coffee Daddy blues||Danny Taylor||leader|
Discography of American Historical Recordings, s.v. "Kirkland, Leroy," accessed January 23, 2022, https://adp.library.ucsb.edu/names/205422.
Kirkland, Leroy. (2022). In Discography of American Historical Recordings. Retrieved January 23, 2022, from https://adp.library.ucsb.edu/names/205422.
"Kirkland, Leroy." Discography of American Historical Recordings. UC Santa Barbara Library, 2022. Web. 23 January 2022.
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