Tympany Five was a successful and influential American rhythm and blues and jazz dance band founded by Louis Jordan in 1938. The group was composed of a horn section of three to five different pieces and also drums, double bass, guitar and piano.
Louis Jordan and His Tympany Five created many of the most influential songs of the early R&B and rock and roll era, including "Let The Good Times Roll", "Keep A-Knockin'", and "Caldonia". Carl Hogan's opening riff to "Ain't That Just Like A Woman" later became one of rock's most recognizable riffs in Chuck Berry's "Johnny B. Goode".
Jordan first formed the band as "The Elks Rendezvous Band", named after the Elks Rendezvous jazz joint in Harlem. The original lineup of the sextet was Jordan (saxes, vocals), Courtney Williams (trumpet), Lem Johnson (tenor sax), Clarence Johnson (piano), Charlie Drayton (bass) and Walter Martin (drums). The various lineups of the Tympany Five (which often featured two or three extra players) included Bill Jennings and Carl Hogan on guitar, renowned pianist-arrangers Wild Bill Davis and Bill Doggett, "Shadow" Wilson and Chris Columbus on drums and Dallas Bartley on bass. Jordan played alto, tenor and baritone saxophone and sang the lead vocal on most numbers. The band found fame after opening for The Mills Brothers at the Capitol Lounge in Chicago in 1941.
In 1941, they were transferred from Decca's "race" label to its Sepia Series, featuring artists thought to have the crossover potential to appeal to both black and white audiences. Jordan was always proud of the fact that the Tympany Five's music was just as popular with white as it was with black people.
Jordan's last recordings were made for the French Black & Blue label in 1973 and issued as I Believe in Music. The session included Irv Cox tenor in saxophone, Dave Burrell on piano, bassist John Duke and drummer Archie Taylor.
Date Range of DAHR Recordings: 1939 - 1955
Roles Represented in DAHR: Musical group
= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.
Recordings (Results 176-187 of 187 records)
|Company||Matrix No.||Size||First Recording Date||Title||Primary Performer||Description||Role||Audio|
|Decca||L 4596||12/1/1947||Chug chug boogie||Louis Jordan and his Tympany Five||Musical group|
|Decca||L 4597||12/1/1947||There'll be no days like that||Louis Jordan and his Tympany Five||Musical group|
|Decca||L 4598||12/1/1947||Pettin' and pokin'||Louis Jordan and his Tympany Five||Musical group|
|Decca||L 4887||2/7/1949||Safe, sane and single||Louis Jordan and his Tympany Five||Musical group|
|Decca||L 4888||2/7/1949||I know what you've got||Louis Jordan and his Tympany Five||Musical group|
|Decca||L 4889||2/7/1949||You broke your promise||Louis Jordan and his Tympany Five||Musical group|
|Decca||N 1797||10-in.||3/1/1944||I like 'em fat like that||Louis Jordan and his Tympany Five||Musical group|
|Decca||N 1920||10-in.||3/15/1944||G.I. jive||Louis Jordan and his Tympany Five||Musical group|
|Decca||N 3046||10-in.||1/19/1945||Somebody done changed the lock on the door||Louis Jordan and his Tympany Five||Musical group|
|Decca||N 3427||10-in.||7/16/1945||It's full or it ain't no good||Louis Jordan and his Tympany Five||Musical group|
|Decca||N 3428||10-in.||7/16/1945||How long must I wait for you?||Louis Jordan and his Tympany Five||Musical group|
|Decca||N 3449||10-in.||7/19/1945||Paper boy||Louis Jordan and his Tympany Five||Musical group|
Discography of American Historical Recordings, s.v. "Tympany Five," accessed February 6, 2023, https://adp.library.ucsb.edu/names/328178.
Tympany Five. (2023). In Discography of American Historical Recordings. Retrieved February 6, 2023, from https://adp.library.ucsb.edu/names/328178.
"Tympany Five." Discography of American Historical Recordings. UC Santa Barbara Library, 2023. Web. 6 February 2023.
DAHR Persistent Identifier
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