Columbia matrix 3158. Mira d'acerbe lacrime / Gina Ciaparelli ; Taurino Parvis

TitleSource
Mira d'acerbe lacrime (Primary title)Disc label
Trovatore (Work title)Disc label
Trovatore. Mira d'acerbe lagrime; arranged (Uniform title)
Authors and ComposersNotes
Giuseppe Verdi (composer)
Composer information source: Disc label.
PersonnelNotes Hide Additional Titles
Taurino Parvis (vocalist : baritone vocal)
Gina Ciaparelli (vocalist : soprano vocal)Listing for Gina Viafora.
Gina Viafora (vocalist : soprano vocal)
  • Description: Vocal duet (soprano and baritone), with piano
  • Category: Vocal
  • Language: Italian
  • Master Size: 10-in.
Notes
Brooks/Rust notes that this selection was remade about a year later with orchestra accompaniment on matrix 3524.
Additional number: M-251.
Source(s): Rigler-Deutsch Index; disc.
Take Date and PlaceTakeStatusLabel Name/NumberFormatNote Hide Additional Titles
ca. Jan.-Aug. 1905 New York, New York 1 Master Columbia 3158 10-in.

Audio of this recording from the UCSB Library

Mira d'acerbe lacrime

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ca. Jan.-Aug. 1905 New York, New York 1 Master Columbia A536 10-in.
ca. 1905-1910 New York, New York Unknown Master Columbia C115 10-in. Issued for the Spanish market.

Audio of this recording from the Internet Archive

The take number from which this recording is derived is not known.

Citation

Discography of American Historical Recordings, s.v. "Columbia matrix 3158. Mira d'acerbe lacrime / Gina Ciaparelli ; Taurino Parvis," accessed September 19, 2019, https://adp.library.ucsb.edu/index.php/matrix/detail/2000138715/3158-Mira_dacerbe_lacrime.

Columbia matrix 3158. Mira d'acerbe lacrime / Gina Ciaparelli ; Taurino Parvis. (2019). In Discography of American Historical Recordings. Retrieved September 19, 2019, from https://adp.library.ucsb.edu/index.php/matrix/detail/2000138715/3158-Mira_dacerbe_lacrime.

"Columbia matrix 3158. Mira d'acerbe lacrime / Gina Ciaparelli ; Taurino Parvis." Discography of American Historical Recordings. UC Santa Barbara Library, 2019. Web. 19 September 2019.

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