Decca matrix 101922. You make me live again / Johnnie Bailes
| Title | Source |
|---|---|
| You make me live again (Primary title) | Ruppli Decca |
| Personnel | Notes Hide Additional Titles |
| Johnnie Bailes (vocalist : tenor vocal) | |
| Buddy Harman (instrumentalist : drums) | |
| Bob L. Moore (instrumentalist : string bass) | |
| Webb Pierce (vocalist) | |
| Walter "Hank" "Sugarfoot" Garland (instrumentalist : electric guitar) | Lead electric guitar. |
| Harold Ray Bradley (instrumentalist : electric guitar) |
| Notes |
|---|
| Ruppli session personnel note: Johnnie Bailes (vocals), Webb Pierce (harmony vocals), Hank "Sugarfoot" Garland (electric lead guitar), Harold Ray Bradley (electric rhythm guitar), Bob L. Moore (bass), Murray M. "Buddy" Harman Jr. (drums). |
| Documentation of Decca Records derives from Michel Ruppli's "The Decca labels: a discography" (Greenwood Press, 1996). Data has not been systematically reviewed or edited by ADP staff, except as indicated. |
| Take Date and Place | Take | Status | Label Name/Number | Format | Note Hide Additional Titles |
|---|---|---|---|---|---|
| 3/18/1957 Nashville, Tennessee. Owen Bradley Film & Recording Studio | [A] | Master | Decca 30342 | 10-in. | |
| 3/18/1957 Nashville, Tennessee. Owen Bradley Film & Recording Studio | [A] | Master | Decca 9-30342 | 45-rpm |
Citation
Discography of American Historical Recordings, s.v. "Decca matrix 101922. You make me live again / Johnnie Bailes," accessed April 26, 2024, https://adp.library.ucsb.edu/index.php/matrix/detail/2000320224/101922-You_make_me_live_again.
Decca matrix 101922. You make me live again / Johnnie Bailes. (2024). In Discography of American Historical Recordings. Retrieved April 26, 2024, from https://adp.library.ucsb.edu/index.php/matrix/detail/2000320224/101922-You_make_me_live_again.
"Decca matrix 101922. You make me live again / Johnnie Bailes." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 26 April 2024.
Feedback
Send the Editors a message about this record.
