Victor matrix BS-056784. I am a slave to your blue eyes / Iván Dezső ; Hungarian Gypsy Orchestra

TitleSource
I am a slave to your blue eyes (Primary title)Disc label (BHC verso)
Hallgató (Title descriptor)Disc label (BHC verso)
Kek babonás szép szemednek (Parallel (translated) title)Disc label (BHC verso)
Authors and ComposersNotes
László Semsey (composer)
Composer information source: Disc label (BHC).
PersonnelNotes Hide Additional Titles
Iván Dezső (vocalist : tenor vocal)
Hungarian Gypsy Orchestra (Musical group)
Alfredo Cibelli (session supervisor)
Tetos Demetriades (session supervisor)
  • Description: Male vocal solo, with instrumental ensemble
  • Instrumentation: 3 violins, cimbalom, piano, and string bass
  • Category: Vocal
  • Marketing Genre: International
  • Language: Hungarian
  • Master Size: 10-in.
Notes
Victor ledgers: "A. Cibelli and T. Demetriades, present."
Source(s): Victor blue history card; Victor ledgers.
Take Date and PlaceTakeStatusLabel Name/NumberFormatNote Hide Additional Titles
10/17/1940 New York, New York. Studio 3 1 Master Victor V-618 10-in.
10/17/1940 New York, New York. Studio 3 1A Not processed
10/17/1940 New York, New York. Studio 3 2 Hold
10/17/1940 New York, New York. Studio 3 2A Not processed

Citation

Discography of American Historical Recordings, s.v. "Victor matrix BS-056784. I am a slave to your blue eyes / Iván Dezső ; Hungarian Gypsy Orchestra," accessed November 29, 2023, https://adp.library.ucsb.edu/index.php/matrix/detail/200047147/BS-056784-I_am_a_slave_to_your_blue_eyes.

Victor matrix BS-056784. I am a slave to your blue eyes / Iván Dezső ; Hungarian Gypsy Orchestra. (2023). In Discography of American Historical Recordings. Retrieved November 29, 2023, from https://adp.library.ucsb.edu/index.php/matrix/detail/200047147/BS-056784-I_am_a_slave_to_your_blue_eyes.

"Victor matrix BS-056784. I am a slave to your blue eyes / Iván Dezső ; Hungarian Gypsy Orchestra." Discography of American Historical Recordings. UC Santa Barbara Library, 2023. Web. 29 November 2023.

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