Johann Sebastian Bach

Johann Sebastian Bach (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the late Baroque period. He is known for his prolific output across a variety of instruments and forms, including the orchestral Brandenburg Concertos; solo instrumental works such as the cello suites and sonatas and partitas for solo violin; keyboard works such as the Goldberg Variations and The Well-Tempered Clavier; organ works such as the Schübler Chorales and the Toccata and Fugue in D minor; and choral works such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival, he has been widely regarded as one of the greatest composers in the history of Western music.

The Bach family had already produced several composers when Johann Sebastian was born as the last child of a city musician, Johann Ambrosius, in Eisenach. After being orphaned at age 10, he lived for five years with his eldest brother, Johann Christoph, then continued his musical education in Lüneburg. In 1703 he returned to Thuringia, working as a musician for Protestant churches in Arnstadt and Mühlhausen. Around that time he also visited for longer periods the courts in Weimar, where he expanded his organ repertory, and the reformed court at Köthen, where he was mostly engaged with chamber music. By 1723 he was hired as Thomaskantor (cantor with related duties at St Thomas School) in Leipzig. There he composed music for the principal Lutheran churches of the city and Leipzig University's student ensemble, Collegium Musicum. In 1726 he began publishing his organ and other keyboard music. In Leipzig, as had happened during some of his earlier positions, he had difficult relations with his employer. This situation was somewhat remedied when his sovereign, Augustus III of Poland, granted him the title of court composer of the Elector of Saxony in 1736. In the last decades of his life, Bach reworked and extended many of his earlier compositions. He died due to complications following eye surgery in 1750 at the age of 65. Four of his twenty children, Wilhelm Friedemann, Carl Philipp Emanuel, Johann Christoph Friedrich, and Johann Christian, became composers.

Bach enriched established German styles through his mastery of counterpoint, harmonic and motivic organisation, and his adaptation of rhythms, forms, and textures from abroad, particularly Italy and France. His compositions include hundreds of cantatas, both sacred and secular. He composed Latin church music, Passions, oratorios, and motets. He adopted Lutheran hymns, not only in his larger vocal works but also in such works as his four-part chorales and his sacred songs. Bach wrote extensively for organ and other keyboard instruments. He composed concertos, for instance for violin and for harpsichord, and suites, as chamber music as well as for orchestra. Many of his works use contrapuntal techniques like canon and fugue.

Several decades after the end of his life, in the 18th century, Bach was still primarily known as an organist. Several biographies of Bach were published in the 19th century, and by the end of that century all of his known music had been printed. Dissemination of Bach scholarship continued through periodicals (and later also websites) devoted to him, other publications such as the Bach-Werke-Verzeichnis (BWV, a numbered catalogue of his works), and new critical editions of his compositions. His music was further popularised by a multitude of arrangements, including the "Air on the G String" and "Jesu, Joy of Man's Desiring", and recordings, among them three different box sets of performances of his complete oeuvre marking the 250th anniversary of his death. By 2013, more than 150 recordings had been made of his Well-Tempered Clavier.

Birth and Death Data: Born Eisenach (municipality in Thuringia, Germany), Died July 28, 1750 (Leipzig (largest city in Saxony, Germany) )

Date Range of DAHR Recordings: 1904 - 1950

Roles Represented in DAHR: composer, arranger

= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.

Recordings (Results 726-742 of 742 records)

Company Matrix No. Size First Recording Date Title Primary Performer Description Role Audio
Columbia (U.K.) WLX1140 12-in. 10/8/1929 Prelude de la suite in mi René Bénédetti Violin solo composer  
Columbia (U.K.) WLX1141 12-in. 10/9/1929 Ouverture de la 28e cantate Clément Doucet ; Jan Weiner Piano duet composer  
Columbia (U.K.) WLX1142 12-in. 10/9/1929 Final du concerto No. 2 Clément Doucet ; Jan Weiner Piano duet composer  
Columbia (U.K.) WLX1426 12-in. 7/1/1930 Deux menuets de la 6e sonate pour violon seul Henri Merckel Violin solo composer  
Columbia (U.K.) WLX1427 12-in. 7/1/1930 Prelude de la 1re sonate our violon seul Henri Merckel Violin solo composer  
Columbia (U.K.) WLX1555 12-in. 6/15/1931 Prélude et fugue en sol majeur Édouard Commette Organ solo composer  
Columbia (U.K.) WL1613 10-in. 4/18/1929 Fugue en sol mineur Édouard Commette Organ solo composer  
Columbia (U.K.) WL1614 10-in. 4/18/1929 Fugue en sol mineur Édouard Commette Organ solo composer  
Columbia (U.K.) CLX1905 12-in. 4/27/1936 Air de l'oratorio de Noël: Sion tiens-toi prête Germaine Cernay Female vocal solo, with oboe d'amore and orchestra composer  
Columbia (U.K.) CLX1906 12-in. 4/27/1936 Air de Pomone de la cantate: École apaisé Germaine Cernay Female vocal solo, with oboe d'amore and orchestra composer  
Columbia (U.K.) CLX1907 12-in. 4/27/1936 Air de la cantate no. 65: Prends mon coeur Gustave Bret ; Georges Thill Male vocal solo, with orchestra composer  
Columbia (U.K.) CLX1908 12-in. 4/27/1936 Air de la cantate no. 85: Ah, quel prodige d'amour Gustave Bret ; Georges Thill Male vocal solo, with orchestra composer  
Columbia (U.K.) WL3195 10-in. 6/15/1931 Christ lag in Todesbanden Édouard Commette Organ solo composer  
Columbia (U.K.) WL3199 10-in. 6/15/1931 Komm Gott, Schöpfer, heiliger Geist Édouard Commette Organ solo composer  
Columbia (U.K.) CL5247 10-in. 3/1/1935 Sonata in A minor Marcel Moyse Flute solo composer  
Columbia (U.K.) CL5710 10-in. 4/27/1936 Benedictus de la grand 'messe en si mineur, 1ère partie Gustave Bret ; Henri Merckel ; Georges Thill Tenor vocal solo, with orchestra composer  
Columbia (U.K.) CL5711 10-in. 4/27/1936 Benedictus de la grand 'messe en si mineur, 2ème partie Gustave Bret ; Henri Merckel ; Georges Thill Tenor vocal solo, with orchestra composer  
(Results 726-742 of 742 records)

Citation

Discography of American Historical Recordings, s.v. "Bach, Johann Sebastian," accessed January 6, 2026, http://adp.library.ucsb.edu/names/102304.

Bach, Johann Sebastian. (2026). In Discography of American Historical Recordings. Retrieved January 6, 2026, from http://adp.library.ucsb.edu/names/102304.

"Bach, Johann Sebastian." Discography of American Historical Recordings. UC Santa Barbara Library, 2026. Web. 6 January 2026.

DAHR Persistent Identifier

URI: http://adp.library.ucsb.edu/names/102304

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