Georges Bizet
Georges Bizet (né Alexandre César Léopold Bizet; 25 October 1838 – 3 June 1875) was a French composer of the Romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, Carmen, which has become one of the most popular and frequently performed works in the entire opera repertoire. During a brilliant student career at the Conservatoire de Paris, Bizet won many prizes, including the prestigious Prix de Rome in 1857. He was recognised as an outstanding pianist, though he chose not to capitalise on this skill and rarely performed in public. Returning to Paris after almost three years in Italy, he found that the main Parisian opera theatres preferred the established classical repertoire to the works of newcomers. His keyboard and orchestral compositions were likewise largely ignored; as a result, his career stalled, and he earned his living mainly by arranging and transcribing the music of others. Restless for success, he began many theatrical projects during the 1860s, most of which were abandoned. Neither of his two operas that reached the stage in this time—Les pêcheurs de perles and La jolie fille de Perth—were immediately successful. After the Franco-Prussian War of 1870–1871, during which Bizet served in the National Guard, he had little success with his one-act opera Djamileh, though an orchestral suite derived from his incidental music to Alphonse Daudet's play L'Arlésienne was instantly popular. The production of his final opera, Carmen, was delayed because of fears that its themes of betrayal and murder would offend audiences. After its premiere on 3 March 1875, Bizet was convinced that the work was a failure; he died of a heart attack three months later, unaware that it would prove a spectacular and enduring success. Bizet's marriage to Geneviève Halévy was intermittently happy and produced one son. After his death, his work, apart from Carmen, was generally neglected. Manuscripts were given away or lost, and published versions of his works were frequently revised and adapted by other hands. He founded no school and had no obvious disciples or successors. After years of neglect, his works began to be performed more frequently in the 20th century. Later commentators have acclaimed him as a composer of brilliance and originality whose premature death was a significant loss to French musical theatre. |
Birth and Death Data: Born October 25, 1838 (Rue Louise-Émilie-de-La-Tour-d'Auvergne), Died June 3, 1875 (Bougival)
Date Range of DAHR Recordings: 1895 - 1950
Roles Represented in DAHR: composer
= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.
Recordings (Results 426-450 of 739 records)
Company | Matrix No. | Size | First Recording Date | Title | Primary Performer | Description | Role | Audio |
---|---|---|---|---|---|---|---|---|
Brunswick | 7273-7274 | 10-in. | approximately Jan. 1922 | Habanera | Florence Easton | Soprano vocal solo, with orchestra | composer | |
Brunswick | X7275-X7276 | 12-in. | approximately Jan. 1922 | Je dis que rien ne m'epouvante | Florence Easton | Soprano vocal solo, with orchestra | composer | |
Brunswick | X9203-X9205 | 12-in. | approximately Nov. 1922 | Chanson bohême | Sigrid Onégin | Contralto vocal solo, with orchestra | composer | |
Brunswick | X9329-X9330 | 12-in. | approximately Nov. 1922 | Agnus Dei | Mario Chamlee ; Fredric Fradkin ; Frank La Forge | Tenor vocal solo, with organ and violin obbligato | composer | |
Brunswick | X10116-X10118 | 12-in. | 3/15/1923 | Comme autrefois | Claire Dux | Soprano vocal solo, with orchestra | composer | |
Brunswick | 12579-12581 | 10-in. | 2/27/1924 | Carmen : Fantasie | Bronislaw Huberman ; Siegfried Schultze | Violin solo, with piano | composer | |
Brunswick | 12702-12703 | 10-in. | 3/19/1924 | Carmen : Fantasie | Bronislaw Huberman ; Siegfried Schultze | Violin solo, with piano | composer | |
Brunswick | X13190-X13191 | 12-in. | 5/29/1924 | Air de la fleur | Giacomo Lauri-Volpi | Male vocal solo, with orchestra | composer | |
Brunswick | X13753-X13754 | 12-in. | 9/8/1924 | Air de la fleur | Giacomo Lauri-Volpi | Tenor vocal solo, with orchestra | composer | |
Brunswick | 15262-15264 | 10-in. | 3/23/1925 | Habanera | Karin Branzell | Mezzo-soprano vocal solo, with orchestra | composer | |
Brunswick | X15527-X15529 | 12-in. | 4/14/1925 | Toreador song | John Charles Thomas | Male vocal solo, with orchestra | composer | |
Brunswick | E27976 | 10-in. | 8/3/1928 | Habanera | Kathryn Meisle | Contralto vocal solo, with orchestra | composer | |
Brunswick | E29569 | 10-in. | 3/30/1929 | Canción de toreador | Rodolfo Hoyos | Male vocal solo, with jazz/dance band | composer | |
Brunswick | XE32221 | 12-in. | Feb. 1930 | Toreador song | Michael Bohnen | Bass vocal solo, with orchestra | composer | |
Brunswick | E32829 | 10-in. | 4/17/1930 | Cancion del toreador | Los Castilians ; Rodolfo Hoyos | Male vocal solo, with jazz/dance band | composer | |
Brunswick | E15577-E15580 | 10-in. | 4/17/1925 | Carmen | Metropolitan Opera Orchestra ; Gennaro Papi | Orchestra | composer | |
Brunswick | E15581-E15583 | 10-in. | 4/17/1925 | Carmen | Metropolitan Opera Orchestra ; Gennaro Papi | Orchestra | composer | |
Brunswick | XE18349-XE18350 | 12-in. | 3/11/1926 | Chanson bohème | Sigrid Onégin | Contralto vocal solo, with orchestra | composer | |
Brunswick | E20288-E20289 | 10-in. | 9/29/1926 | Romance of Nadir | Max List ; Mishel Piastro | Violin solo, with piano | composer | |
Brunswick | E21530-E21532 | 10-in. | 2/17/1927 | Habanera | Sigrid Onégin | Contralto vocal solo, with orchestra | composer | |
Brunswick | E21532-E21533 | 10-in. | 2/17/1927 | Seguidilla | Sigrid Onégin | Contralto vocal solo, with orchestra | composer | |
Brunswick | XE26312-XE26313 | 12-in. | 1/30/1928 | Je dis que rien ne m’epouvante | Edith Mason | Female vocal solo, with orchestra | composer | |
Brunswick | XC3096 | 12-in. | 3/11/1929 | Ghost of the opera, pt. 3 | Vocalist(s) (unidentified; Brunswick Records) | Radio transcription disc : Vocal | composer | |
Brunswick | XC5529 | 12-in. | Feb. 1930 | Toreador song | Raymund Koch | Male vocal solo, with piano | composer | |
Brunswick | 210½bv | 10-in. | 1929 | Carmen : Fantasia | Alois Melichar ; The Opera Orchestra, Berlin-Charlottenberg | Orchestra | composer |
Citation
Discography of American Historical Recordings, s.v. "Bizet, Georges," accessed May 3, 2024, https://adp.library.ucsb.edu/names/102559.
Bizet, Georges. (2024). In Discography of American Historical Recordings. Retrieved May 3, 2024, from https://adp.library.ucsb.edu/names/102559.
"Bizet, Georges." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 3 May 2024.
DAHR Persistent Identifier
External Sources
Wikipedia: Georges Bizet
Discogs: Georges Bizet
Allmusic: Georges Bizet
Grove: Georges Bizet
IMSLP: Georges Bizet
RILM: Georges Bizet
RISM: Georges Bizet
IMDb: Georges Bizet
Britannica: Georges Bizet
Linked Open Data Sources
LCNAR: Bizet, Georges, 1838-1875 - http://id.loc.gov/authorities/names/n79116212
Wikidata: Georges Bizet - http://www.wikidata.org/entity/Q56158
VIAF: http://viaf.org/viaf/10032551
MusicBrainz: Georges Bizet - https://musicbrainz.org/artist/9bd20e6a-b41d-4983-a5b6-c0ff849fa235
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