George Frideric Handel

George Frideric (or Frederick) Handel (; baptised Georg Friedrich Händel, German: [ˈɡeːɔʁk ˈfʁiːdʁɪç ˈhɛndl̩] (listen); 23 February 1685 – 14 April 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age.

Handel started three commercial opera companies to supply the English nobility with Italian opera. In 1737, he had a physical breakdown, changed direction creatively, and addressed the middle class and made a transition to English choral works. After his success with Messiah (1742), he never composed an Italian opera again. His orchestral Water Music and Music for the Royal Fireworks remain steadfastly popular. One of his four coronation anthems, Zadok the Priest, has been performed at every British coronation since 1727. Almost blind, he died in 1759, a respected and rich man, and was given a state funeral at Westminster Abbey.

Handel composed more than forty opere serie over a period of more than thirty years. Since the late 1960s, interest in Handel's music has grown. The musicologist Winton Dean wrote that "Handel was not only a great composer; he was a dramatic genius of the first order." His music was admired by Classical-era composers, especially Mozart, Haydn and Beethoven.

Birth and Death Data: Born January 1, 1685 (Halle (Saale)), Died April 14, 1759 (London)

Date Range of DAHR Recordings: 1898 - 1951

Roles Represented in DAHR: composer

= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.

Recordings (Results 326-350 of 462 records)

Company Matrix No. Size First Recording Date Title Primary Performer Description Role Audio
Columbia 75181 12-in. 9/12/1922 The trumpet shall sound Norman Allin Bass vocal solo, with orchestra composer  
Columbia 75182 12-in. 9/12/1922 The people that walked in darkness Norman Allin Bass vocal solo, with orchestra composer  
Columbia 75189 12-in. 9/19/1922 Comfort ye my people Albert W. Ketelbey ; Frank Mullings Male vocal solo, with orchestra composer  
Columbia 75190 12-in. 9/19/1922 Every valley shall be exalted Albert W. Ketelbey ; Frank Mullings Male vocal solo, with orchestra composer  
Columbia 75191 12-in. 9/21/1922 Why do the nations? Norman Allin ; Albert W. Ketelbey Bass vocal solo, with orchestra composer  
Columbia 75192 12-in. 9/21/1922 But who may abide the day of his coming? Norman Allin ; Albert W. Ketelbey Bass vocal solo, with orchestra composer  
Columbia 75206 12-in. 11/2/1922 O thou that tellest Carrie Herwin ; Albert W. Ketelbey Female vocal solo, with orchestra composer  
Columbia 75207 12-in. 11/2/1922 He was despised Carrie Herwin ; Albert W. Ketelbey Female vocal solo, with orchestra composer  
Columbia 75360 12-in. approximately 1917 Where'er you walk Gervase Elwes ; Frederick B. Kiddle Male vocal solo, with piano composer  
Columbia 75851 12-in. approximately 1917 Xerxes : Largo Hamilton Harty ; W. H. Squire Cello solo, with piano composer  
Columbia 76072 12-in. approximately 1918 Honour and arms Norman Allin Bass vocal solo, with orchestra composer  
Columbia 76341 12-in. approximately 1919 I rage I melt; O ruddier than the cherry Norman Allin Bass vocal solo, with orchestra composer  
Columbia 76447 12-in. approximately 5/5/1919 Deeper and deeper still Hamilton Harty ; Frank Mullings Male vocal duet, with orchestra composer  
Columbia 76448 12-in. approximately 5/5/1919 Where 'er you walk Hamilton Harty ; Frank Mullings Male vocal duet, with orchestra composer  
Columbia 90275 10-in. approximately 1921 Pastoral symphony Columbia Miniature Orchestra Orchestra composer  
OKeh 147 10-in. ca. May 1918 Larghetto Vladimir Dubinsky Cello solo, with piano composer  
Brunswick [Br cat 5225-b] 10-in. approximately May 1918 Handel's Largo W. Durieux Cello solo composer  
Brunswick X9830 12-in. approximately Feb. 1923 Oh, sleep! Why dost thou leave me? Marie Tiffany Soprano vocal solo, with orchestra composer  
Brunswick 4509-4511 10-in. approximately Nov. 1920 Joy to the world Collegiate Choir Mixed vocal chorus, with orchestra composer  
Brunswick 6447-6450 10-in. approximately Sept. 1921 While shepherds watched All Soul's Choir Mixed vocal chorus, with orchestra composer  
Brunswick 7862-7863 10-in. approximately Apr. 1922 Angels ever bright and fair Irene Williams Female vocal solo, with orchestra composer  
Brunswick 8254-8255 10-in. approximately June 1922 He shall feed his flock Elizabeth Lennox Female vocal solo, with orchestra composer  
Brunswick X10170-X10171 12-in. 3/23/1923 Largo Fredric Fradkin ; Marie Tiffany Soprano vocal solo, with orchestra and violin obbligato composer  
Brunswick X15214-X15216 12-in. 3/18/1925 Il pensieroso Maria Ivogun Soprano vocal solo, with orchestra composer  
Brunswick X15414-X15415 12-in. 4/2/1925 Sweet bird Maria Ivogun Soprano vocal solo, with orchestra composer  
(Results 326-350 of 462 records)

Citation

Discography of American Historical Recordings, s.v. "Handel, George Frideric," accessed May 2, 2024, https://adp.library.ucsb.edu/names/102593.

Handel, George Frideric. (2024). In Discography of American Historical Recordings. Retrieved May 2, 2024, from https://adp.library.ucsb.edu/names/102593.

"Handel, George Frideric." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 2 May 2024.

DAHR Persistent Identifier

URI: https://adp.library.ucsb.edu/names/102593

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