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Gaetano Donizetti

Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the bel canto opera style during the first half of the nineteenth century and a probable influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. At an early age he was taken up by Simon Mayr who enrolled him with a full scholarship in a school which he had set up. There he received detailed musical training. Mayr was instrumental in obtaining a place for Donizetti at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy Il Pigmalione, which may never have been performed during his lifetime.

An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to Naples and his residency there until production of Caterina Cornaro in January 1844. In all, 51 of Donizetti's operas were presented in Naples. Before 1830, success came primarily with his comic operas, the serious ones failing to attract significant audiences. His first notable success came with an opera seria, Zoraida di Granata, which was presented in 1822 in Rome. In 1830, when Anna Bolena was first performed, Donizetti made a major impact on the Italian and international opera scene shifting the balance of success away from primarily comedic operas, although even after that date, his best-known works included comedies such as L'elisir d'amore (1832) and Don Pasquale (1843). Significant historical dramas did succeed; they included Lucia di Lammermoor (the first to have a libretto written by Salvadore Cammarano) given in Naples in 1835, and one of the most successful Neapolitan operas, Roberto Devereux in 1837. Up to that point, all of his operas had been set to Italian libretti.

Donizetti found himself increasingly chafing against the censorship limitations in Italy (and especially in Naples). From about 1836, he became interested in working in Paris, where he saw greater freedom to choose subject matter, in addition to receiving larger fees and greater prestige. From 1838, beginning with an offer from the Paris Opéra for two new works, he spent much of the following 10 years in that city, and set several operas to French texts as well as overseeing staging of his Italian works. The first opera was a French version of the then-unperformed Poliuto which, in April 1840, was revised to become Les martyrs. Two new operas were also given in Paris at that time. Throughout the 1840s Donizetti moved between Naples, Rome, Paris, and Vienna, continuing to compose and stage his own operas as well as those of other composers. From around 1843, severe illness began to limit his activities. By early 1846 he was obliged to be confined to an institution for the mentally ill and, by late 1847, friends had him moved back to Bergamo, where he died in April 1848 in a state of mental derangement due to neurosyphilis.

Birth and Death Data: Born November 29, 1797 (Bergamo), Died April 8, 1848 (Bergamo)

Date Range of DAHR Recordings: 1898 - 1941

Roles Represented in DAHR: composer, arranger

= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.

Recordings (Results 276-300 of 581 records)

Company Matrix No. Size First Recording Date Title Primary Performer Description Role Audio
Columbia 11268 10-in. approximately 1908 to 1914 Una furtiva lagrima Angelo Bendinelli Tenor vocal solo, with orchestra composer  
Columbia 11305 10-in. approximately 1908 to 1914 Serenata Alessandro Ravazzolo Tenor vocal solo composer  
Columbia 36321 10-in. approximately 1913 Een Engel, een bovenaardsch wezen Louis Goldsteen Tenor vocal solo, with orchestra composer  
Columbia 41894 10-in. approximately 1904-1915 Quanto è bella Giuseppe Paganelli Tenor vocal solo, with orchestra composer  
Columbia 41895 10-in. approximately 1904-1915 Spirto gentil Giuseppe Paganelli Tenor vocal solo, with orchestra composer  
Columbia 41910 10-in. approximately 1904-1915 Il segreto per esser felici Eugenia Nuñez-Lopez Mezzo-soprano vocal solo and male vocal chorus, with orchestra composer  
Columbia 41912 10-in. between 1913 and 1919 Tornami a dir che m'ami Ida Cattorini ; Giuseppe Paganelli Vocal duet (soprano and tenor), with orchestra composer  
Columbia 41940 10-in. 1913 Di pescatore ignobile Edoardo Garbin Tenor vocal solo, with orchestra composer  
Columbia 41948 10-in. approximately 1904-1914 Udite, udite o rustici Ferruccio Corradetti Baritone vocal solo and vocal chorus, with orchestra composer  
Columbia 41949 10-in. approximately 1904-1914 Udite, udite o rustici Ferruccio Corradetti Baritone vocal solo and vocal chorus, with orchestra composer  
Columbia 41956 10-in. between 1904 and 1919 Tomba degli avi miei Manfredi Polverosi Male vocal solo, with orchestra composer  
Columbia 41957 10-in. between 1904 and 1919 Fra poco a me ricovero Manfredi Polverosi Tenor vocal solo, with orchestra composer  
Columbia 41966 10-in. approximately 1904-1914 Ell' é un giglio di puro candor Ferruccio Corradetti Baritone vocal solo and male vocal chorus, with orchestra composer  
Columbia 41968 10-in. approximately 1904-1915 Io son ricco e tu sel bella Ida Cattorini ; Ferruccio Corradetti Vocal duet (soprano and baritone), with orchestra composer  
Columbia 42201 10-in. between 1913 and 1915 Regnava nel silenzio Albertina Cassani Soprano vocal solo, with orchestra composer  
Columbia 42202 10-in. between 1910 and 1919 Ohimè! Sorge il tremendo fantasma Albertina Cassani Soprano vocal solo composer  
Columbia 42205 10-in. between 1913 and 1915 Quando rapita in estasi Albertina Cassani Soprano vocal solo, with orchestra composer  
Columbia 42226 10-in. between 1910 and 1919 Alfin son tua Albertina Cassani Soprano vocal solo composer  
Columbia 42339 10-in. before 1920 Don Pasquale : Serenata Italo Cristali Tenor vocal solo, with orchestra composer  
Columbia 42341 10-in. before 1920 Don Pasquale : Sogno soave e casto Italo Cristali Tenor vocal solo, with orchestra composer  
Columbia 42345 10-in. between 1915 and 1919 Pompe e feste Francesco Dominici Tenor vocal solo, with orchestra composer  
Columbia 44730 10-in. approximately November 1916 Ne pouvant réprimer Mme. Zanco di Primo Tenor vocal solo, with orchestra composer  
Columbia 50698 10-in. between 1903 and 1906 Ange si pur Roméo Berti Tenor vocal solo, with piano composer  
Columbia 50701 10-in. between 1903 and 1906 Un ange, une femme inconnue Roméo Berti Tenor vocal solo, with piano composer  
Columbia 70412 10-in. between 1920 and 1923 Tu che a dio Luigi Abrate Tenor vocal solo composer  
(Results 276-300 of 581 records)

Citation

Discography of American Historical Recordings, s.v. "Donizetti, Gaetano," accessed April 30, 2024, https://adp.library.ucsb.edu/names/102598.

Donizetti, Gaetano. (2024). In Discography of American Historical Recordings. Retrieved April 30, 2024, from https://adp.library.ucsb.edu/names/102598.

"Donizetti, Gaetano." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 30 April 2024.

DAHR Persistent Identifier

URI: https://adp.library.ucsb.edu/names/102598

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