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Gaetano Donizetti

Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the bel canto opera style during the first half of the nineteenth century and a probable influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. At an early age he was taken up by Simon Mayr who enrolled him with a full scholarship in a school which he had set up. There he received detailed musical training. Mayr was instrumental in obtaining a place for Donizetti at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy Il Pigmalione, which may never have been performed during his lifetime.

An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to Naples and his residency there until production of Caterina Cornaro in January 1844. In all, 51 of Donizetti's operas were presented in Naples. Before 1830, success came primarily with his comic operas, the serious ones failing to attract significant audiences. His first notable success came with an opera seria, Zoraida di Granata, which was presented in 1822 in Rome. In 1830, when Anna Bolena was first performed, Donizetti made a major impact on the Italian and international opera scene shifting the balance of success away from primarily comedic operas, although even after that date, his best-known works included comedies such as L'elisir d'amore (1832) and Don Pasquale (1843). Significant historical dramas did succeed; they included Lucia di Lammermoor (the first to have a libretto written by Salvadore Cammarano) given in Naples in 1835, and one of the most successful Neapolitan operas, Roberto Devereux in 1837. Up to that point, all of his operas had been set to Italian libretti.

Donizetti found himself increasingly chafing against the censorship limitations in Italy (and especially in Naples). From about 1836, he became interested in working in Paris, where he saw greater freedom to choose subject matter, in addition to receiving larger fees and greater prestige. From 1838, beginning with an offer from the Paris Opéra for two new works, he spent much of the following 10 years in that city, and set several operas to French texts as well as overseeing staging of his Italian works. The first opera was a French version of the then-unperformed Poliuto which, in April 1840, was revised to become Les martyrs. Two new operas were also given in Paris at that time. Throughout the 1840s Donizetti moved between Naples, Rome, Paris, and Vienna, continuing to compose and stage his own operas as well as those of other composers. From around 1843, severe illness began to limit his activities. By early 1846 he was obliged to be confined to an institution for the mentally ill and, by late 1847, friends had him moved back to Bergamo, where he died in April 1848 in a state of mental derangement due to neurosyphilis.

Birth and Death Data: Born November 29, 1797 (Bergamo), Died April 8, 1848 (Bergamo)

Date Range of DAHR Recordings: 1898 - 1941

Roles Represented in DAHR: composer, arranger

= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.

Recordings (Results 301-325 of 581 records)

Company Matrix No. Size First Recording Date Title Primary Performer Description Role Audio
Columbia 75607 12-in. approximately 1913 Cavatine Carel Butter Baritone vocal solo, with orchestra composer  
Columbia 87395 10-in. approximately May 1921 La favorite : Ange si pur Pierre A. Asselin Tenor vocal solo, with orchestra composer  
Columbia 90157 10-in. July 1920 Rataplan Columbia Miniature Orchestra Orchestra composer  
Columbia W111719 10-in. February 1930 Sestetto Banda Italiana Columbia Band composer  
OKeh S-7314 10-in. Feb. 1920 Cavatina Marina Campanari Soprano vocal solo, with orchestra composer  
OKeh S-70316 10-in. Nov. 1921 Sextette Ferdinand Himmelreich Piano solo composer  
OKeh [OK cat 5005-A] 10-in. Feb.-May 1920 Mad scene (Ardon gl'incensi) Marina Campanari Soprano vocal solo, with orchestra composer  
Brunswick 608 10-in. approximately early 1917 Lucia : Sextette Instrumentalist(s) (Unidentified; Brunswick Records) Instrumental trio composer  
Brunswick [Br cat 20155-a] 12-in. approximately Sept. 1917 Spirito gentil Ralph Errolle Tenor vocal solo composer  
Brunswick [Br cat 20163-a] 12-in. approximately Oct. 1917 Una furtiva lagrima Mme. Barone Eugenie Fonariova Mezzo-soprano vocal solo composer  
Brunswick 4288 10-in. approximately Oct. 1920 Sextette Vessella's Italian Band Band composer  
Brunswick 14288 12-in. approximately 1921 Lucia sextet Vessella's Italian Band Band composer  
Brunswick 9382-9383 10-in. approximately Dec. 1922 Brindisi Sigrid Onégin Contralto vocal solo, with orchestra composer  
Brunswick X9928-X9929 12-in. 2/15/1923 Una furtiva lagrima Mario Chamlee Tenor vocal solo, with orchestra composer  
Brunswick X10068-X10069 12-in. 3/7/1923 Una furtiva lagrima Giacomo Lauri-Volpi Tenor vocal solo, with orchestra composer  
Brunswick X15265-X15267 12-in. 3/23/1925 Leonora Karin Branzell Mezzo-soprano vocal solo, with orchestra composer  
Brunswick XE27289 12-in. 4/5/1928 O mio Fernando Karin Branzell Mezzo-soprano vocal solo, with orchestra composer  
Brunswick E28483 10-in. 10/19/1928 Soft beams the light Mario Chamlee Tenor vocal solo, with orchestra composer  
Brunswick E28484 10-in. 10/19/1928 Spirito gentil Mario Chamlee Tenor vocal solo, with orchestra composer  
Brunswick XE17009-XE17011 12-in. 12/2/1925 Sextette Vessella's Italian Band Band composer  
Brunswick E18331-E18332 10-in. 3/10/1926 Brindisi Sigrid Onégin Contralto vocal solo, with orchestra composer  
Brunswick XC7920 12-in. 7/29/1931 Mad scene Helene Eck Soprano vocal solo, with flute and piano composer  
Brunswick TC2193 10-in. 8/10/1928 Un furtiva lagrima Giuseppe Piliego Tenor vocal solo, with piano composer  
Brunswick 769bi 12-in. 1928 Vado corro Coristas de La Scala de Milán Vocal chorus, with orchestra composer  
Edison 114 Not documented between 3/15/1910 and 3/19/1910 O mio Fernando Marie Delna Contralto vocal solo with orchestra composer  
(Results 301-325 of 581 records)

Citation

Discography of American Historical Recordings, s.v. "Donizetti, Gaetano," accessed May 2, 2024, https://adp.library.ucsb.edu/names/102598.

Donizetti, Gaetano. (2024). In Discography of American Historical Recordings. Retrieved May 2, 2024, from https://adp.library.ucsb.edu/names/102598.

"Donizetti, Gaetano." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 2 May 2024.

DAHR Persistent Identifier

URI: https://adp.library.ucsb.edu/names/102598

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