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Gaetano Donizetti

Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the bel canto opera style during the first half of the nineteenth century and a probable influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. At an early age he was taken up by Simon Mayr who enrolled him with a full scholarship in a school which he had set up. There he received detailed musical training. Mayr was instrumental in obtaining a place for Donizetti at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy Il Pigmalione, which may never have been performed during his lifetime.

An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to Naples and his residency there until production of Caterina Cornaro in January 1844. In all, 51 of Donizetti's operas were presented in Naples. Before 1830, success came primarily with his comic operas, the serious ones failing to attract significant audiences. His first notable success came with an opera seria, Zoraida di Granata, which was presented in 1822 in Rome. In 1830, when Anna Bolena was first performed, Donizetti made a major impact on the Italian and international opera scene shifting the balance of success away from primarily comedic operas, although even after that date, his best-known works included comedies such as L'elisir d'amore (1832) and Don Pasquale (1843). Significant historical dramas did succeed; they included Lucia di Lammermoor (the first to have a libretto written by Salvadore Cammarano) given in Naples in 1835, and one of the most successful Neapolitan operas, Roberto Devereux in 1837. Up to that point, all of his operas had been set to Italian libretti.

Donizetti found himself increasingly chafing against the censorship limitations in Italy (and especially in Naples). From about 1836, he became interested in working in Paris, where he saw greater freedom to choose subject matter, in addition to receiving larger fees and greater prestige. From 1838, beginning with an offer from the Paris Opéra for two new works, he spent much of the following 10 years in that city, and set several operas to French texts as well as overseeing staging of his Italian works. The first opera was a French version of the then-unperformed Poliuto which, in April 1840, was revised to become Les martyrs. Two new operas were also given in Paris at that time. Throughout the 1840s Donizetti moved between Naples, Rome, Paris, and Vienna, continuing to compose and stage his own operas as well as those of other composers. From around 1843, severe illness began to limit his activities. By early 1846 he was obliged to be confined to an institution for the mentally ill and, by late 1847, friends had him moved back to Bergamo, where he died in April 1848 in a state of mental derangement due to neurosyphilis.

Birth and Death Data: Born November 29, 1797 (Bergamo), Died April 8, 1848 (Bergamo)

Date Range of DAHR Recordings: 1898 - 1941

Roles Represented in DAHR: composer, arranger

= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.

Recordings (Results 401-425 of 581 records)

Company Matrix No. Size First Recording Date Title Primary Performer Description Role Audio
Edison 6202 10-in. between 6/5/1918 and 6/7/1918 O mio Fernando Marie Morrisey Contralto vocal solo, with orchestra composer  
Edison 6446 10-in. 11/4/1918 A tanto amor Mario Laurenti Tenor vocal solo, with orchestra composer  
Edison 6543 10-in. 1/2/1919 Come Paride vezzoso Mario Laurenti Tenor vocal solo, with orchestra composer  
Edison 6562 10-in. 1/13/1919 So anch'io la virtu magica Consuelo Escobar de Castro Soprano vocal solo, with orchestra composer  
Edison 6586 10-in. 1/24/1919 Angel of light Albert Lindquest Tenor vocal solo, with orchestra composer  
Edison 6617 10-in. 2/10/1919 In questo suolo Mario Laurenti ; Carolina Lazzari Vocal duet (contralto and tenor), with orchestra composer  
Edison 6695 10-in. 3/27/1919 Evviva la Francia Frieda Hempel Soprano vocal solo, with orchestra composer  
Edison 6901 10-in. 8/6/1919 O mio Fernando Cyrena Van Gordon Contralto vocal solo, with orchestra composer  
Edison 7151 10-in. 2/6/1920 Chi mi frena Operatic Sextette [Edison] Mixed vocal sextet, with orchestra composer  
Edison 7338 10-in. 5/3/1920 Il segreto per esser felici Cecil Arden Contralto vocal solo, with orchestra composer  
Edison 7786 10-in. 2/9/1921 Sextette Asta Doubravska ; Vasa Prihóda Violin solo, with piano composer  
Edison 8094 10-in. 6/24/1921 Chi mi frena Mixed Vocal Sextet [Edison] Mixed vocal sextet, with orchestra composer  
Edison 8496 10-in. 6/19/1922 Verranno a te sull'aure Anna Case ; Ralph Errolle Vocal duet (soprano and tenor), with orchestra composer  
Edison 8613 10-in. 10/3/1922 Lucia sextette Ferdinand Himmelreich Piano solo composer  
Edison 10024 10-in. 5/19/1924 Lucia di Lammermoor Anna Pinto Harp solo composer  
Edison 10999 10-in. 5/24/1926 Una furtiva lagrima José Mojica Tenor vocal solo, with orchestra composer  
Gramophone CA10 12-in. 5/24/1921 Voce fatal di morte Mattia Battistini ; Carlo Sabajno Baritone vocal solo, with orchestra composer  
Gramophone CA11 12-in. 5/24/1921 Vien, Leonora Mattia Battistini ; Carlo Sabajno Baritone vocal solo, with orchestra composer  
Gramophone MELBA 12 12-in. 3/27/1904 Part of the Mad scene Nellie Melba Soprano vocal solo, with flute obbligato and piano composer  
Gramophone CM27 12-in. 5/26/1921 Ah! Non avea piu lagrime Mattia Battistini Baritone vocal solo, with piano composer  
Gramophone 281aj 12-in. 6/6/1911 Bella è di sol vestite Mattia Battistini Baritone vocal solo, with orchestra composer  
Gramophone 312z[L] 10-in. approximately 1902 Aria from Donizetti's Lucia (Mad scene) M. A. Mikhaĭlova ; A. N. Semenov Soprano vocal solo, with piano accompaniment and flute obbligato composer  
Gramophone 347L 10-in. 1902 The Gypsy Ekaterina Aleksandrovna Orelʹ Soprano vocal solo, with piano composer  
Gramophone 354aj 12-in. 7/28/1911 L'oltraggio che scende Giuseppina Bonetti ; Ugo Cannetti ; Vittorio De Goetzen ; Giuseppi Sala ; Salvatore Salvati Vocal quintet (soprano, mezzo-soprano, tenor, baritone, and bass), with vocal chorus and orchestra composer  
Gramophone 493½c 12-in. 1905 Fia vero lasciarti Clotilde Esposito ; Gino Martinez-Patti Vocal duet (soprano and tenor), with orchestra composer  
(Results 401-425 of 581 records)

Citation

Discography of American Historical Recordings, s.v. "Donizetti, Gaetano," accessed May 3, 2024, https://adp.library.ucsb.edu/names/102598.

Donizetti, Gaetano. (2024). In Discography of American Historical Recordings. Retrieved May 3, 2024, from https://adp.library.ucsb.edu/names/102598.

"Donizetti, Gaetano." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 3 May 2024.

DAHR Persistent Identifier

URI: https://adp.library.ucsb.edu/names/102598

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