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Gaetano Donizetti

Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the bel canto opera style during the first half of the nineteenth century and a probable influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. At an early age he was taken up by Simon Mayr who enrolled him with a full scholarship in a school which he had set up. There he received detailed musical training. Mayr was instrumental in obtaining a place for Donizetti at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy Il Pigmalione, which may never have been performed during his lifetime.

An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to Naples and his residency there until production of Caterina Cornaro in January 1844. In all, 51 of Donizetti's operas were presented in Naples. Before 1830, success came primarily with his comic operas, the serious ones failing to attract significant audiences. His first notable success came with an opera seria, Zoraida di Granata, which was presented in 1822 in Rome. In 1830, when Anna Bolena was first performed, Donizetti made a major impact on the Italian and international opera scene shifting the balance of success away from primarily comedic operas, although even after that date, his best-known works included comedies such as L'elisir d'amore (1832) and Don Pasquale (1843). Significant historical dramas did succeed; they included Lucia di Lammermoor (the first to have a libretto written by Salvadore Cammarano) given in Naples in 1835, and one of the most successful Neapolitan operas, Roberto Devereux in 1837. Up to that point, all of his operas had been set to Italian libretti.

Donizetti found himself increasingly chafing against the censorship limitations in Italy (and especially in Naples). From about 1836, he became interested in working in Paris, where he saw greater freedom to choose subject matter, in addition to receiving larger fees and greater prestige. From 1838, beginning with an offer from the Paris Opéra for two new works, he spent much of the following 10 years in that city, and set several operas to French texts as well as overseeing staging of his Italian works. The first opera was a French version of the then-unperformed Poliuto which, in April 1840, was revised to become Les martyrs. Two new operas were also given in Paris at that time. Throughout the 1840s Donizetti moved between Naples, Rome, Paris, and Vienna, continuing to compose and stage his own operas as well as those of other composers. From around 1843, severe illness began to limit his activities. By early 1846 he was obliged to be confined to an institution for the mentally ill and, by late 1847, friends had him moved back to Bergamo, where he died in April 1848 in a state of mental derangement due to neurosyphilis.

Birth and Death Data: Born November 29, 1797 (Bergamo), Died April 8, 1848 (Bergamo)

Date Range of DAHR Recordings: 1898 - 1941

Roles Represented in DAHR: composer, arranger

= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.

Recordings (Results 526-550 of 581 records)

Company Matrix No. Size First Recording Date Title Primary Performer Description Role Audio
Gramophone 2EA8402 12-in. 11/9/1939 Una furtiva lagrima Enrico Caruso Tenor vocal solo, with piano composer  
Odeon Lxx3152 12-in. 9/7/1909 La favorita : Spirto gentil John McCormack Tenor vocal solo, with orchestra composer  
Atlanta 65387 10-in. 1914 Lucía di Lammermour, 1a parte Agustín Barrios Mangoré Guitar solo composer  
Atlanta 65388 10-in. 1914 Lucía di Lammermour, 2a parte Agustín Barrios Mangoré Guitar solo composer  
Columbia (U.K.) A1898 10-in. between May 1923 and October 1925 Cruda funesta smania Riccardo Stracciari Baritone vocal solo, with orchestra composer  
Columbia (U.K.) B26 10-in. before June 1923 Tornami a dir che Dino Borgioli ; Ena Suriñach Female-male vocal duet composer  
Columbia (U.K.) WBX97 12-in. between January and May 1927 Una furtiva lagrima Dino Borgioli Tenor vocal solo composer  
Columbia (U.K.) BX106 12-in. January-May 1927 Quando rapito in estasi Anna-Maria Guglielmetti Female vocal solo, with orchestra composer  
Columbia (U.K.) BX108 12-in. January-May 1927 Regnava nel silenzio Anna-Maria Guglielmetti Female vocal solo, with orchestra composer  
Columbia (U.K.) WBX192 12-in. August-November 1927 Una furtiva lagrima Roberto D'Alessio Male vocal solo, with orchestra composer  
Columbia (U.K.) WBX500 12-in. between January and July 1929 Coro dei servitori Teatro alla Scala Coro Vocal chorus composer  
Columbia (U.K.) B625 10-in. between June 1924 and February 1926 Hai tradito il cielo Giuseppe Taccani Tenor vocal solo composer  
Columbia (U.K.) WBX713 12-in. September-December 1929 Ancor non giunse Mercedes Capsir ; Ida Mannarini Female vocal duet, with orchestra composer  
Columbia (U.K.) WBX714 12-in. September-December 1929 Lucia fra poco a te verrà Enrico Molinari ; Emilio Venturini Male vocal duet, with orchestra composer  
Columbia (U.K.) WBX715 12-in. September-December 1929 Regnava nel silenzio Mercedes Capsir ; Ida Mannarini Female vocal duet, with orchestra composer  
Columbia (U.K.) WBX716 12-in. September-December 1929 Quando rapito in estasi Mercedes Capsir ; Ida Mannarini Female vocal duet, with orchestra composer  
Columbia (U.K.) WBX717 12-in. September-December 1929 Egli s'avanza Mercedes Capsir ; Enzo De Muro Lomanto ; Ida Mannarini Mixed vocal trio, with orchestra composer  
Columbia (U.K.) WBX718 12-in. September-December 1929 Il pallor funesto orrendo Mercedes Capsir ; Enrico Molinari Female-male vocal duet, with orchestra composer  
Columbia (U.K.) WBX719 12-in. September-December 1929 Deh! Si placa... Mercedes Capsir ; Enzo De Muro Lomanto Female-male vocal duet, with orchestra composer  
Columbia (U.K.) WBX720 12-in. September-December 1929 Verranno a te sull'aure Mercedes Capsir ; Enzo De Muro Lomanto Female-male vocal duet, with orchestra composer  
Columbia (U.K.) WBX721 12-in. September-December 1929 Soffriva nel pianto Mercedes Capsir ; Enrico Molinari Female-male vocal duet, with orchestra composer  
Columbia (U.K.) WBX722 12-in. September-December 1929 M'odi, spento è Guglielmo Mercedes Capsir ; Enrico Molinari Female-male vocal duet, with orchestra composer  
Columbia (U.K.) WBX723 12-in. September-December 1929 Percorrete le spiaggie vicine Emilio Venturini Male vocal solo, with vocal chorus and orchestra composer  
Columbia (U.K.) WBX724 12-in. September-December 1929 Tombe degli avi miei Enzo De Muro Lomanto Male vocal solo, with orchestra composer  
Columbia (U.K.) WBX725 12-in. September-December 1929 Chime! Sorge il tremendo fantasma Mercedes Capsir Female vocal solo, with orchestra composer  
(Results 526-550 of 581 records)

Citation

Discography of American Historical Recordings, s.v. "Donizetti, Gaetano," accessed May 3, 2024, https://adp.library.ucsb.edu/names/102598.

Donizetti, Gaetano. (2024). In Discography of American Historical Recordings. Retrieved May 3, 2024, from https://adp.library.ucsb.edu/names/102598.

"Donizetti, Gaetano." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 3 May 2024.

DAHR Persistent Identifier

URI: https://adp.library.ucsb.edu/names/102598

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