Jules Massenet

Jules Émile Frédéric Massenet (French pronunciation: ​[ʒyl emil fʁedeʁik masnɛ]; 12 May 1842 – 13 August 1912) was a French composer of the Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are Manon (1884) and Werther (1892). He also composed oratorios, ballets, orchestral works, incidental music, piano pieces, songs and other music.

While still a schoolboy, Massenet was admitted to France's principal music college, the Paris Conservatoire. There he studied under Ambroise Thomas, whom he greatly admired. After winning the country's top musical prize, the Prix de Rome, in 1863, he composed prolifically in many genres, but quickly became best known for his operas. Between 1867 and his death forty-five years later he wrote more than forty stage works in a wide variety of styles, from opéra-comique to grand-scale depictions of classical myths, romantic comedies, lyric dramas, as well as oratorios, cantatas and ballets. Massenet had a good sense of the theatre and of what would succeed with the Parisian public. Despite some miscalculations, he produced a series of successes that made him the leading composer of opera in France in the late 19th and early 20th centuries.

Like many prominent French composers of the period, Massenet became a professor at the Conservatoire. He taught composition there from 1878 until 1896, when he resigned after the death of the director, Ambroise Thomas. Among his students were Gustave Charpentier, Ernest Chausson, Reynaldo Hahn and Gabriel Pierné.

By the time of his death, Massenet was regarded by many critics as old-fashioned and unadventurous although his two best-known operas remained popular in France and abroad. After a few decades of neglect, his works began to be favourably reassessed during the mid-20th century, and many of them have since been staged and recorded. Although critics do not rank him among the handful of outstanding operatic geniuses such as Mozart, Verdi and Wagner, his operas are now widely accepted as well-crafted and intelligent products of the Belle Époque.

Birth and Death Data: Born May 12, 1842 (Saint-Étienne), Died August 13, 1912 (Paris)

Date Range of DAHR Recordings: 1901 - 1947

Roles Represented in DAHR: composer

= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.

Recordings (Results 276-300 of 637 records)

Company Matrix No. Size First Recording Date Title Primary Performer Description Role Audio
Columbia W144716 10-in. 9/28/1927 Meditation Jackie Souders Orchestra Jazz/dance band composer  
Columbia W98183 12-in. 8/14/1925 Le rêve Rafaelo Díaz Tenor vocal solo, with orchestra composer  
Columbia W98255 12-in. 4/14/1926 Regrets de Manon Maria Kurenko Soprano vocal solo, with orchestra composer  
Columbia W98265 12-in. 4/28/1926 O souverain! O juge! O pere! Charles Hackett Tenor vocal solo, with orchestra composer  
Columbia W98274 12-in. 6/11/1926 Meditation Toscha Seidel Violin and piano duet composer  
Columbia W98337 12-in. 4/29/1927 Le rêve Charles Hackett Tenor vocal solo, with orchestra composer  
Columbia W98532 12-in. 5/3/1928 Ah! Fuyez, douce image Charles Hackett Tenor vocal solo, with orchestra composer  
Columbia 6492 12-in. approximately 1915 L'assomption : Prelude Band of the Grenadier Guards [U.K] ; Lt. A. Williams Band composer  
Columbia 6563 12-in. approximately 1915 Manon: Menuet Beecham Symphony Orchestra ; Thomas Beecham Orchestra composer  
Columbia 6620 12-in. approximately 1915 Scene de Phanuel Jean Vallier Bass vocal solo, with orchestra composer  
Columbia 6637 12-in. approximately 1915 Meditation Albert Sammons Violin and piano duet composer  
Columbia 10139 10-in. approximately 1903 to 1908 Manon : La man puoi dare Irnerio Costantini Bass vocal solo composer  
Columbia 10144 10-in. approximately 1903 to 1908 O casto fior Filippo Aldobrandi Baritone vocal solo composer  
Columbia 10421 10-in. approximately 1903 to 1908 Navarraise : I mia adorata perché Giovanni Genzardi Tenor vocal solo composer  
Columbia 10530 10-in. approximately 1903 to 1908 Il sogno Roméo Berti Tenor vocal solo, with piano composer  
Columbia 11123 10-in. approximately 1908 to 1914 Va! No, non è mai se piango Fanny Anitúa Mezzo-soprano vocal solo, with orchestra composer  
Columbia 11492 10-in. approximately 1908 to 1914 Il sogno Angelo Bendinelli Tenor vocal solo, with orchestra composer  
Columbia 11493 10-in. approximately 1908 to 1914 Ah! Dispar vision Angelo Bendinelli Tenor vocal solo, with orchestra composer  
Columbia 26928 10-in. approximately 1910 Thäis : Meditation A. Stroud Haxton Violin solo composer  
Columbia 35597 10-in. 1906 Werrther : O nature, pleine de grace Tigran Nalbandian Male vocal solo, with piano composer  
Columbia 41793 10-in. between 1904 and 1919 O natura di grazia piena Angelo Bendinelli Male vocal solo, with orchestra composer  
Columbia 41794 10-in. between 1904 and 1919 Ah, non mi ridestar Angelo Bendinelli Male vocal solo, with orchestra composer  
Columbia 41865 10-in. 1913 Guizzar vid'io Amelia Karola Soprano vocal solo, with orchestra composer  
Columbia 44227 10-in. August 1916 C'est le soir Mlle. Foret ; Mme. Vota Female vocal duet, with orchestra composer  
Columbia 44264 10-in. August 1916 Si vous étiez fleur Mlle. Foret ; Mme. Vota Female vocal duet, with orchestra composer  
(Results 276-300 of 637 records)

Citation

Discography of American Historical Recordings, s.v. "Massenet, Jules," accessed May 5, 2024, https://adp.library.ucsb.edu/names/103068.

Massenet, Jules. (2024). In Discography of American Historical Recordings. Retrieved May 5, 2024, from https://adp.library.ucsb.edu/names/103068.

"Massenet, Jules." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 5 May 2024.

DAHR Persistent Identifier

URI: https://adp.library.ucsb.edu/names/103068

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