Jules Massenet

Jules Émile Frédéric Massenet (French pronunciation: ​[ʒyl emil fʁedeʁik masnɛ]; 12 May 1842 – 13 August 1912) was a French composer of the Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are Manon (1884) and Werther (1892). He also composed oratorios, ballets, orchestral works, incidental music, piano pieces, songs and other music.

While still a schoolboy, Massenet was admitted to France's principal music college, the Paris Conservatoire. There he studied under Ambroise Thomas, whom he greatly admired. After winning the country's top musical prize, the Prix de Rome, in 1863, he composed prolifically in many genres, but quickly became best known for his operas. Between 1867 and his death forty-five years later he wrote more than forty stage works in a wide variety of styles, from opéra-comique to grand-scale depictions of classical myths, romantic comedies, lyric dramas, as well as oratorios, cantatas and ballets. Massenet had a good sense of the theatre and of what would succeed with the Parisian public. Despite some miscalculations, he produced a series of successes that made him the leading composer of opera in France in the late 19th and early 20th centuries.

Like many prominent French composers of the period, Massenet became a professor at the Conservatoire. He taught composition there from 1878 until 1896, when he resigned after the death of the director, Ambroise Thomas. Among his students were Gustave Charpentier, Ernest Chausson, Reynaldo Hahn and Gabriel Pierné.

By the time of his death, Massenet was regarded by many critics as old-fashioned and unadventurous although his two best-known operas remained popular in France and abroad. After a few decades of neglect, his works began to be favourably reassessed during the mid-20th century, and many of them have since been staged and recorded. Although critics do not rank him among the handful of outstanding operatic geniuses such as Mozart, Verdi and Wagner, his operas are now widely accepted as well-crafted and intelligent products of the Belle Époque.

Birth and Death Data: Born May 12, 1842 (Saint-Étienne), Died August 13, 1912 (Paris)

Date Range of DAHR Recordings: 1901 - 1947

Roles Represented in DAHR: composer

= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.

Recordings (Results 376-400 of 637 records)

Company Matrix No. Size First Recording Date Title Primary Performer Description Role Audio
Edison 202 12-in. approximately July 1910 Vision fugitive Edoardo Faticanti Baritone vocal solo, with orchestra composer  
Edison 269 12-in. approximately Sept. 1910 Egli e bel Carolina White Soprano vocal solo, with orchestra composer  
Edison 286 10-in. 9/23/1910 Méditation André Benoist ; Albert Spalding Violin solo, with piano composer  
Edison 351 Not documented approximately Sept.-Oct. 1910 Il sogno Franco de Gregorio Tenor vocal solo, with orchestra composer  
Edison 396 12-in. approximately Nov. 1910 Ah! Dispar, vision Franco de Gregorio Tenor vocal solo, with orchestra composer  
Edison 420 12-in. approximately Nov. 1910 Egli e bel Maria Farneti Soprano vocal solo, with orchestra composer  
Edison 521 Not documented approximately Jan. 1911 Gavotte Aino Ackté Soprano vocal solo, with orchestra composer  
Edison 572 10-in. 3/23/1911 Le rêve Georges Régis Tenor vocal solo, with orchestra composer  
Edison 646 Not documented approximately Apr. 1911 Il sogno Elvino Ventura Tenor vocal solo, with orchestra composer  
Edison 782 10-in. approximately July 1911 Vision fugitive Carel van Hulst Baritone vocal solo, with orchestra composer  
Edison 877 12-in. Nov.-Dec. 1911 Egli e bel come il ciel Lucrezia Bori Soprano vocal solo, with orchestra composer  
Edison 879 12-in. Nov.-Dec. 1911 Dis-moi que je suis belle Aino Ackté Soprano vocal solo, with orchestra composer  
Edison 882 10-in. Nov.-Dec. 1911 Adieu, notre petite table Lucrezia Bori Soprano vocal solo, with orchestra composer  
Edison 935 Not documented 2/13/1912 Ouvre tes yeux bleus Armand Vecsey Hungarian Orchestra Instrumental ensemble composer  
Edison 954 10-in. 3/4/1912 Clair de lune Armand Vecsey Hungarian Orchestra Instrumental ensemble composer  
Edison 959 Not documented 2/21/1912 Dell oasi d'acque Carmen Melis ; Giovanni Polese Vocal duet (soprano and baritone), with orchestra composer  
Edison 992 10-in. 4/10/1912 Alessandria Giovanni Polese Baritone vocal solo, with orchestra composer  
Edison 1128 10-in. July 1912 Addio, o nostro Adelina Agostinelli Soprano vocal solo, with orchestra composer  
Edison 1129 10-in. July 1912 O messaggio di Dio Adelina Agostinelli Soprano vocal solo, with orchestra composer  
Edison 1142 12-in. July 1912 Les lettres Werther! Werther! Marie Delna Contralto vocal solo, with orchestra composer  
Edison 1157 10-in. July 1912 Adieu, notre petite table Marguerite Sylva Soprano vocal solo, with orchestra composer  
Edison 1159 10-in. July 1912 Il est doux, il est bon Marguerite Sylva Soprano vocal solo, with orchestra composer  
Edison 1160 10-in. July 1912 Je suis encore tout étourdie Marguerite Sylva Soprano vocal solo, with orchestra composer  
Edison 1246 10-in. between 9/4/1912 and 9/9/1912 Il sogno Elvino Ventura Tenor vocal solo, with orchestra composer  
Edison 1347 10-in. Nov. 1912 Elégie Aino Ackté Soprano vocal solo, with orchestra composer  
(Results 376-400 of 637 records)

Citation

Discography of American Historical Recordings, s.v. "Massenet, Jules," accessed May 18, 2024, https://adp.library.ucsb.edu/names/103068.

Massenet, Jules. (2024). In Discography of American Historical Recordings. Retrieved May 18, 2024, from https://adp.library.ucsb.edu/names/103068.

"Massenet, Jules." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 18 May 2024.

DAHR Persistent Identifier

URI: https://adp.library.ucsb.edu/names/103068

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