Jules Massenet

Jules Émile Frédéric Massenet (French pronunciation: ​[ʒyl emil fʁedeʁik masnɛ]; 12 May 1842 – 13 August 1912) was a French composer of the Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are Manon (1884) and Werther (1892). He also composed oratorios, ballets, orchestral works, incidental music, piano pieces, songs and other music.

While still a schoolboy, Massenet was admitted to France's principal music college, the Paris Conservatoire. There he studied under Ambroise Thomas, whom he greatly admired. After winning the country's top musical prize, the Prix de Rome, in 1863, he composed prolifically in many genres, but quickly became best known for his operas. Between 1867 and his death forty-five years later he wrote more than forty stage works in a wide variety of styles, from opéra-comique to grand-scale depictions of classical myths, romantic comedies, lyric dramas, as well as oratorios, cantatas and ballets. Massenet had a good sense of the theatre and of what would succeed with the Parisian public. Despite some miscalculations, he produced a series of successes that made him the leading composer of opera in France in the late 19th and early 20th centuries.

Like many prominent French composers of the period, Massenet became a professor at the Conservatoire. He taught composition there from 1878 until 1896, when he resigned after the death of the director, Ambroise Thomas. Among his students were Gustave Charpentier, Ernest Chausson, Reynaldo Hahn and Gabriel Pierné.

By the time of his death, Massenet was regarded by many critics as old-fashioned and unadventurous although his two best-known operas remained popular in France and abroad. After a few decades of neglect, his works began to be favourably reassessed during the mid-20th century, and many of them have since been staged and recorded. Although critics do not rank him among the handful of outstanding operatic geniuses such as Mozart, Verdi and Wagner, his operas are now widely accepted as well-crafted and intelligent products of the Belle Époque.

Birth and Death Data: Born May 12, 1842 (Saint-Étienne), Died August 13, 1912 (Paris)

Date Range of DAHR Recordings: 1901 - 1947

Roles Represented in DAHR: composer

= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.

Recordings (Results 426-450 of 637 records)

Company Matrix No. Size First Recording Date Title Primary Performer Description Role Audio
Edison 6066 10-in. Mar. 1918 Le rêve Pierre A. Asselin Tenor vocal solo, with orchestra composer  
Edison 6078 10-in. Mar. 1918 O Souverain, o Juge, o Père Pierre A. Asselin Male vocal solo, with orchestra composer  
Edison 6084 10-in. Mar. 1918 Thaïs : Meditation Pierre Henrotte Violin solo, with piano composer  
Edison 6181 10-in. May 1918 O casto fior del mio sospir Taurino Parvis Baritone vocal solo, with orchestra composer  
Edison 6201 10-in. 6/5/1918 Meditation Ethel Fleming ; Robert Gayler Violin solo, with piano composer  
Edison 6376 10-in. 9/23/1918 Le reve Guido Ciccolini Tenor vocal solo, with orchestra composer  
Edison 6616 10-in. 2/10/1919 Ah! Dispar, vision Carlos Castro Tenor vocal solo, with orchestra composer  
Edison 6764 10-in. 5/5/1919 Meditation Robert Gayler ; Madeleine MacGuigan Sokoloff Violin solo, with piano composer  
Edison 6770 10-in. 5/7/1919 To a wild rose Robert Gayler ; Madeleine MacGuigan Sokoloff Violin solo, with piano composer  
Edison 7086 10-in. 1/3/1920 Elégie Marie Rappold Soprano vocal solo, with orchestra composer  
Edison 7126 10-in. 1/21/1920 Ave Maria Frieda Hempel ; Albert Spalding Soprano vocal solo, with violin and piano composer  
Edison 7191 10-in. 3/1/1920 A quoi bon l'économie Torcom Bézazian Male vocal solo, with orchestra composer  
Edison 7722 10-in. 1/5/1921 Salome! Salome! Mario Laurenti Tenor vocal solo, with orchestra composer  
Edison 7740 10-in. 1/14/1921 Voilà donc la terrible cité Mario Laurenti Tenor vocal solo, with orchestra composer  
Edison 7984 10-in. 5/13/1921 Légende de la sauge Mario Laurenti Tenor vocal solo, with orchestra composer  
Edison 8062 10-in. 6/13/1921 Scène du miroir Alice Verlet Soprano vocal solo, with orchestra composer  
Edison 8110 10-in. 7/1/1921 Duo de l'oasis Arthur Middleton ; Alice Verlet Vocal duet (soprano and baritone), with orchestra composer  
Edison 8409 10-in. 4/7/1922 Egli e bel come il ciel Claudia Muzio Soprano vocal solo, with orchestra composer  
Edison 8772 10-in. 10/16/1923 Elégie Huston Ray Piano solo composer  
Edison 9059 10-in. 7/5/1923 Open thou, my love, thy blue eyes Anna Case Soprano vocal solo, with orchestra composer  
Edison 10011 10-in. 1/11/1924 Minuet in G Sophie Sanina Piano solo composer  
Edison 11051 10-in. 6/18/1926 Manon selection no. 1 American Concert Orchestra Orchestra composer  
Edison 11052 10-in. 6/18/1926 Manon selection no. 2 American Concert Orchestra Orchestra composer  
Edison 18775 10-in. 10/2/1928 Elegie Josef Adler ; Erna Rubinstein Violin solo, with piano composer  
Edison 18798 10-in. 10/10/1928 Il est doux, il est bon Florence Easton Soprano vocal solo, with orchestra composer  
(Results 426-450 of 637 records)

Citation

Discography of American Historical Recordings, s.v. "Massenet, Jules," accessed May 4, 2024, https://adp.library.ucsb.edu/names/103068.

Massenet, Jules. (2024). In Discography of American Historical Recordings. Retrieved May 4, 2024, from https://adp.library.ucsb.edu/names/103068.

"Massenet, Jules." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 4 May 2024.

DAHR Persistent Identifier

URI: https://adp.library.ucsb.edu/names/103068

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