Johann Sebastian Bach

Johann Sebastian Bach (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the Brandenburg Concertos; instrumental compositions such as the Cello Suites; keyboard works such as the Goldberg Variations and The Well-Tempered Clavier; organ works such as the Schubler Chorales and the Toccata and Fugue in D minor; and vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music.

The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician, Johann Ambrosia, in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant churches in Arnstadt and Mühlhausen and, for longer stretches of time, at courts in Weimar, where he expanded his organ repertory, and Köthen, where he was mostly engaged with chamber music. From 1723, he was employed as Thomaskantor (cantor at St Thomas's) in Leipzig. There he composed music for the principal Lutheran churches of the city, and for its university's student ensemble Collegium Musicum. From 1726, he published some of his keyboard and organ music. In Leipzig, as had happened during some of his earlier positions, he had difficult relations with his employer, a situation that was little remedied when he was granted the title of court composer by his sovereign, Augustus III of Poland, in 1736. In the last decades of his life, he reworked and extended many of his earlier compositions. He died of complications after eye surgery in 1750 at the age of 65.

Bach enriched established German styles through his mastery of counterpoint, harmonic, and motivic organisation, and his adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include hundreds of cantatas, both sacred and secular. He composed Latin church music, Passions, oratorios, and motets. He often adopted Lutheran hymns, not only in his larger vocal works, but for instance also in his four-part chorales and his sacred songs. He wrote extensively for organ and for other keyboard instruments. He composed concertos, for instance for violin and for harpsichord, and suites, as chamber music as well as for orchestra. Many of his works employ the genres of canon and fugue.

Throughout the 18th century, Bach was primarily valued as an organist, while his keyboard music, such as The Well-Tempered Clavier, was appreciated for its didactic qualities. The 19th century saw the publication of some major Bach biographies, and by the end of that century all of his known music had been printed. Dissemination of scholarship on the composer continued through periodicals (and later also websites) exclusively devoted to him, and other publications such as the Bach-Werke-Verzeichnis (BWV, a numbered catalogue of his works) and new critical editions of his compositions. His music was further popularised through a multitude of arrangements, including the Air on the G String and "Jesu, Joy of Man's Desiring", and of recordings, such as three different box sets with complete performances of the composer's oeuvre marking the 250th anniversary of his death.

Birth and Death Data: Born March 31, 1685 (Eisenach), Died July 28, 1750 (Leipzig)

Date Range of DAHR Recordings: 1904 - 1950

Roles Represented in DAHR: composer, arranger

= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.

Recordings (Results 226-250 of 576 records)

Company Matrix No. Size First Recording Date Title Primary Performer Description Role Audio
Victor PCS-97268 12-in. 1/27/1936 Die Kunst der Fuge. 1750 Richard Buhlig ; Wesley Kuhnle Piano duet composer  
Victor PCS-97269 12-in. 1/27/1936 Die Kunst der Fuge. 1750 Richard Buhlig ; Wesley Kuhnle Piano duet composer  
Victor CS-98886 12-in. 1/27/1936 Erbarme dich, mein Gott Michael Rosenker ; Alexander Smallens ; Enid Szantho Contralto vocal solo and violin solo, with orchestra composer  
Victor CS-98887 12-in. 1/27/1936 Erbarme dich, mein Gott Michael Rosenker ; Alexander Smallens ; Enid Szantho Contralto vocal solo and violin solo, with orchestra composer  
Victor CS-99550 12-in. 2/7/1936 Well tempered clavichord Rosalyn Tureck Piano solo composer  
Victor CS-99551 12-in. 2/7/1936 Well tempered clavichord Rosalyn Tureck Piano solo composer  
Victor CS-99552 12-in. 2/7/1936 Prelude in C sharp Rosalyn Tureck Piano solo composer  
Victor CS-99553 12-in. 2/7/1936 Well tempered clavichord Rosalyn Tureck Piano solo composer  
Victor CS-99861 12-in. 3/6/1936 English suite in G minor Rosalyn Tureck Piano solo composer  
Victor BS-101122 10-in. 3/26/1936 Kom susser Tod Jeanne Behrend Piano solo composer  
Victor BS-101123 10-in. 3/26/1936 Organ choral prelude, "Herzlich thut nich verlangen" Alexander Kelberine Piano solo composer  
Victor BS-101124 10-in. 3/26/1936 Wer nur den lieben Gott lasst walten (Organ choral prelude) Jeanne Behrend Piano solo composer  
Victor BS-101125 10-in. 3/26/1936 Ich ruf zu dir, Herr Jesu Christ (Organ choral prelude) Alexander Kelberine Piano solo composer  
Victor CS-101126 12-in. 3/26/1936 Prelude in E major Jeanne Behrend Piano solo composer  
Victor CS-101127 12-in. 3/26/1936 Aus der Tiefe rufe ich Alexander Kelberine Piano solo composer  
Victor BS-101128 10-in. 3/26/1936 Ertodt uns durch dein Gute Alexander Kelberine Piano solo composer  
Victor BS-101129 10-in. 3/27/1936 Er denket der Barmherzigkeit Jeanne Behrend Piano solo composer  
Victor CS-101130 12-in. 3/27/1936 Adagio Jeanne Behrend ; Alexander Kelberine Piano duet composer  
Victor CS-101131 12-in. 3/27/1936 Nun komm der Heiden Heiland (Organ choral prelude) Jeanne Behrend ; Alexander Kelberine Piano duet composer  
Victor CS-102037 12-in. 6/11/1936 Adagio from Toccata and fugue in C major Louis Railly ; Genia Robinor Viola and piano composer  
Victor B-[Unnumbered 1922-06-06-01] 10-in. 6/6/1922 Matthaus passion chorale Stokowski Chorus Mixed vocal chorus, with tuba composer  
Victor BS-076 10-in. 8/28/1936 Prelude and fugue in G minor Alexander Kelberine Piano solo composer  
Victor BS-077 10-in. 8/28/1936 Prelude and fugue in G minor Alexander Kelberine Piano solo composer  
Victor BS-0296 10-in. 9/4/1936 Siciliana Stefan Sopkin Violin solo composer  
Victor CS-03102 12-in. 11/16/1936 Passacaglia in C minor Philadelphia Orchestra ; Leopold Stokowski Orchestra composer  
(Results 226-250 of 576 records)

Citation

Discography of American Historical Recordings, s.v. "Bach, Johann Sebastian," accessed April 25, 2024, https://adp.library.ucsb.edu/names/102304.

Bach, Johann Sebastian. (2024). In Discography of American Historical Recordings. Retrieved April 25, 2024, from https://adp.library.ucsb.edu/names/102304.

"Bach, Johann Sebastian." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 25 April 2024.

DAHR Persistent Identifier

URI: https://adp.library.ucsb.edu/names/102304

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