Johann Sebastian Bach
Johann Sebastian Bach (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the late Baroque period. He is known for his prolific output across a variety of instruments and forms, including the orchestral Brandenburg Concertos; solo instrumental works such as the cello suites and sonatas and partitas for solo violin; keyboard works such as the Goldberg Variations and The Well-Tempered Clavier; organ works such as the Schübler Chorales and the Toccata and Fugue in D minor; and choral works such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival, he has been widely regarded as one of the greatest composers in the history of Western music. The Bach family had already produced several composers when Johann Sebastian was born as the last child of a city musician, Johann Ambrosius, in Eisenach. After being orphaned at age 10, he lived for five years with his eldest brother, Johann Christoph, then continued his musical education in Lüneburg. In 1703 he returned to Thuringia, working as a musician for Protestant churches in Arnstadt and Mühlhausen. Around that time he also visited for longer periods the courts in Weimar, where he expanded his organ repertory, and the reformed court at Köthen, where he was mostly engaged with chamber music. By 1723 he was hired as Thomaskantor (cantor with related duties at St Thomas School) in Leipzig. There he composed music for the principal Lutheran churches of the city and Leipzig University's student ensemble, Collegium Musicum. In 1726 he began publishing his organ and other keyboard music. In Leipzig, as had happened during some of his earlier positions, he had difficult relations with his employer. This situation was somewhat remedied when his sovereign, Augustus III of Poland, granted him the title of court composer of the Elector of Saxony in 1736. In the last decades of his life, Bach reworked and extended many of his earlier compositions. He died due to complications following eye surgery in 1750 at the age of 65. Four of his twenty children, Wilhelm Friedemann, Carl Philipp Emanuel, Johann Christoph Friedrich, and Johann Christian, became composers. Bach enriched established German styles through his mastery of counterpoint, harmonic and motivic organisation, and his adaptation of rhythms, forms, and textures from abroad, particularly Italy and France. His compositions include hundreds of cantatas, both sacred and secular. He composed Latin church music, Passions, oratorios, and motets. He adopted Lutheran hymns, not only in his larger vocal works but also in such works as his four-part chorales and his sacred songs. Bach wrote extensively for organ and other keyboard instruments. He composed concertos, for instance for violin and for harpsichord, and suites, as chamber music as well as for orchestra. Many of his works use contrapuntal techniques like canon and fugue. Several decades after the end of his life, in the 18th century, Bach was still primarily known as an organist. Several biographies of Bach were published in the 19th century, and by the end of that century all of his known music had been printed. Dissemination of Bach scholarship continued through periodicals (and later also websites) devoted to him, other publications such as the Bach-Werke-Verzeichnis (BWV, a numbered catalogue of his works), and new critical editions of his compositions. His music was further popularised by a multitude of arrangements, including the "Air on the G String" and "Jesu, Joy of Man's Desiring", and recordings, among them three different box sets of performances of his complete oeuvre marking the 250th anniversary of his death. By 2013, more than 150 recordings had been made of his Well-Tempered Clavier. |
Birth and Death Data: Born Eisenach (municipality in Thuringia, Germany), Died July 28, 1750 (Leipzig (largest city in Saxony, Germany) )
Date Range of DAHR Recordings: 1904 - 1950
Roles Represented in DAHR: composer, arranger
= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.
Recordings (Results 226-250 of 742 records)
| Company | Matrix No. | Size | First Recording Date | Title | Primary Performer | Description | Role | Audio |
|---|---|---|---|---|---|---|---|---|
| Victor | PCS-97267 | 12-in. | 1/27/1936 | Die Kunst der Fuge. 1750 | Richard Buhlig ; Wesley Kuhnle | Piano duet | composer | |
| Victor | PCS-97268 | 12-in. | 1/27/1936 | Die Kunst der Fuge. 1750 | Richard Buhlig ; Wesley Kuhnle | Piano duet | composer | |
| Victor | PCS-97269 | 12-in. | 1/27/1936 | Die Kunst der Fuge. 1750 | Richard Buhlig ; Wesley Kuhnle | Piano duet | composer | |
| Victor | CS-98886 | 12-in. | 1/27/1936 | Erbarme dich, mein Gott | Michael Rosenker ; Alexander Smallens ; Enid Szantho | Contralto vocal solo and violin solo, with orchestra | composer | |
| Victor | CS-98887 | 12-in. | 1/27/1936 | Erbarme dich, mein Gott | Michael Rosenker ; Alexander Smallens ; Enid Szantho | Contralto vocal solo and violin solo, with orchestra | composer | |
| Victor | CS-99550 | 12-in. | 2/7/1936 | Well tempered clavichord | Rosalyn Tureck | Piano solo | composer | |
| Victor | CS-99551 | 12-in. | 2/7/1936 | Well tempered clavichord | Rosalyn Tureck | Piano solo | composer | |
| Victor | CS-99552 | 12-in. | 2/7/1936 | Prelude in C sharp | Rosalyn Tureck | Piano solo | composer | |
| Victor | CS-99553 | 12-in. | 2/7/1936 | Well tempered clavichord | Rosalyn Tureck | Piano solo | composer | |
| Victor | CS-99861 | 12-in. | 3/6/1936 | English suite in G minor | Rosalyn Tureck | Piano solo | composer | |
| Victor | BS-101122 | 10-in. | 3/26/1936 | Kom susser Tod | Jeanne Behrend | Piano solo | composer | |
| Victor | BS-101123 | 10-in. | 3/26/1936 | Organ choral prelude, "Herzlich thut nich verlangen" | Alexander Kelberine | Piano solo | composer | |
| Victor | BS-101124 | 10-in. | 3/26/1936 | Wer nur den lieben Gott lasst walten (Organ choral prelude) | Jeanne Behrend | Piano solo | composer | |
| Victor | BS-101125 | 10-in. | 3/26/1936 | Ich ruf zu dir, Herr Jesu Christ (Organ choral prelude) | Alexander Kelberine | Piano solo | composer | |
| Victor | CS-101126 | 12-in. | 3/26/1936 | Prelude in E major | Jeanne Behrend | Piano solo | composer | |
| Victor | CS-101127 | 12-in. | 3/26/1936 | Aus der Tiefe rufe ich | Alexander Kelberine | Piano solo | composer | |
| Victor | BS-101128 | 10-in. | 3/26/1936 | Ertodt uns durch dein Gute | Alexander Kelberine | Piano solo | composer | |
| Victor | BS-101129 | 10-in. | 3/27/1936 | Er denket der Barmherzigkeit | Jeanne Behrend | Piano solo | composer | |
| Victor | CS-101130 | 12-in. | 3/27/1936 | Adagio | Jeanne Behrend ; Alexander Kelberine | Piano duet | composer | |
| Victor | CS-101131 | 12-in. | 3/27/1936 | Nun komm der Heiden Heiland (Organ choral prelude) | Jeanne Behrend ; Alexander Kelberine | Piano duet | composer | |
| Victor | CS-102037 | 12-in. | 6/11/1936 | Adagio from Toccata and fugue in C major | Louis Railly ; Genia Robinor | Viola and piano | composer | |
| Victor | B-[Unnumbered 1922-06-06-01] | 10-in. | 6/6/1922 | Matthaus passion chorale | Stokowski Chorus | Mixed vocal chorus, with tuba | composer | |
| Victor | BS-076 | 10-in. | 8/28/1936 | Prelude and fugue in G minor | Alexander Kelberine | Piano solo | composer | |
| Victor | BS-077 | 10-in. | 8/28/1936 | Prelude and fugue in G minor | Alexander Kelberine | Piano solo | composer | |
| Victor | BS-0296 | 10-in. | 9/4/1936 | Siciliana | Stefan Sopkin | Violin solo | composer |
Citation
Discography of American Historical Recordings, s.v. "Bach, Johann Sebastian," accessed January 6, 2026, http://adp.library.ucsb.edu/names/102304.
Bach, Johann Sebastian. (2026). In Discography of American Historical Recordings. Retrieved January 6, 2026, from http://adp.library.ucsb.edu/names/102304.
"Bach, Johann Sebastian." Discography of American Historical Recordings. UC Santa Barbara Library, 2026. Web. 6 January 2026.
DAHR Persistent Identifier
External Sources
Wikipedia: Johann Sebastian Bach
Discogs: Johann Sebastian Bach
Allmusic: Johann Sebastian Bach
Apple Music: Johann Sebastian Bach
Grove: Johann Sebastian Bach
IMSLP: Johann Sebastian Bach
RILM: Johann Sebastian Bach
RISM: Johann Sebastian Bach
IMDb: Johann Sebastian Bach
Britannica: Johann Sebastian Bach
Linked Open Data Sources
LCNAR: Bach, Johann Sebastian, 1685-1750 - https://id.loc.gov/authorities/names/n79021425
Wikidata: Johann Sebastian Bach - https://www.wikidata.org/entity/Q1339
VIAF: https://viaf.org/viaf/12304462
MusicBrainz: Johann Sebastian Bach - https://musicbrainz.org/artist/24f1766e-9635-4d58-a4d4-9413f9f98a4c
Fast: https://id.worldcat.org/fast/31701 - https://id.worldcat.org/fast/31701
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