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Gioacchino Rossini

Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity.

Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of 12 and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823 he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere; this productivity necessitated an almost formulaic approach for some components (such as overtures) and a certain amount of self-borrowing. During this period he produced his most popular works, including the comic operas L'italiana in Algeri, Il barbiere di Siviglia (known in English as The Barber of Seville) and La Cenerentola, which brought to a peak the opera buffa tradition he inherited from masters such as Domenico Cimarosa and Giovanni Paisiello. He also composed opera seria works such as Tancredi, Otello and Semiramide. All of these attracted admiration for their innovation in melody, harmonic and instrumental colour, and dramatic form. In 1824 he was contracted by the Opéra in Paris, for which he produced an opera to celebrate the coronation of Charles X, Il viaggio a Reims (later cannibalised for his first opera in French, Le comte Ory), revisions of two of his Italian operas, Le siège de Corinthe and Moïse, and in 1829 his last opera, Guillaume Tell.

Rossini's withdrawal from opera for the last 40 years of his life has never been fully explained; contributary factors may have been ill-health, the wealth his success had brought him, and the rise of spectacular grand opera under composers such as Giacomo Meyerbeer. From the early 1830s to 1855, when he left Paris and was based in Bologna, Rossini wrote relatively little. On his return to Paris in 1855 he became renowned for his musical salons on Saturdays, regularly attended by musicians and the artistic and fashionable circles of Paris, for which he wrote the entertaining pieces Péchés de vieillesse. Guests included Franz Liszt, Anton Rubinstein, Giuseppe Verdi, Meyerbeer and Joseph Joachim. Rossini's last major composition was his Petite messe solennelle (1863). He died in Paris in 1868.

Birth and Death Data: Born February 29, 1792 (Pesaro), Died November 13, 1868 (Passy)

Date Range of DAHR Recordings: 1897 - 1951

Roles Represented in DAHR: composer

= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.

Recordings (Results 251-275 of 594 records)

Company Matrix No. Size First Recording Date Title Primary Performer Description Role Audio
Victor [Trial 1926-02-04-01] 10-in. 2/4/1926 Barber of Seville : Overture Charles Magnante Accordion solo composer  
Columbia 18 7-in. ca. 1901 Inflammatus Artists vary Cornet solo, with piano composer  
Columbia 18 10-in. ca. 1901-Sept. 1902 Inflammatus Artists vary Cornet solo, with piano composer  
Columbia 80 7-in. ca. 1901-Sept. 1902 Barber of Seville : Overture Columbia Band Band composer  
Columbia 80 10-in. between 1901 and September 1902 The barber of Seville : Overture Columbia Band Band composer  
Columbia 89 7-in. ca. 1901 William Tell : Overture Columbia Band Band composer  
Columbia 89 10-in. approximately 1901 William Tell : Overture Columbia Band Band composer  
Columbia 186 7-in. ca. 1901-Sept. 1902 Semiramide : Overture Columbia Band Band composer  
Columbia 186 10-in. between 1901 and September 1902 Semiramide : Overture Columbia Band Band composer  
Columbia 824 7-in. ca. 1902 William Tell : Finale to Overture Charles P. Lowe Xylophone solo, with piano composer  
Columbia 824 10-in. ca. 1902 Overture to William Tell : Finale Charles P. Lowe Xylophone solo, with piano composer  
Columbia 931 7-in. ca. 1902-Oct. 1905 William Tell : Ballet music Columbia Band Band composer  
Columbia 931 10-in. ca. 1902 William Tell : Ballet music Columbia Band Band composer  
Columbia 1042 7-in. ca. 1902 L'italiana in Algieri : Overture Columbia Band Band composer  
Columbia 1042 10-in. ca. 1902 The Italian in Algiers : Overture Columbia Band Band composer  
Columbia 1129 7-in. ca. 1903-Oct. 1905 William Tell : Overture Columbia Band Band composer  
Columbia 1129 10-in. approximately 1903 William Tell : Overture Columbia Band Band composer  
Columbia 1149 7-in. ca. 1903 William Tell : Overture Columbia Band Band composer  
Columbia 1149 10-in. approximately 1903 William Tell : Overture Columbia Band Band composer  
Columbia 1157 7-in. ca. 1903 William Tell : Overture Columbia Band Band composer  
Columbia 1157 10-in. approximately 1903 William Tell : Overture Columbia Band Band composer  
Columbia 1226 10-in. approximately 1903 Il barbiere de Seville : Aria Giuseppe Campanari Baritone vocal solo, with piano composer  
Columbia 1249 7-in. ca. 1903 Largo al factotum Alberto De Bassini Baritone vocal solo, with piano composer  
Columbia 1249 10-in. ca. 1903 Largo al factotum Alberto De Bassini Baritone vocal solo, with piano composer  
Columbia 1436 7-in. ca. 1903-Oct. 1905 Pro peccatis Alberto De Bassini Baritone vocal solo, with piano composer  
(Results 251-275 of 594 records)

Citation

Discography of American Historical Recordings, s.v. "Rossini, Gioacchino," accessed May 3, 2024, https://adp.library.ucsb.edu/names/102419.

Rossini, Gioacchino. (2024). In Discography of American Historical Recordings. Retrieved May 3, 2024, from https://adp.library.ucsb.edu/names/102419.

"Rossini, Gioacchino." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 3 May 2024.

DAHR Persistent Identifier

URI: https://adp.library.ucsb.edu/names/102419

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