Nikolai Andreyevich Rimsky-Korsakov (Russian: Николай Андреевич Римский-Корсаков, IPA: [nʲɪkəˈlaj ɐnˈdrʲejɪvʲɪtɕ ˈrʲimskʲɪj ˈkorsəkəf] (listen); 18 March [O.S. 6 March] 1844 – 21 June [O.S. 8 June] 1908) was a Russian composer, and a member of the group of composers known as The Five. He was a master of orchestration. His best-known orchestral compositions—Capriccio Espagnol, the Russian Easter Festival Overture, and the symphonic suite Scheherazade—are staples of the classical music repertoire, along with suites and excerpts from some of his 15 operas. Scheherazade is an example of his frequent use of fairy-tale and folk subjects.
Rimsky-Korsakov believed in developing a nationalistic style of classical music, as did his fellow-composer Mily Balakirev and the critic Vladimir Stasov. This style employed Russian folk song and lore along with exotic harmonic, melodic and rhythmic elements in a practice known as musical orientalism, and eschewed traditional Western compositional methods. Rimsky-Korsakov appreciated Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. He undertook a rigorous three-year program of self-education and became a master of Western methods, incorporating them alongside the influences of Mikhail Glinka and fellow members of The Five. Rimsky-Korsakov's techniques of composition and orchestration were further enriched by his exposure to the works of Richard Wagner.
For much of his life, Rimsky-Korsakov combined his composition and teaching with a career in the Russian military—at first as an officer in the Imperial Russian Navy, then as the civilian Inspector of Naval Bands. He wrote that he developed a passion for the ocean in childhood from reading books and hearing of his older brother's exploits in the navy. This love of the sea may have influenced him to write two of his best-known orchestral works, the musical tableau Sadko (not to be confused with his later opera of the same name) and Scheherazade. As Inspector of Naval Bands, Rimsky-Korsakov expanded his knowledge of woodwind and brass playing, which enhanced his abilities in orchestration. He passed this knowledge to his students, and also posthumously through a textbook on orchestration that was completed by his son-in-law, Maximilian Steinberg.
Rimsky-Korsakov left a considerable body of original Russian nationalist compositions. He prepared works by The Five for performance, which brought them into the active classical repertoire (although there is controversy over his editing of the works of Modest Mussorgsky), and shaped a generation of younger composers and musicians during his decades as an educator. Rimsky-Korsakov is therefore considered "the main architect" of what the classical-music public considers the "Russian style" of composition. His influence on younger composers was especially important, as he served as a transitional figure between the autodidactism exemplified by Glinka and The Five, and professionally trained composers which would become the norm in Russia by the closing years of the 19th century. While Rimsky-Korsakov's style was based on those of Glinka, Balakirev, Hector Berlioz, Franz Liszt and, for a brief period, Wagner, he "transmitted this style directly to two generations of Russian composers" and influenced non-Russian composers including Maurice Ravel, Claude Debussy, Paul Dukas, and Ottorino Respighi.
Birth and Death Data: Born March 18th, 1844 (Tikhvin), Died June 21st, 1908 (Lyubensk)
Date Range of DAHR Recordings: 1902 - 1950
Roles Represented in DAHR: composer, orchestrator, lyricist
Recordings (Results 126-150 of 208 records)
|Company||Matrix No.||Size||First Recording Date||Title||Primary Performer||Description||Role||Audio|
|Columbia||48738||12-in.||4/27/1916||Danza de los bufones||Ernest Ansermet ; Serge de Diaghileff's Russian Ballet Orchestra||Orchestra||composer|
|Columbia||49100||12-in.||1/24/1917||Capriccio espagnol||Philharmonic Orchestra of New York ; Josef Stransky||Orchestra||composer|
|Columbia||49386||12-in.||4/29/1918||Salut a'toi soleil||Maria Barrientos||Soprano vocal solo, with orchestra||composer|
|Columbia||49532||12-in.||10/19/1918||Capriccio espagnol||André Messager ; Paris Conservatory Symphony Orchestra||Orchestra||composer|
|Columbia||49699||12-in.||11/28/1919||Scheherazade : First movement||Cincinnati Symphony Orchestra ; Eugène Ysaÿe||Orchestra||composer|
|Columbia||49711||12-in.||11/29/1919||Scheherazade : Third movement||Cincinnati Symphony Orchestra ; Eugène Ysaÿe||Orchestra||composer|
|Columbia||49920||12-in.||ca. late 1920-early 1921||A song of India||Rosa Ponselle||Soprano vocal solo, with orchestra||composer|
|Columbia||W142110||10-in.||4/28/1926||Song of India||Maria Kurenko||Soprano vocal solo, with orchestra||composer|
|Columbia||W142187||10-in.||5/11/1926||Hymn to the sun||Maria Kurenko||Soprano vocal solo, with orchestra||composer|
|Columbia||W144595||10-in.||8/30/1927||Hymn to the sun||Eddy Brown||Violin solo, with piano||composer|
|Columbia||W144596||10-in.||8/30/1927||Chanson hindoue||Eddy Brown||Violin solo, with piano||composer|
|Columbia||W150591||10-in.||6/13/1930||A song of India||Anna Case ; Carroll Hollister||Soprano vocal solo, with piano||composer, lyricist|
|Columbia||W98226||12-in.||2/3/1926||Capriccio espagnol||Walter Damrosch ; New York Symphony Orchestra||Orchestra||composer|
|Columbia||W98281||12-in.||6/15/1926||Chanson arabe||Emanuel Bay ; Toscha Seidel||Violin solo, with piano||composer|
|Columbia||W98653||12-in.||4/25/1929||Song of India||Paul Whiteman Orchestra||Jazz/dance band||composer|
|Columbia||6604||12-in.||approximately 1915||Symphony no. 2 - Antar||Beecham Symphony Orchestra ; Thomas Beecham||Orchestra||composer|
|Columbia||74186||12-in.||4/29/1921||Scheherezade : 2nd movement, part 1||Eric Coates ; London Symphony Orchestra||Orchestra||composer|
|Columbia||74187||12-in.||4/29/1921||Scheherezade : 2nd movement, part 2||Eric Coates ; London Symphony Orchestra||Orchestra||composer|
|Columbia||75257||12-in.||approximately 1916||Caprice espagnole, pt. 1||New Queen's Hall Orchestra ; Henry J. Wood||Orchestra||composer|
|Columbia||75258||12-in.||approximately 1916||Caprice espagnole, pt. 2||New Queen's Hall Orchestra ; Henry J. Wood||Orchestra||composer|
|Columbia||76742||12-in.||12/11/1919||Scheherezade, 4th movement, part 1||Albert Coates ; London Symphony Orchestra||Orchestra||composer|
|Columbia||76743||12-in.||12/11/1919||Scheherezade, 4th movement, part 2||Albert Coates ; London Symphony Orchestra||Orchestra||composer|
|Columbia||76744||12-in.||12/11/1919||Scheherezade, 4th movement, part 3||Albert Coates ; London Symphony Orchestra||Orchestra||composer|
|Columbia||76745||12-in.||12/11/1919||Scheherezade, 4th movement, part 4||Albert Coates ; London Symphony Orchestra||Orchestra||composer|
|OKeh||S-70364||10-in.||Dec. 1921||Song of India||Glantz and his Orchestra||Jazz/dance band||composer|
Discography of American Historical Recordings, s.v. "Rimsky-Korsakov, Nikolay," accessed October 24, 2021, https://adp.library.ucsb.edu/names/102531.
Rimsky-Korsakov, Nikolay. (2021). In Discography of American Historical Recordings. Retrieved October 24, 2021, from https://adp.library.ucsb.edu/names/102531.
"Rimsky-Korsakov, Nikolay." Discography of American Historical Recordings. UC Santa Barbara Library, 2021. Web. 24 October 2021.
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